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“Who do you thank you are, the Quane of Anglund?” That’s what Grace Marie’s father used to say to her whenever he thought she was getting out of her place. In her fifties now, Grace Marie is a college professor living in a beach town in California, and when she gets a phone call telling her that her father is dead, she is glad. She hopes her return for his funeral will be her “last trip home.” As a young girl Grace Marie struggled to escape from poverty, her father's lecherous, controlling grip, and a husband in the Klan. Determined to get an education, she clawed her way to a comfortable life and a home with indoor toilets—but her most unexpected struggle turned out to be survivor’s guilt, so she kept returning home to “fix” her family and the sharecropper shack. After her father’s funeral, Grace Marie burns down the family home—only to discover that she has unexpected ties to both the land and the people in her community. She realizes she will never have a “last trip home.”
The threat isn’t over. The evil spirit known as Ghost Bear possessed the body of Tamara without anyone knowing. Bayok has escaped his prison and continues its killing spree right where it left off . Jenny and Mia learn of this but decide to leave it alone; they've both had enough horror for one lifetime. That thing is someone else’s problem now. But soon, they realize that the spirit might want to get even. The two have no idea how to finish the job; the last plan didn't work. They reach out to Tim Decker, the boss of the television crew Bayok slaughtered for help. Together, the unlikely trio set out to put an end to Bayok once and for all.
Who was Sydney Rinard? God loves everyone. He does. But sometimes he sends someone to us who channels that love so well that their life revolves around sharing it. Not in fancy lights or productions. Just by being them. This book is about one such person. My dad, Sydney Rinard. He was an ordinary man. But he was an extraordinary man. Those who were lucky enough to know him already understand that. In his gentle, unpretentious ways, he touched so many lives. He would help anyone in need. Anyone. He was not a famous man. He did not walk the red carpet, win an MVP, or discover the newest scientific breakthrough. He was a son, husband, father, and grandfather. He was an engineer, a woodworker, a friend. He was humble as the day was long but affected so many others with his oversized heart and love for his creator. He loved everyone. And he was funny. Life made him laugh. He was truly happy. Why write a book about him? Sydney Rinard was the type of man that the world needs to know and emulate. As his only daughter, I felt it was not fair for me to keep him all to myself. He wanted to reach out to everyone before he died, so I am now giving all humankind this opportunity to get to know him and be his friend. This story follows his life and a final posthumous journey with me to the beautiful Rocky Mountains in Colorado that will touch your heartstrings. Does God have a favorite? No. But if he did, Sydney Rinard would make his short list.
In a long overdue contribution to geography and social theory, Katherine McKittrick offers a new and powerful interpretation of black women’s geographic thought. In Canada, the Caribbean, and the United States, black women inhabit diasporic locations marked by the legacy of violence and slavery. Analyzing diverse literatures and material geographies, McKittrick reveals how human geographies are a result of racialized connections, and how spaces that are fraught with limitation are underacknowledged but meaningful sites of political opposition. Demonic Grounds moves between past and present, archives and fiction, theory and everyday, to focus on places negotiated by black women during and after the transatlantic slave trade. Specifically, the author addresses the geographic implications of slave auction blocks, Harriet Jacobs’s attic, black Canada and New France, as well as the conceptual spaces of feminism and Sylvia Wynter’s philosophies. Central to McKittrick’s argument are the ways in which black women are not passive recipients of their surroundings and how a sense of place relates to the struggle against domination. Ultimately, McKittrick argues, these complex black geographies are alterable and may provide the opportunity for social and cultural change. Katherine McKittrick is assistant professor of women’s studies at Queen’s University.
“Stanley’s Last Trip and Other Stories” is volume 1 of the Urban Tales short story series: eight yarns exploring strange and quirky situations, set mostly in present-day and sometimes dystopian worlds of Berlin, New York, London, Lisbon and Dublin, with an illustration for each story. Stanley’s Last Trip. Stanley Braun is trapped on an S-Bahn train in Berlin, but he can’t remember how he got there. Noise and Death. After a noisy start to his trip to Lisbon, Charlie’s upstairs neighbour, Marie, uses her charms to entice him to cover up a murder. Vengeance. Louis plans revenge after Annalise’s death at her apartment block in London. Throwbacks. A research project in Berlin uncovers a group of people with ancient genes. Survival of the Species In London, the slow realisation that some humans have previously unknown brain mutations prompts new discrimination laws. Tube Travel A new form of super-fast travel in the near future runs into difficulties. Obsession Jack’s brief meeting with an elusive woman at an art exhibition in New York leads to fantasy and obsession. After the Blackout Jake is surprised at how fast everything descends into the ‘law of the jungle’ after a blackout in Dublin.
Meet the Grogans Before there was Marley, there was a gleefully mischievous boy navigating his way through the seismic social upheaval of the 1960s. On the one side were his loving but comically traditional parents, whose expectations were clear. On the other were his neighborhood pals and all the misdeeds that followed. The more young John tried to straddle these two worlds, the more spectacularly, and hilariously, he failed. Told with Grogan's trademark humor and affection, The Longest Trip Home is the story of one son's journey into adulthood to claim his place in the world. It is a story of faith and reconciliation, breaking away and finding the way home again, and learning in the end that a family's love will triumph over its differences.
When Ralph arrived at the row house in the South Bronx, he had to step back as his family made their way up the steps. Theystarted to creak as they carried their luggage, and all that went through his mind was that they would collapse if he also climbed those steps. Where he came from, all the steps were made of either marble or granite. How in the world would these wooden stairs hold up? Ralph had been surrounded by the unpolluted blue Mediterranean that reflected the ever present blue sky. If the temperature became too hot, he cooled off in that blue water to his heart’s content. Now, in the bowels of the South Bronx, the only thing that turned blue was his demeanor.His only relief from the stifling summer heat, along with some of the boys from the neighborhood, would be to illegallyopen a fire hydrant when the police were not around.
Jade Byner has endured the abuse for a long time. The seventeen-year-old is not as innocent as she would like others to believe, but she may have good reason to fear for her life. Her intricate escape plan seems to be flawless. By nightfall she should be in a distant city starting a new life with her beloved Josh. Bad, luck, bad people, and bad weather sabotage Jade's plan. Unexpected lethal winter temperatures numb her mind and diminish her ability to reason. Early the next morning she and Josh are near death in a large deserted park. Their only hope for survival lies with three elderly actors stranded in the same park after a late performance of a Christmas play. The frail old men face insurmountable obstacles caused by their own individual demons and the vicious weather. Their combined ingenuity and strength may not be enough to save themselves and the two young strangers from the deadly forces of nature.