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Venting her pet peeves on her radio program, host Jeannie Sterling is forced to confront the flaws in her dogmatic philosophies when she is challenged by the station's ratings-oriented new owner, whom she finds attractive in spite of herself. By the author of The Dog Walker. Reprint. 50,000 first printing.
Every night on her late night radio show, Jeannie Sterling vents with her listeners about rude mobile phone users, poor gym etiquette, and other annoyances of modern life. Jeannie truly believes that the world can be a better place, no matter how irritating people may be. But after all these years she's starting to notice that some of the pieces of her perfect puzzle aren't fitting quite right. An unexpected visit from her father and a romantic relationship with her college crush start to make her feel that life is spinning out of control. And Jeannie doesn't like being out of control. When Nicholas Moss - the dangerously attractive New York mogul - buys the radio station, Jeannie's career, her last safe haven, descends into chaos. She is pushed to increase ratings and goes too far, risking the loss of everything and everyone important to her. Loaded with fresh comic insight, LATE NIGHT TALKING is about the magic of falling in love with someone you'd never expect, the value of loyalty and friendship, and the love for one's parents, even though you've spent the last five years in therapy blaming them for everything.
CONFESSIONS OF A LATE-NIGHT TALK-SHOW HOST is written by the host of THE LARRY SANDERS SHOW. It is a double whammy of satire, irreverently told in Garry Shandling's inimitable style which deftly weaves together fact and fiction. This is an exclusive up-close-and-personal inspection of what makes Larry Sanders tick: his loves, his addictions, his friends and his enemies. This will be the Hollywood tell-all to end all Hollywood tell-alls; indeed, Larry Sanders might never be able to eat lunch in that town again!
Features four bonus videos! Watch Rick discuss the events that have shaped his life; step inside his recording studio to hear him discuss his music, his acting career, coming to America, and his love of dogs; and watch Rick's “What’s Victoria’s Secret?” music video and his unplugged version of “I Get Excited.” In a searingly candid memoir which he authored himself, Grammy Award-winning pop icon Rick Springfield pulls back the curtain on his image as a bright, shiny, happy performer to share the startling story of his rise and fall and rise in music, film, and television and his lifelong battle with depression. In the 1980s, singer-songwriter and actor Rick Springfield seemed to have it all: a megahit single in “Jessie’s Girl,” sold-out concert tours, follow-up hits that sold more than 17 million albums and became the pop soundtrack for an entire generation, and 12 million daily viewers who avidly tuned in to General Hospital to swoon over his portrayal of the handsome Dr. Noah Drake. Yet lurking behind his success as a pop star and soap opera heartthrob and his unstoppable drive was a moody, somber, and dark soul, one filled with depression and insecurity. In Late, Late at Night, the memoir his millions of fans have been waiting for, Rick takes readers inside the highs and lows of his extraordinary life. By turns winningly funny and heartbreakingly sad, every page resonates with Rick’s witty, wry, self-deprecating, brutally honest voice. On one level, he reveals the inside story of his ride to the top of the entertainment world. On a second, deeper level, he recounts with unsparing candor the forces that have driven his life, including his longtime battle with depression and thoughts of suicide, the shattering death of his father, and his decision to drop out at the absolute peak of fame. Having finally found a more stable equilibrium, Rick’s story is ultimately a positive one, deeply informed by his passion for creative expression through his music, a deep love of his wife of twenty-six years and their two sons, and his life-long quest for spiritual peace.
INSTANT NEW YORK TIMES BESTSELLER "My Body offers a lucid examination of the mirrors in which its author has seen herself, and her indoctrination into the cult of beauty as defined by powerful men. In its more transcendent passages . . . the author steps beyond the reach of any 'Pygmalion' and becomes a more dangerous kind of beautiful. She becomes a kind of god in her own right: an artist." —Melissa Febos, The New York Times Book Review A "MOST ANTICIPATED" AND "BEST OF FALL 2021" BOOK FOR * VOGUE * TIME * ESQUIRE * PEOPLE * USA TODAY * CHICAGO TRIBUNE * LOS ANGELES TIMES * SHONDALAND * ALMA * THRILLEST * NYLON * FORTUNE A deeply honest investigation of what it means to be a woman and a commodity from Emily Ratajkowski, the archetypal, multi-hyphenate celebrity of our time Emily Ratajkowski is an acclaimed model and actress, an engaged political progressive, a formidable entrepreneur, a global social media phenomenon, and now, a writer. Rocketing to world fame at age twenty-one, Ratajkowski sparked both praise and furor with the provocative display of her body as an unapologetic statement of feminist empowerment. The subsequent evolution in her thinking about our culture’s commodification of women is the subject of this book. My Body is a profoundly personal exploration of feminism, sexuality, and power, of men's treatment of women and women's rationalizations for accepting that treatment. These essays chronicle moments from Ratajkowski’s life while investigating the culture’s fetishization of girls and female beauty, its obsession with and contempt for women’s sexuality, the perverse dynamics of the fashion and film industries, and the gray area between consent and abuse. Nuanced, fierce, and incisive, My Body marks the debut of a writer brimming with courage and intelligence.
