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Unlike a conventional war waged against a standing army, a "dirty war" is waged against individuals, groups, or ideas considered subversive. Originally associated with Argentina's military regime from 1976-1983, the term has since been applied to neighboring dictatorships during the period. Indeed, it has become a byword for state-sponsored repression anywhere in the world. The first edition of this reference illustrated the concept by describing the regimes of Argentina, Chile (1973-1990), and Uruguay (1973-1985), which tortured, murdered, and disappeared thousands of people in the name of anticommunism while thousands more were driven into exile. The second edition expands the scope to include Bolivia (1971-1982), Brazil (1964-1985), and Paraguay (1954-1989). Includes a chronology, an introductory essay, a bibliography, and over 400 cross-referenced dictionary entries on the countries; guerrilla and political movements; prominent guerrilla, human-rights, military, and political figures; local, regional, and international human-rights organizations; and artistic figures (filmmakers, novelists, and playwrights) whose works attempt to represent or resist the period of repression.--Publisher.
In the world of Chilean poet Ariel Dorfman, men and women can be forced to choose between leaving their country or dying for it. The living risk losing everything, but what they hold onto—love, faith, hope, truth—might change the world. It is this subversive possibility that speaks through these poems. A succession of voices—exiles, activists, separated lovers, the families of those victimized by political violence—gives an account of ruptured safety. They bear witness to the resilience of the human spirit in the face of personal and social damage in the aftermath of terror. The first bilingual edition of Dorfman’s work, In Case of Fire in a Foreign Land includes ten new poems and a new preface, and brings back into print the classic poems of the celebrated Last Waltz in Santiago. Always an eloquent voice against the ravages of inhumanity, Dorfman’s poems, like his acclaimed novels, continue to be a searing testimony of hope in the midst of despair.
The Historical Dictionary of the Dirty Wars coversthe period 1954–1990 in South America, when authoritarian regimes waged war on subversion, both real and imagined. The term “dirty war” (guerra sucia), though originally associated with the military dictatorship in Argentina from 1976 to 1983, has since been applied to neighboring dictatorships in Paraguay (1954–1989), Brazil (1964–1985), Bolivia (1971–1981), Uruguay (1973–1985), and Chile (1973–1990). Although the concept is by no means peculiar to Latin America—the term has become a byword for state-sponsored repression anywhere in the world—these regimes were among its most notorious practitioners. In the mid-1970s they joined forces—along with Ecuador and Peru—to create Operation Condor, a top-secret network of military dictatorships that kidnapped, tortured, and disappeared one another’s political opponents. Their death squads operated both nationally and internationally, sometimes beyond the region. This third edition of Historical Dictionary of the Dirty Wars contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on the countries themselves; guerrilla and political movements that provoked (though by no means exonerated) governmental reaction; leading guerrilla, human-rights, military, and political figures; local, regional, and international human-rights organizations; expressions of cultural resistance (art, film, literature, music, and theater); and artistic figures (filmmakers, novelists, and playwrights) whose works attempted to represent or resist the period of repression. This book is an excellent access point for students, researchers, and anyone wanting to know more about the dirty wars of South America
The 13th edition of the International Who's Who in Poetry is a unique and comprehensive guide to the leading lights and freshest talent in poetry today. Containing biographies of more than 4,000 contemporary poets world-wide, this essential reference work provides truly international coverage. In addition to the well known poets, talented up-and-coming writers are also profiled. Contents: * Each entry provides full career history and publication details * An international appendices section lists prizes and past prize-winners, organizations, magazines and publishers * A summary of poetic forms and rhyme schemes * The career profile section is supplemented by lists of Poets Laureate, Oxford University professors of poetry, poet winners of the Nobel Prize for Literature, winners of the Pulitzer Prize for American Poetry and of the King's/Queen's Gold medal and other poetry prizes.
The Concise Encyclopedia includes: all entries on topics and countries, cited by many reviewers as being among the best entries in the book; entries on the 50 leading writers in Latin America from colonial times to the present; and detailed articles on some 50 important works in this literature-those who read and studied in the English-speaking world.
A Study Guide for Ariel Dorfman's "Death and the Maiden," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
Ariel Dorfman: An Aesthetics of Hope is a critical introduction to the life and work of the internationally renowned writer, activist, and intellectual Ariel Dorfman. It is the first book about the author in English and the first in any language to address the full range of his writing to date. Consistently challenging assumptions and refusing preconceived categories, Dorfman has published in every major literary genre (novel, short story, poetry, drama); adopted literary forms including the picaresque, epic, noir, and theater of the absurd; and produced a vast amount of cultural criticism. His works are read as part of the Latin American literary canon, as examples of human rights literature, as meditations on exile and displacement, and within the tradition of bilingual, cross-cultural, and ethnic writing. Yet, as Sophia A. McClennen shows, when Dorfman’s extensive writings are considered as an integrated whole, a cohesive aesthetic emerges, an “aesthetics of hope” that foregrounds the arts as vital to our understanding of the world and our struggles to change it. To illuminate Dorfman’s thematic concerns, McClennen chronicles the writer’s life, including his experiences working with Salvador Allende and his exile from Chile during the dictatorship of Augusto Pinochet, and she provides a careful account of his literary and cultural influences. Tracing his literary career chronologically, McClennen interprets Dorfman’s less-known texts alongside his most well-known works, which include How to Read Donald Duck, the pioneering critique of Western ideology and media culture co-authored with Armand Mattelart, and the award-winning play Death and the Maiden. In addition, McClennen provides two valuable appendices: a chronology documenting important dates and events in Dorfman’s life, and a full bibliography of his work in English and in Spanish.
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Broken Souths puts Latina/o and Latin American poets into sustained conversation in original and rewarding ways.