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Despite the all-pervading influence of television ninety per cent of people in Britain still listen to the radio, clocking up over a billion hours of listening between us every week. It's a background to all our lives: we wake up to our clock radios, we have the radio on in the kitchen as we make the tea, it's on at our workplaces and in our cars. From Listen With Mother to the illicit thrill of tuning into pirate stations like Radio Caroline; from receiving a musical education from John Peel or having our imagination unlocked by Douglas Adams' The Hitchhiker's Guide to the Galaxy; from school-free summers played out against a soundtrack of Radio One and Test Match Special to more grown-up soundtracks of the Today programme on Radio 4 and the solemn, rhythmic intonation of the shipping forecast – in many ways, our lives can be measured in kilohertz. Yet radio is changing because the way we listen to the radio is changing. Last year the number of digital listeners at home exceeded the number of analogue listeners for the first time, meaning the pop and crackle and the age of stumbling upon something by chance is coming to an end. There will soon be no dial to turn, no in-between spaces on the waveband for washes of static, mysterious beeps and faint, distant voices. The mystery will be gone: we'll always know exactly what it is we're listening to, whether it's via scrolling LCD on our digital radios, the box at the bottom of our TV screen or because we've gone in search of a particular streaming station. And so, as the world of analogue listening fades, Charlie Connelly takes stock of the history of radio and its place in our lives as one of the very few genuinely shared national experiences. He explores its geniuses, crackpots and charlatans who got us to where we are today, and remembers its voices, personalities and programmes that helped to form who we are as individuals and as a nation. He visits the key radio locations from history, and looks at its vital role over the past century on both national and local levels. Part nostalgic eulogy, part social history, part travelogue, Last Train To Hilversum is Connelly's love letter to radio, exploring our relationship with the medium from its earliest days to the present in an attempt to recreate and revisit the world he entered on his childhood evenings on the dial as he set out on the radio journey of a lifetime.
Examining work by novelists, filmmakers, TV producers and songwriters, this book uncovers the manner in which the radio – and the act of listening – has been written about for the past 100 years. Ever since the first public wireless broadcasts, people have been writing about the radio: often negatively, sometimes full of praise, but always with an eye and an ear to explain and offer an opinion about what they think they have heard. Novelists including Graham Greene, Agatha Christie, Evelyn Waugh, and James Joyce wrote about characters listening to this new medium with mixtures of delight, frustration, and despair. Clint Eastwood frightened moviegoers half to death in Play Misty for Me, but Lou Reed's 'Rock & Roll' said listening to a New York station had saved Jenny's life. Frasier showed the urbane side of broadcasting, whilst Good Morning, Vietnam exploded from the cinema screen with a raw energy all of its own. Queen thought that all the audience heard was 'ga ga', even as The Buggles said video had killed the radio star and Tom Petty and the Heartbreakers lamented 'The Last DJ'. This book explores the cultural fascination with radio; the act of listening as a cultural expression – focusing on fiction, films and songs about radio. Martin Cooper, a broadcaster and academic, uses these movies, TV shows, songs, novels and more to tell a story of listening to the radio – as created by these contemporary writers, filmmakers, and musicians.
In this poetic exploration of the auditory imagination, the third in his series on sonic aesthetics, Seán Street peoples silence with sound, travelling through time and space to the distant past, the infinite future and the shadow lands of the inner psyche. Our mind is a canvas on which the colours of the sound world leave permanent impressions. It is the root of all listening.
Why are computers difficult to use? It is so easy to design a userfriendly computer. Don't blame technicians, designers and managers. Blame cognitive psychology. The conclusions are based on experiments with train ticket vending machines and trains indicators. A typical European view on the application of cognitive psychology.
Erik Smalhout was born a child of privilege in the Netherlands East Indies. Smalhout’s father sent his unruly son to a boarding school in Australia, just months before the Japanese seized the Netherlands East Indies in early 1942. While young Smalhout adapted to life in rural Australia, his sister and father back home were placed in Japanese prison camps, an experience that proved fateful for his father and changed his sister’s life forever. Serendipity followed him through induction in the WWII Dutch military, his postwar service on merchant ships circling the globe, and eventually to the most southern place on earth: the Mississippi Delta. Smalhout spent the rest of his life adapting to challenging circumstances time after time: first as a progressive Dutchman in the American South, then as an IRS agent in the nation’s second-largest financial center, and finally as a man who, due to a diagnosis of Alzheimer’s, often could not identify himself. Motherland, Fatherland, Whateverland: Searching for Home is Smalhout’s memoir, edited by his granddaughter, Erika Berry, and supported with pictures and documents that he saved throughout his lifetime. Smalhout’s story reminds readers that place is secondary to experience and that no matter where we are or what fortunate or unfortunate circumstances placed us there, an eternal curiosity for humanity will help us find a place in the world.
Journey to Te Ika-a-Maui (the Maori name for the North Island of New Zealand) details an adventurous trip to New Zealand to kayak the remote Whanganui River and to hike the Great Walks of the Tongariro Northern Circuit, and the Waikaremoana Track. The Whanganui River Journey is a five-day adventure down the Whanganui River in kayaks or canoes from Taumarunui to Pipiriki, down countless rapids over a distance of 150 km. Preparation is key here, and tips are given concerning trip planning and hiring equipment. Not far from the Whanganui River the volcanoes of Ruapehu, Tongariro and Ngauruhoe rise from the limestone plains and valleys. Tourists may be familiar with the one-day Tongariro Crossing, but the mountains can also be circled by the 3-4 day Tongariro Northern Circuit, which passes by the picturesque Tama Lakes and over lava tongues, with exhilarating views of the mountains on clear days. In the remote east of New Zealand lies the third of the North Island Great Walks, Waikaremoana, whose lakeside track can be undertaken in 3-4 days. Lee Traynor spent a total of two months in New Zealand on these and other tracks and recounts his adventures on and off the track. In addition to detailed information about travel and accommodation in New Zealand, he presents technical advice on photography, image processing and map-making.