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Latinos have contributed a tremendous amount to American cultural heritage, injecting energy, a unique style, and piquant flavor. This set profiles the big names from this century and the last who represent the highest achievement in their field and who have inspired, led, educated, informed, and entertained us. A diverse representation from the world of sports, entertainment, education, music, journalism, literature, and labor is offered. Biographical essays engagingly tell the story behind the icon, with background including family and education, career trajectory and highlights, and contributions and circumstances that have led to icon status. Along with these famous figures, several essays on other types of Latino pop culture icons—iconic characters from cartoons and comics and film and even iconic Latino foods—are included. Entertaining side bars and classic photos complement the essays. Perfect for student reports and browsing, with more in-depth coverage than an encyclopedia entry but less than a full biography, there is something fascinating and informative here for everyone. Readers will find that that a number of the icons profiled were influenced by other icons profiled or have an important connection to one another. For example, Tito Puente and Celia Cruz performed together for many years. Actress Jennifer Lopez portrayed the singer Selena in a biopic. Cesar Chavez and Dolores Huerta made the United Farm Workers union a reality. Furthermore, in telling the story of these icons, each essay relates so much of the historical and social issues of the times. Thus, together, these essays offer a good sense of recent Latino and Latin American history and progress. Icons include Desi Arnaz; Ruben Blades; Fabiola Cabeza de Baca; Cesar Chavez; Chiles, Tortillas, and the Mexican Food Explosion; Sandra Cisneros; Roberto Clemente; Celia Cruz; Placido Domingo; Jaime Escalante; Gordo, Speedy Gonzales, Dora the Explorer, Bondo, and La Cucaracha; Dolores Huerta; Jennifer Lopez; Rita Moreno; Edward James Olmos; Tito Puente; Ruben Salazar; Carlos Santana; Cristina Saralegui; Selena; Lee Trevino; Luis Valdez; Ritchie Valens; and Zorro.
The faces of Che, Frida, Evita, Carmen Miranda, and other icons represent Latin America both to a global public that sees these faces constantly reproduced, and to Latin Americans themselves. They enter the circulation machines of Hollywood, or work as nostalgic definitions of a nation, or define a post-national condition. They become stereotypes as they go global, and the often melodramatic stories that cling to them give them a different sort of power than the one they had in their original contexts. Latin American Icons, from critics both in the United States and in Latin America, ask these faces questions; they describe the technologies and propaganda machines, whether the newspapers of Revolutionary Mexico (or Paris and New York) or the movie studios of Argentina and Mexico, which gave them power in their local context; and they return their original histories to those faces that have become abstract symbols of The Rebel or The Spitfire or The Tortured Artist. In equal parts idolatry and iconoclasm, Latin American Icons recognizes and interrogates those Latin Americans who have become larger than life. In trying to understand the meaning of iconic figures in modern Latin America, this volume ranges across every realm of political and cultural life--populist politicos, jet-setting ambassador-playboys, soccer players and superstars--to examine the complex forces at work in the making and re-making of celebrities within and across national borders.
The topics covered by this pioneering collection of essays range from peninsular Spanish to Latin American literature, from the eleventh to the twentieth centuries, and from the subject of women as portrayed in Hispanic literature to the literature of Hispanic women writers. Some pieces present polemical feminist arguments, other are more traditional. All the contributors use their subject to take new stands on old controversies, ask new questions, and reevaluate important aspects of Hispanic literature. While there is ample evidence in these essays of the dual archetype in Hispanic literature of women as icon and woman as fallen idol, the collection reaches beyond these stereotypes to more complex sociological and theoretical concerns. Although such research has ben abundantly pursued by scholars of English and American literature, it has been notably absent from Hispanic studies. This anthology is a comprehensive introduction to its subject and a stimulus to further work in the area. Contributors: Fernando Alegría Electa Arenal Julianne Burton Alan Deyermond Rosalie Gimeno Harriet Goldberg Estelle Irizarry Kathleen Kish Luis Leal Linda Gould Levine Melveena McKendrick Francine Masiello Beth Miller Elizabeth Ordóñez Rachel Phillips Marcia L. Welles This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983.
This book examines why several American literary and intellectual icons became pioneering scholars of the Hispanic world after Independence and the War 1812. At this crucial time for the young republic, these gifted Americans found inspiration in an unlikely place: the collapsing Spanish empire and used it to shape their own country's identity.
Shedding light on the historicity of icons to reframe the history of the screen and dissect the visual core of a medium that is still poorly understood, this book presents new ways of seeing the mechanisms at work in our modern pictorial culture.
Contemporary Latin American Cultural Studies is a collection of new essays by recognised experts from around the world on various aspects of the new discipline of Latin American cultural studies. Essays are grouped in five distinct but interconnected sections focusing respectively on: (I) the theory of Latin American cultural studies; (II) the icons of culture; (III) culture as a commodity; (IV) culture as a site of resistance; and (V) everyday cultural practices. The essays range across a wide gamut of theories about Latin American culture; some, for example, analyse the role that ideas about the nation - and national icons  have played in the formation of a sense of identity in Latin America, while others focus on the resonance underlying cultural practices as diverse as football in Argentina, TV in Uruguay, cinema in Brazil, and the 'bolero' and soaps of modern-day Mexico. Contemporary Latin American Cultural Studies has an introduction setting the ideas explored in each section in their proper context. The essays are written in jargon-free English (all Spanish terms have been translated into English), and are supplemented by a concluding section with suggestions for further reading.