Bill Carter, executive producer of CNN’s docuseries The Story of Late Night and host of the Behind the Desk: Story of Late Night podcast, details the chaotic transition of The Tonight Show from host Jay Leno to Conan O’Brien—and back again. In 2010, NBC’s CEO Jeff Zucker, had it all worked out when he moved Jay Leno from behind the desk at The Tonight Show, and handed the reins over to Conan O'Brien. But his decision was a spectacular failure. Ratings plummeted, affiliates were enraged—and when Zucker tried to put everything back the way it was, that plan backfired as well. No one is more uniquely suited to document the story of a late-night travesty than veteran media reporter and bestselling author, Bill Carter. In candid detail, he charts the vortex that sucked in not just Leno and O'Brien—but also Letterman, Stewart, Fallon, Kimmel, and Ferguson—as frantic agents and network executives tried to manage a tectonic shift in television’s most beloved institution.
A CHOICE Outstanding Academic Book Flip through the channels at any hour of the day or night, and a television talk show is almost certainly on. Whether it offers late-night entertainment with David Letterman, share-your-pain empathy with Oprah Winfrey, trash talk with Jerry Springer, or intellectual give-and-take with Bill Moyers, the talk show is one of television's most popular and enduring formats, with a history as old as the medium itself. Bernard Timberg here offers a comprehensive history of the first fifty years of television talk, replete with memorable moments from a wide range of classic talk shows, as well as many of today's most popular programs. Dividing the history into five eras, he shows how the evolution of the television talk show is connected to both broad patterns in American culture and the economic, regulatory, technological, and social history of the broadcasting industry. Robert Erler's "A Guide to Television Talk" complements the text with an extensive "who's who" listing of important people and programs in the history of television talk.
A late-night talk-show host fascinated by the paranormal becomes entangled in a deadly conspiracy in Night Talk, from #1 all-night radio host George Noory. Greg Nowell is a voice in the darkness--a late-night talk-show host who tackles controversial subjects, from angels to aliens and government agencies so deep in shadow that the puppet strings they use to exercise control are invisible. His radio show is a world of the paranormal and paranoia, where claims of alien abductions, Big Foot sightings, and a mysterious world government are the norm. Greg's world explodes when government agents accuse him of having received ultra-secret files from Ethan Shaw, a hacker intent on exposing a secret cabal with tentacles throughout the government. Greg knows nothing about the files. When Shaw is killed and the evidence points to Greg, the radio personality goes on the run, stalked by a demented assassin. As he tries to unravel the deadly secrets the hacker uncovered, Greg is helped by Alyssa Neal, a mysterious woman who says Shaw also dragged her into the boiling cauldron of intrigue. Greg realizes his paranoia is really "heightened awareness" of strange machinations. He seeks help from callers to his show who don't trust the government, have gone "under the radar," or are angry and paranoid about the vast gathering of information and invasions of privacy by government agencies. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Refreshing and insightful, rich with humour and brimming with life, this is the story of Nina Shepard, dog walker extraordinaire. With the keys to many strangers' apartments, Nina has the access, the freedom, and the choice to cross a moral boundary, and several foyers, and enter into other people's lives. And so she falls in love with Daniel, a man she has never met but whom she thinks she knows from snooping in his apartment when she picks up his dog for walks. But both Nina and Daniel are imposters, pretending to be what they are not. By the time they learn who the other really is, after mishaps and mistaken identities, deception and lost dogs, it's too late. They've learned too much about themselves and will never be the same again.
Political humor has been a staple of late-night television for decades. The Trump White House, however, has received significantly greater attention than that of past presidents, such as Barack Obama, George W. Bush, and even Bill Clinton. In response to Trump’s strident politics, late-night comics, including Stephen Colbert, Jimmy Kimmel, Trevor Noah and Jimmy Fallon, have sounded key policy notes, further blurring the boundary between news and satire. Weekly humorists, including John Oliver and Samantha Bee, extend the critique with in-depth probing of key issues, while Saturday Night Live continues to tap the progression from outrage to outrageousness. Using unique content analysis techniques and qualitative discussions of political humor, Farnsworth and Lichter show how late-night political humor, and these seven programs in particular, have responded to the Trump presidency. Employing a dataset of more than 100,000 late night jokes going back decades, these noted media scholars discuss how the treatment of Trump differs from previous presidents, and how the Trump era is likely to shape the future of political humor. The authors also employ public opinion survey data to consider the growing role these late-night programs play in framing public opinion and priorities. This book will interest scholars, the curious public, and students of politics, communications and the media, and contemporary American culture.