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Forty years of collected interviews with the influential filmmaker of The Last Emperor, Last Tango in Paris, and Little Buddha
****** An Amazon No. 1 Bestseller ******My Story Written My WayFirst Tango In Paris is a compellingly erotic true-life memoir of Emma, a normal English housewife and mother, who in 1991 went on a last minute weekend break to Paris with her husband. They by chance discovered a whole different level of sexual gratification in the elegant Parisian swingers clubs, one that she pursued with vigour over the following years. This true and accurate account explicitly documents many of the outrageous sexual situations she participated in and experienced on her journey to complete sexual fulfillment. From teaching her French lovers 18 year old son the art of lovemaking through to complete abandonment at the hands of a team of French firefighters, and being the muse to an elderly retired, distinguished French Diplomat, who arranges many of her more scandalous sexual scenarios for her to act out. All the time, juggling her family life in West London with her decadent sexual life in France and beyond. She takes you on a roller-coaster ride of her sex filled exploits. A riveting and captivating sexually explicit read! 97 thousand captivating words!Full Length Novel. 97,500 Words **New International Cover Artwork**
In this, his most satisfying novel so far, Kirk Douglas exhibits the brilliant versatility that he has showcased so vividly in his many decades as an actor. Here he tells the story of two ordinary people caught up in extraordinary circumstances - circumstances that wait right around the corner for each one of us. Ellen, a small-town girl from upstate New York, is trying to make it as a modern woman in the big city. She is doing well in her career as the librarian of a large Brooklyn hospital, but her personal life is a mess. Her boyfriend, Richard, a world-renowned heart transplant specialist, is unfaithful. Her roommate has moved out leaving her with a mountain of unpaid bills. She is broke. Then she meets Ben at a screening of Last Tango in Paris. Ben, a fitness instructor, is twice her age, but he is a vigorous man able to challenge and out-perform men young enough to be his sons. A recent widower, Ben is frantically scrambling to find a temporary place to live, because his house in Flatbush has sold much faster than he expected. Ellen rents Ben a room, but what begins as friendly business relationship slowly turns into something more. Ben feels a surge of vitality in which passion knows no age and no limits. Ellen, full of life spirit, and mischief, seems his perfect match. Yet Ellen and Ben's startling and consuming affair faces a gulf even wider than the gap that separates May and December. Ellen's best friend is appalled, Ben's daughter, a psychologist, condemns their relationship as a Freudian nightmare. A terrible accident and then a mysterious death - which could be murder - threaten to doom their love. Soon, life's expectations shatter on the rocks of the unexpected. Roleschange in astonishing ways. Yet, ultimately, Ellen and Ben's love will prove stronger than reason - in a powerful finale than will haunt the reader long after he or she has closed the book.
The first publication of a novel Mailer wrote at the age of 20, three years before he began work on The Naked and the Dead. Issued in an edition of 1,000 copies.
Early '70s Radio focuses on the emergence of commercial music radio "formats," which refer to distinct musical genres aimed toward specific audiences. This formatting revolution took place in a period rife with heated politics, identity anxiety, large-scale disappointments and seemingly insoluble social problems. As industry professionals worked overtime to understand audiences and to generate formats, they also laid the groundwork for market segmentation. Audiences, meanwhile, approached these formats as safe havens wherein they could re-imagine and redefine key issues of identity. A fresh and accessible exercise in audience interpretation, Early '70s Radio is organized according to the era's five prominent formats and analyzes each of these in relation to their targeted demographics, including Top 40, "soft rock", album-oriented rock, soul and country. The book closes by making a case for the significance of early '70s formatting in light of commercial radio today.
From New Yorker film critic Richard Brody, Everything Is Cinema: The Working Life of Jean-Luc Godard presents a "serious-minded and meticulously detailed . . . account of the lifelong artistic journey" of one of the most influential filmmakers of our age (The New York Times). When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images—cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a—if not the—key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable. In Everything Is Cinema, critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers. Everything Is Cinema confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere.
Entertainment Weekly's BIG FALL BOOKS PREVIEW Selection Best Book of 2019 -- Publisher's Weekly Based on new and revelatory material from Brando’s own private archives, an award-winning film biographer presents a deeply-textured, ambitious, and definitive portrait of the greatest movie actor of the twentieth century, the elusive Marlon Brando, bringing his extraordinarily complex life into view as never before. The most influential movie actor of his era, Marlon Brando changed the way other actors perceived their craft. His approach was natural, honest, and deeply personal, resulting in performances—most notably in A Streetcar Named Desire and On the Waterfront—that are without parallel. Brando was heralded as the American Hamlet—the Yank who surpassed British stage royalty Laurence Olivier, John Gielgud, and Ralph Richardson as the standard of greatness in the mid-twentieth century. Brando’s impact on American culture matches his professional significance; he both challenged and codified our ideas of masculinity and sexuality. Brando was also one of the first stars to use his fame as a platform to address social, political, and moral issues, courageously calling out America’s deeply rooted racism. William Mann’s brilliant biography of the Hollywood legend illuminates this culture icon for a new age. Mann astutely argues that Brando was not only a great actor but also a cultural soothsayer, a Cassandra warning us about the challenges to come. Brando’s admonitions against the monetization of nearly every aspect of the culture were prescient. His public protests against racial segregation and discrimination at the height of the Civil Rights movement—getting himself arrested at least once—were criticized as being needlessly provocative. Yet those actions of fifty years ago have become a model many actors follow today. Psychologically astute and masterfully researched, based on new and revelatory material, The Contender explores the star and the man in full, including the childhood traumas that reverberated through his professional and personal life. It is a dazzling biography of our nation’s greatest actor that is sure to become an instant classic. The Contender includes sixteen pages of photographs.
Fan-Tan is a hugely entertaining, swashbuckling romp, from one of the greatest actors of our time: Marlon Brando. The story of an eccentric early-twentieth-century pirate who sets out on the high seas from the Philippines to Shanghai, Fan-Tan follows the exploits of Anatole “Annie” Doultry, a larger-than-life character that Brando could have easily inhabited himself. When Annie saves the life of a Chinese prisoner in a Hong Kong prison, he’s led to the mysterious and seductive Madame Lai Choi San—one of the most notorious gangsters in Asia—and here the true adventures begin.Years in the making with Brando’s longtime collaborator, screenwriter and director Donald Cammell, Fan-Tan is a rollicking, delectable tale—and the last surprise from an ever-surprising legend.
A Financial Times Best Book of the Year "Brando’s Smile returns us to the power of his greatest performances." —Dan Chiasson, New York Review of Books When people think about Marlon Brando they think of the movie star, the hunk, the scandals. Here, Susan L. Mizruchi—who gained unprecedented access to Brando’s letters, audiotapes, revised screenplays, and books—reveals the complex man whose intelligence belies the high-school dropout. She shows how Brando’s embrace of foreign cultures and social outsiders led to his brilliant performances in unusual roles to test himself and to foster empathy in his audience.