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Included in this collection of Medieval writings are Ray Petry's careful essays on the province and character of mysticism and the history of mysticism from Plato to Bernard of Clairvaux. Long recognized for the quality of its translations, introductions, explanatory notes, and indexes, the Library of Christian Classics provides scholars and students with modern English translations of some of the most significant Christian theological texts in history. Through these works--each written prior to the end of the sixteenth century--contemporary readers are able to engage the ideas that have shaped Christian theology and the church through the centuries.
"When one looks at an icon, one bas the sense that God is looking back. Our whole person is involved. What the prayers and music of the Feast convey through the ears, the icon conveys visually." This book showcases a collection of extraordinarily beautiful icons that introduces readers and art appreciators to the spiritual riches of the Byzantine liturgical tradition. The author, Father Michael Evdokimov, presents an icon for each of the twelve great feasts of the Orthodox Christian liturgical year. Preceding each icon is a brief commentary of what the reader can hope to find in the icon, including nuances that a casual observer might miss. Facing each icon are prayers appropriate for meditating on the icon. Quotations from spiritual writers of all ages of Christianity are interspersed in the book. In a simple, straightforward manner, Evdokimov shows how the prayers and the icons used to worship God can nourish the spiritual life. Although he sets before his readers beliefs and practices common to Orthodox people everywhere in the world, anyone who appreciates beautiful art will find much to savor here.
Do we have to conceive of ourselves as isolated individuals, inevitably distanced from other people and from whatever we might mean when we use the word God? On Becoming God offers an innovative approach to the history of the modern Western self by looking at human identity as something people do together rather than on their own. Ben Morgan argues that the shared practices of human identity can be understood as ways of managing and keeping at bay the impulses and experiences associated with the word God. The "self" is a way of doing things, or of not doing things, with "God." The book draws on phenomenology (Heidegger), gender studies (Beauvoir, Butler) and contemporary neuroscience to present a new approach to the history of modern identity. It surveys existing approaches to modern selfhood (Foucault, Charles Taylor) and proposes an alternative account by investigating late medieval mysticism, in particular texts written in Germany by Meister Eckhart and others in the same milieu. Reactions to the condemnation of Meister Eckhart's teaching for heresy in 1329 offer a microcosm of the circumstances in which something like the modern self arises as people change their behavior toward others, toward themselves, and toward what they call "God." The book makes Meister Eckhart and his contemporaries appear as our contemporaries by changing the assumptions with which we approach our own identity. To make this change requires a revision of current vocabularies for approaching ourselves, and in particular the vocabulary and habits inherited from psychoanalysis. The book finishes by exploring the parallel between late medieval confessors and their spiritual charges, and late-nineteenth-century psychoanalysts and their patients. The result is a renewed vision of the Freud's project of finding a vocabulary for acknowledging and nurturing our everyday commitments to others and to our spiritual longings.
The German mystic Gertrude the Great of Helfta (c.1256–1301) is a globally venerated saint who is still central to the Sacred Heart Devotion. Her visions were first recorded in Latin, and they inspired generations of readers in processes of creative rewriting. The vernacular copies of these redactions challenge the long-standing idea that translations do not bear the same literary or historical weight as the originals upon which they are based. In this study, Racha Kirakosian argues that manuscript transmission reveals how redactors serve as cultural agents. Examining the late medieval vernacular copies of Gertrude's visions, she demonstrates how redactors recast textual materials, reflected changes in piety, and generated new forms of devotional practices. She also shows how these texts served as a bridge between material culture, in the form of textiles and book illumination, and mysticism. Kirakosian's multi-faceted study is an important contribution to current debates on medieval manuscript culture, authorship, and translation as objects of study in their own right.
The volume explores the hitherto uncharted late medieval religious landscape of Northern Germany, from 13th-century Helfta to the 15th-century Lüneburg convents. The mystical and devotional writing of Northern Germany is contextualised through chapters on the Netherlands, Scandinavia and East Prussia. The seminal influence of the liturgy on these texts and their transmission is revealed in the creative interplay of Latin and Low German. Through the individual chapters and their appendices, which also contain translations into English, the reader can access a wealth of texts produced by communities of religious and lay women who write learnedly in Latin and fervently in Low German. Together, the chapters and appendices reveal a fascinating regional "mystical culture" which also reverberated across Northern Europe. Contributors include: Jürgen Bärsch, Anne Bollmann, Veerle Fraeters, Ulrike Hascher-Burger, Ernst Hellgardt, Tanja Mattern, Balazs Nemes, Sara S. Poor, Eva Schlotheuber, Almut Suerbaum, and Geert Warnar.
From the visual and textual art of Anglo-Saxon England onwards, images held a surprising power in the Western Christian tradition. Not only did these artistic representations provide images through which to find God, they also held mystical potential, and likewise mystical writing, from the early medieval period onwards, is also filled with images of God that likewise refracts and reflects His glory. This collection of essays introduces the currents of thought and practice that underpin this artistic engagement with Western Christian mysticism, and explores the continued link between art and theology. The book features contributions from an international panel of leading academics, and is divided into four sections. The first section offers theoretical and philosophical considerations of mystical aesthetics and the interplay between mysticism and art. The final three sections investigate this interplay between the arts and mysticism from three key vantage points. The purpose of the volume is to explore this rarely considered yet crucial interface between art and mysticism. It is therefore an important and illuminating collection of scholarship that will appeal to scholars of theology and Christian mysticism as much as those who study literature, the arts and art history.
Performance and Transformation is a volume of essays that pushes the frontiers of interpretation on mystical and ecstatic writings of the later Middle Ages to explore them as particular performances. The noteworthy contributors examine mysticism and spirituality from multiple performance perspectives: dramatic, kinesthetic, linguistic, and spatial. Emerging from recent work on ritual, performance, mysticism, and the body, the authors offer new ways of analyzing these performances and their construction through questioning the various modes through which they were conveyed. Performance perspectives reveal women’s public leadership roles within their communities, the nature of devotional reading and authoring in manuscript cultures, and women’s roles in developing and performing rituals and texts that would transform future generations. The emphasis on the agency of women in conveying and constructing ritual makes this work a rare find among studies of its kind.
A new narrative history of medieval Christianity, spanning from A.D. 500 to 1500, focuses on the role of women in Christianity; the relationships among Christians, Jews and Muslims; the experience of ordinary parishioners; the adventure of asceticism, devotion and worship; and instruction through drama, architecture and art.
An account of the life and achievements of St Birgitta of Sweden, one of the most charismatic figures in the late medieval mystical tradition, founder of the Bridgettine order. St Birgitta of Sweden was one of the most charismatic figures in the late medieval mystical tradition. In Rome she succeeded in commanding prelates and popes, and throughout the courts of Europe she engaged in political secular intrigues; she married and produced eight children, yet became the only woman in the fourteenth century to be canonised; and in an age where new monastic foundations were proscribed, she founded an order of her own devising, primarily for women. This first modern biography presents an account of her extraordinary life and achievements, placing the saint in the context of the society from which she emerged, and showing how her public voice and reforming zealwere informed by a private spirituality at all stages of her life. Particular attention is given to her most lasting achievement, the monastic foundation which bears her name and has produced a network of communities throughout Europe, active to the present day. BRIDGET MORRIS is senior lecturer in Scandinavian studies at the University of Hull.