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William Henry Cuyler Hosmer (1814-1877) was a fairly accomplished lawyer, author, and poet, born to the prominent pioneering Hosmer family of Avon, N.Y. He authored several books in his lifetime, ranging from histories to verse, sometimes combining the two into one. His Later Lays and Lyrics is a potpourri of poems dealing largely but not entirely with local historical themes. "The Markham Elm," for example, eulogizes a "noble," ancient tree that long stood near the Rush-Avon town border. In a footnote regarding its fate, Hosmer writes: "Some wretch, who little regards what is venerable and historic, kindled a fire in its hollow boll. May the curse of the poet, and the malediction of God, rest on him forevermore!" He could be passionate.The poems contained in Later Lays and Lyrics are divided into five sections, including "War Lyrics" (primarily Hosmer's impressions in the recent aftermath of the American Civil War), "Bitter Memories" (personal, themes of loss), and "Cypress Leaves" (death, writ both small and large). As a whole, however, Hosmer's poetry is informed by his family's history of settling Avon, his love for the land, and his reverence for the natives and their lore. He wrote these verses from the vantage point of late life, having witnessed America's 19th-century genocidal first half, through slavery and the Civil War, and into ascendant industrialization. Later Lays and Lyrics casts the history and places of this region in a uniquely lyrical, impactful form. Indeed, in the opening "Sonnet Dedicatory" Hosmer writes: "Love for the Valley of the Genesee, / Of old the red man's favorite domain / Inspired in youth a high heroic strain ..." That inspiration endured, it seems, throughout Hosmer's life and writings.
Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures. This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern. Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made.
Råd og vejledning til at skrive sangtekster til rock og popmusik
What do we mean when call something a lyric poem? How many kinds of lyric are there? Are there fewer now than there were in 1920 or 1820 or 1620? The purpose of Forms of Late Modernist Lyric is to show that our oldest styles of poetic articulation - the elegy, the ode, the hymn - have figured all too briefly in modern genealogies of lyric, and that they have proved especially seductive, curiously enough, to avant-garde practitioners in the Anglophone tradition. The poets in question - Jorie Graham, Frank O'Hara, Michael Haslam, J. H. Prynne, Claudia Rankine, and others - have thickened the texture of lyric practice at a time when the growing tendency in critical circles has been to dissolve points of difference within the genre itself. The broader aim of this volume is to demonstrate that experimental poets since 1945 have not always been rebarbative and anti-traditional, but rather that their recourse to familiar forms and shapes of thought should prompt us to reconsider late modernism as a crucial phase in the evolving history of lyric. CONTRIBUTORS: Ruth Abbott, Edward Allen, Gareth Farmer, Fiona Green, Drew Milne, Jeremy Noel-Tod, Sophie Read, Matthew Sperling, Esther Osorio Whewell, John Wilkinson
An immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas. Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia. Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock.
The days are long, but the years are short. No matter if it’s your child’s first step, first day of school, or first night tucked away in a new dorm room away from home, there comes a moment when you realize just how quickly the years are flying by. Christian music artist Nichole Nordeman’s profound lyrics in her viral hit “Slow Down” struck a chord with moms everywhere, and now this beautiful four-color book will inspire you to celebrate the everyday moments of motherhood. Filled with thought-provoking writings from Nichole, as well as guest writings from friends including Shauna Niequist and Jen Hatmaker, practical tips, and journaling space for reflection, Slow Down will be a poignant gift for any mom, as well as a treasured keepsake. Take a few moments to reflect and celebrate the privilege of being a parent and getting to watch your little ones grow—and Slow Down. Nichole Nordeman has sold more than 1 million albums as a Christian music artist and has won 9 GMA Dove Awards, including two awards for Female Vocalist of the Year and Songwriter of the Year. Nichole released a lyric video for her song “Slow Down,” and it struck a chord with parents everywhere, amassing 14 million views in its first five days. She lives in Oklahoma with her two children.