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Book designed to accompany an exhibition, held in collaboration with the Art Institute of Chicago and the San Francisco Museum of Art, of the French artist's gouaches.
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First published in 1996. The art of the extraordinary French artist, Henri Matisse (1869- 1954), has provided visual pleasures and intellectual challenges to its viewers for the last hundred years. This is collection of gathered, summarized, and evaluated major literature on the artist primarily from France, the United States, Germany, and the Scandinavian countries, where major Matisse collections bear witness to early and intense interest in the artist's work.
Henri Matisse is one of the leading figures of modern art. His unparalleled cut-outs are among the most significant of any artist's late works. When ill health first prevented Matisse from painting, he began to cut into painted paper with scissors as his primary technique to make maquettes for a number of commissions, from books and stained glass window designs to tapestries and ceramics. Taking the form of a 'studio diary', the catalogue re-examines the cut-outs in terms of the methods and materials that Matisse used, and looks at the tensions in the works between finish and process; and drawings and colour.
When Henri Matisse (1869-1954) was forced to give up painting completely in the mid-1940s due to a serious illness, he began to work with painted paper and a pair of scissors, cutting out forms at will. These works represented a revolution in modern art. Matisse - a remarkable man who was scarcely able to leave his bed and already considered lost to the world of painting - had thus found a way of outsmarting fate and creating a perfect synthesis of colour and line. Many critics at the time were unstinting in their cruel remarks about the supposed foolishness of an old man. Today, no one would deny that Matisse had found a brilliant means of uniting line and colour that constituted a highpoint in his artistic ambitions.--
Henri Matisse’s experiments with form and color revolutionized the twentieth-century art world. In this concise critical biography, Kathryn Brown explores Matisse’s long career, beginning with his struggles as a student in Paris and culminating in his celebrated use of paper cutouts and stained glass in the last decade of his life. The book challenges various myths about Matisse and offers a fresh perspective on his creativity and legacy. Chapters explore the artist’s enthusiasm for fashion and cinema, his travels, personal ties, interest in African art, love of literature, and willingness to challenge audience expectations. Through close readings of Matisse’s works, Brown offers new insight into the artist’s friendships and battles with dealers, critics, collectors, and fellow artists.
Expanded to twice as many entries as the 1985 edition, and updated with new publications, new editions of previous entries, titles missed the first time around, more of the artists' own writings, and monographs that deal with significant aspects or portions of an artist's work though not all of it. The listing is alphabetical by artist, and the index by author. The works cited include analytical and critical, biographical, and enumerative; their formats range from books and catalogues raisonnes to exhibition and auction sale catalogues. A selection of biographical dictionaries containing information on artists is arranged by country. Annotation copyrighted by Book News, Inc., Portland, OR