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Although as much romanticized as the American cowboy, the Argentine gaucho lived a persecuted, marginal existence, beleaguered by mandatory passports, vagrancy laws, and forced military service. The story of this nineteenth-century migratory ranch hand is told in vivid detail by Richard W. Slatta, a professor of history at North Carolina State University at Raleigh and the author of Cowboys of the Americas (1990).
Since the 1950s historians of the colonial era in North, South and Central America have extended the frontiers of basic general knowledge enormously; this rich historiographical tradition has generated robust methodological discussions about how to study the European encounter in the light of the experience of the indigenous peoples of the Americas. By bringing together major research reviews by a series of leading scholars, this volume makes it possible to compare directly approaches relating to colonial North America, Brazil, the Spanish borderlands, and the Caribbean.
Ralph Bauer presents a comparative investigation of colonial prose narratives in Spanish and British America from 1542 to 1800. He discusses narratives of shipwreck, captivity, and travel, as well as imperial and natural histories of the New World in the context of transformative early modern scientific ideologies. Bauer positions the narrative models promoted by the 'New Sciences' during the sixteenth and seventeenth centuries within the context of the geopolitical question of how knowledge can be centrally controlled in outwardly expanding empires.
Over 450 entries provide information on cowboy history, culture, and myth of both North and South America.
Creolization describes the cultural adaptations that occur when a community moves to a new geographic setting. Exploring the consciousness of peoples defined as "creoles" who moved from the Old World to the New World, this collection of eighteen original essays investigates the creolization of literary forms and genres in the Americas between the sixteenth and nineteenth centuries. Creole Subjects in the Colonial Americas facilitates a cross-disciplinary, intrahemispheric, and Atlantic comparison of early settlers' colonialism and creole elites' relation to both indigenous peoples and imperial regimes. Contributors explore literatures written in Spanish, Portuguese, and English to identify creole responses to such concepts as communal identity, local patriotism, nationalism, and literary expression. The essays take the reader from the first debates about cultural differences that underpinned European ideologies of conquest to the transposition of European literary tastes into New World cultural contexts, and from the natural science discourse concerning creolization to the literary manifestations of creole patriotism. The volume includes an addendum of etymological terms and critical bibliographic commentary. Contributors: Ralph Bauer, University of Maryland Raquel Chang-Rodriguez, City University of New York Lucia Helena Costigan, Ohio State University Jim Egan, Brown University Sandra M. Gustafson, University of Notre Dame Carlos Jauregui, Vanderbilt University Yolanda Martinez-San Miguel, University of Pennsylvania Jose Antonio Mazzotti, Tufts University Stephanie Merrim, Brown University Susan Scott Parrish, University of Michigan Luis Fernando Restrepo, University of Arkansas, Fayetteville Jeffrey H. Richards, Old Dominion University Kathleen Ross, New York University David S. Shields, University of South Carolina Teresa A. Toulouse, Tulane University Lisa Voigt, University of Chicago Jerry M. Williams, West Chester University
In Where Cultures Meet, editors Weber and Rausch have collected twenty essays that explore how the frontier experience has helped create Latin American national identities and institutions. Using 'frontier' to mean more than 'border,' Weber and Rausch regard frontiers as the geographic zones of interaction between distinct cultures. Each essay in the volume illuminates the recipro-cal influences of the 'pioneer' culture and the 'frontier' culture, as they contend with each other and their physical environment. The transformative power of frontiers gives them special interest for historians and anthropologists. Delving into the frontier experience below the Rio Grande, Where Cultures Meet is an important collection for anyone seeking to understand fully Latin American history and culture.
Approximately 500 years after the first borderlands were being constructed in Latin America to distinguish the indigenous population from their colonizers, boundaries are still being created in Latin America. Although borders still exist, the reasons for their construction and maintenance in the current global world have expanded. Today, Latin American borders include the traditional political borders, as well as more non-traditional borders reflected in art, gender, and social programs. Because borders and the concept of borders are constantly changing, the chapters in this edited volume present a reexamination of the more traditionally defined political borders, as well as those that are constructed by the human body, art, and social policy. The chapters naturally separate into four different general topics: 1) traditional transnational borders, 2) borders and the gendered body, 3) borders as depicted in art, and 4) borders and social programs.
The Spanish empire in the Americas spanned two continents and a vast diversity of peoples and landscapes. Yet intriguing parallels characterized conquest, colonization, and indigenous resistance along its northern and southern frontiers, from the role played by Jesuit missions in the subjugation of native peoples to the emergence of livestock industries, with their attendant cowboys and gauchos and threats of Indian raids. In this book, nine historians, three anthropologists, and one sociologist compare and contrast these fringes of New Spain between 1500 and 1880, showing that in each region the frontier represented contested ground where different cultures and polities clashed in ways heretofore little understood. The contributors reveal similarities in Indian-white relations, military policy, economic development, and social structure; and they show differences in instances such as the emergence of a major urban center in the south and the activities of rival powers. The authors also show how ecological and historical differences between the northern and southern frontiers produced intellectual differences as well. In North America, the frontier came to be viewed as a land of opportunity and a crucible of democracy; in the south, it was considered a spawning ground of barbarism and despotism. By exploring issues of ethnicity and gender as well as the different facets of indigenous resistance, both violent and nonviolent, these essays point up both the vitality and the volatility of the frontier as a place where power was constantly being contested and negotiated.
The microhistory of the wine industry in colonial Moquegua, Peru, during the colonial period stretches from the sixteenth through nineteenth centuries, yielding a wealth of information about a broad range of fields, including early modern industry and labor, viniculture practices, the cultural symbolism of alcohol consumption, and the social history of an indigenous population. Uniting these perspectives, Vintage Moquegua draws on a trove of field research from more than 130 wineries in the Moquegua Valley. As Prudence Rice walked the remnants of wine haciendas and interviewed Peruvians about preservation, she saw that numerous colonial structures were being razed for development, making her documentary work all the more crucial. Lying far from imperial centers in pre-Hispanic and colonial times, the area was a nearly forgotten administrative periphery on an agricultural frontier. Spain was unable to supply the Peruvian viceroyalty with sufficient wine for religious and secular purposes, leading colonists to import and plant grapevines. The viniculture that flourished produced millions of liters, most of it distilled into pisco brandy. Summarizing archaeological data and interpreting it through a variety of frameworks, Rice has created a three-hundred-year story that speaks to a lost world and its inhabitants.