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BUZZFEED BEST SUMMER BEACH READ PICK From one of Brazil’s most important living writers, a powerful reflection on the effects of isolation and feelings of inadequacy in our time. Sick and abandoned by his wife and son, Oséias decides to go back to his hometown after twenty years away. During this time apart, he has heard about his family only through sporadic phone calls from his younger sister, Isabela. The shadow of the suicide of their sister Lígia, when she was fifteen, lingers over Oséias as he tries to reestablish contact with his siblings. Each of them is absorbed in their own world: Rosana and her obsession with fitness; Isabela and her struggle to survive; João Lúcio and his isolation. All of them are branded by loneliness, but most of all Oséias, who, misunderstood by his family members and old acquaintances, decides to put an end to his journey. Late Summer can be read as both the realistic story of a displaced man tortured by his unsuccessful attempt to redeem his past, and as a portrait of contemporary society, in which social classes have ruptured any form of dialogue between them, and people have become rogue planets whose paths cross occasionally, risking mutual destruction.
It’s the summer of 1946 and Emily Stanton is returning to New York City for her wedding. After graduating from college and having her life planned out for her, she’s ready to walk down the aisle to the perfect man. That is until she’s face-to-face again with the woman who defined her love for the city and so much more over one long summer four years earlier. Kate Alessi has made a life photographing the times and people around her, while trying to forget the woman who came to town for a few short months and turned her world upside down. When she ends up as the photographer for Emily’s coming wedding, she and Emily will have to navigate how to follow their dreams while realizing the ones that were lost along the way—the biggest of those dreams being their love for one another.
While gardeners may be happy enough with their gardens in spring and early summer, few feel so confident about prolonging the display. In Late Summer Flowers Marina Christopher, co-founder of the celebrated Green Farm Nursery, shows how, by choosing plants that have a late flowering season, or offer such bonuses as attractive foliage, seedheads or berries, you can get the best from the garden in late summer and autumn.
'Love this book ... makes me want to live on a vineyard in the South of France!' Lisa Zupan, Producer of P.S. I Love You Escape to France with LATE SUMMER IN THE VINEYARD - Jo Thomas's irresistible follow-up to THE OYSTER CATCHER and THE OLIVE BRANCH. 'A fabulous French feast of fun' Milly Johnson Emmy Bridges has always looked out for others. Now it's time to put down roots of her own. Working for a wine-maker in France is the opportunity of a lifetime for Emmy. Even if she doesn't know a thing about wine - beyond what's on offer at the local supermarket. There's plenty to get to grips with in the rustic town of Petit Frère. Emmy's new work friends need more than a little winning over. Then there's her infuriatingly brash tutor, Isaac, and the enigmatic Madame Beaumont, tucked away in her vineyard of secrets. But Emmy will soon realise that in life - just as in wine-making - the best things happen when you let go and trust your instincts. Particularly when there's romance in the air...
The liberation of Eva Mueller, a middle-aged German-American professor of philosophy, does not come easy. Having lived in the self-protected world of the intellect all her life, she must first submerge herself in the unhappy reality of her past--recalling that her father, a German musicologist, was a Nazi accomplice. Eva's acceptance of her past and of the validity of her emotions is sparked by her unlikely relationship with Michael, an enthusiastic if callow young student.
"musically elegant and gracefully lyric" - Lee Ann Roripaugh "It is like hiking the seasons with a perceptive guide, one who encourages us to bend low and listen to the rhythms of the wild. These poems cast light on shattercane, bleached bones, and sleeping fox snakes so that we might see ourselves a little better. Through careful word choice and flinty awareness, these sinewy poems root us to the land and remind us of what rests off the beaten path." - Patrick Hicks "Montaigne, Wordsworth and Darwin peep out of these lyrical reveries about a mostly frozen and forgotten world whose smallest details Cole rakes to new life." - James Soderholm
Twelve men, well past their prime, are on a sacred quest for one more shot at a slim slice of glory: Winning a prestigious softball tournament against a bunch of equally time - ravaged old codgers from all across the country. Join this spirited squad of sexagenarians, the Jersey Boys, as they trek to the famed Cape Cod Classic, play like pros (well, play their hearts out, anyway), bond like brothers, and teach each other a thing or two about life along the way. Meet crafty Jimmy, the Machiavellian mastermind of sundry clandestine enterprises; bombastic Howie, the irrepressible clown prince and erstwhile mime; silent Steve, the research chemist recruited by the Mob; and gentle John, the patient, paternal pastor who could snap you in half if he had to. Root for them and the rest of this dauntless dozen as they battle creaky joints, reconstructed limbs, weak bladders, self-doubts, insult, injury, gravity, and Father Time. In defying the odds, the clock, and their own limitless limitations, they illuminate a profound truth: In softball, and in life, it's never too late.
From the New York Times columnist, a portrait of a family and the cycles of joy and grief that mark the natural world: “Has the makings of an American classic.” —Ann Patchett Growing up in Alabama, Margaret Renkl was a devoted reader, an explorer of riverbeds and red-dirt roads, and a fiercely loved daughter. Here, in brief essays, she traces a tender and honest portrait of her complicated parents—her exuberant, creative mother; her steady, supportive father—and of the bittersweet moments that accompany a child’s transition to caregiver. And here, braided into the overall narrative, Renkl offers observations on the world surrounding her suburban Nashville home. Ringing with rapture and heartache, these essays convey the dignity of bluebirds and rat snakes, monarch butterflies and native bees. As these two threads haunt and harmonize with each other, Renkl suggests that there is astonishment to be found in common things: in what seems ordinary, in what we all share. For in both worlds—the natural one and our own—“the shadow side of love is always loss, and grief is only love’s own twin.” Gorgeously illustrated by the author’s brother, Billy Renkl, Late Migrations is an assured and memorable debut. “Magnificent . . . Readers will savor each page and the many gems of wisdom they contain.” —Publishers Weekly (starred review)
Shortlisted for the Forward Prize for Best First Collection 'Impressive . . . tender, unflinching' Guardian 'This is poetry in the grand tradition of annihiliation by desire. It's what the young are always learning, and the old, if they are wise, never forget' Anne Boyer, author of The Undying 'Brilliant . . . heralds the arrival of a frank and vital poetic voice' Sharlene Teo, author of Ponti 'Frank and alert . . . an important voice in British poetry' Eley Williams, author of The Liar's Dictionary 'Direct and heart-breaking' Alex Dimitrov, author of Love and Other Poems 'A rare thing . . . razor-sharp' Julia Copus, author of This Rare Spirit: A Life of Charlotte Mew In Rotten Days in Late Summer, Ralf Webb turns poetry to an examination of the textures of class, youth, adulthood and death in the working communities of the West Country, from mobile home parks, boyish factory workers and saleswomen kept on the road for days at a time, to the yearnings of young love and the complexities of masculinity. Alongside individual poems, three sequences predominate: a series of 'Love Stories', charting a course through the dreams, lies and salt-baked limbs of multiple relationships; 'Diagnostics', which tells the story of the death from cancer of the poet's father; and 'Treetops', a virtuosic long poem weaving together grief and mental health struggles in an attempt to come to terms with the overwhelming data of a life. The world of these poems is close, dangerous, lustrous and difficult: a world in which whole existences are lived in the spin of almost-inescapable fates. In searching for the light within it, this prodigious debut collection announces the arrival of a major new voice in British poetry.
THE STORY: Kerr, in the NY Herald-Tribune, describes: This, says Mr. Williams through the most sympathetic voice among his characters, 'is a true story about the time and the world we live in.' He has made it seem true--or at least curiously and su