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Leili could not have imagined that arriving late to Islamic morals class would change the course of her life. But her arrival catches the eye of a young man, and a chance meeting soon draws Leili into a new circle of friends and artists. Gathering in the cafes of Tehran, these young college students come together to create an underground play that will wake up their generation. They play with fire, literally and figuratively, igniting a drama both personal and political to perform their play—just once. From the wealthy suburbs and chic coffee shops of Tehran to subterranean spaces teeming with drugs and prostitution to spiritual lodges and saints' tombs in the mountains high above the city, Last Scene Underground presents an Iran rarely seen. Young Tehranis navigate their way through politics, art, and the meaning of home and in the process learn hard lessons about censorship, creativity, and love. Their dangerous discoveries ultimately lead to finding themselves. Written in the hopeful wake of Iran's Green Movement and against the long shadow of the Iran-Iraq war, this unique novel deepens our understanding of an elusive country that is full of misunderstood contradictions and wonder.
Leili could not have imagined that arriving late to Islamic morals class would change the course of her life. But her arrival catches the eye of a young man, and a chance meeting soon draws Leili into a new circle of friends and artists. Gathering in the cafes of Tehran, these young college students come together to create an underground play that will wake up their generation. They play with fire, literally and figuratively, igniting a drama both personal and political to perform their play—just once. From the wealthy suburbs and chic coffee shops of Tehran to subterranean spaces teeming with drugs and prostitution to spiritual lodges and saints' tombs in the mountains high above the city, Last Scene Underground presents an Iran rarely seen. Young Tehranis navigate their way through politics, art, and the meaning of home and in the process learn hard lessons about censorship, creativity, and love. Their dangerous discoveries ultimately lead to finding themselves. Written in the hopeful wake of Iran's Green Movement and against the long shadow of the Iran-Iraq war, this unique novel deepens our understanding of an elusive country that is full of misunderstood contradictions and wonder.
From Midnight to Dawn presents compelling portraits of the men and women who established the Underground Railroad and traveled it to find new lives in Canada. Evoking the turmoil and controversies of the time, Tobin illuminates the historic events that forever connected American and Canadian history by giving us the true stories behind well-known figures such as Harriet Tubman and John Brown. She also profiles lesser-known but equally heroic figures such as Mary Ann Shadd, who became the first black female newspaper editor in North America, and Osborne Perry Anderson, the only black survivor of the fighting at Harpers Ferry. An extraordinary examination of a part of American history, From Midnight to Dawn will captivate readers with its tales of hope, courage, and a people’s determination to live equally under the law.
HIP HOP THE LAST RELIGION 2ELLA COLORS10 YEAR ANNIVERSARY YOUR START RE-INTRO OR REINVENTINGYOURSELF IN THE MUSIC INDUSTRYHip hop the last religion is the truth of rap music and hip hop the culture as itwas formed from the owner America King known to this decade as Ella orkevin lee he talks about his investment in def jam records his dealing to datewith the label he also clears the biggie & tupac story up . KnowIng thempersonally . This is a must read . This resource full piece of literature servicesas a know all guide for anyone entering the entertainment industry!! UPDATEDWITH MORE KNOWLEDGE AND A CHECK LIST FOR INDEPENDENT ARTISTAND RECORD LABELS also a coloing book explianing how rap music startedand Hip hop the culture was founded
#1 NEW YORK TIMES BESTSELLER • PULITZER PRIZE WINNER • NATIONAL BOOK AWARD WINNER • "An American masterpiece" (NPR) that chronicles a young slave's adventures as she makes a desperate bid for freedom in the antebellum South. • The basis for the acclaimed original Amazon Prime Video series directed by Barry Jenkins. Cora is a slave on a cotton plantation in Georgia. An outcast even among her fellow Africans, she is on the cusp of womanhood—where greater pain awaits. And so when Caesar, a slave who has recently arrived from Virginia, urges her to join him on the Underground Railroad, she seizes the opportunity and escapes with him. In Colson Whitehead's ingenious conception, the Underground Railroad is no mere metaphor: engineers and conductors operate a secret network of actual tracks and tunnels beneath the Southern soil. Cora embarks on a harrowing flight from one state to the next, encountering, like Gulliver, strange yet familiar iterations of her own world at each stop. As Whitehead brilliantly re-creates the terrors of the antebellum era, he weaves in the saga of our nation, from the brutal abduction of Africans to the unfulfilled promises of the present day. The Underground Railroad is both the gripping tale of one woman's will to escape the horrors of bondage—and a powerful meditation on the history we all share. Look for Colson Whitehead’s new novel, Crook Manifesto, coming soon!
Drawing primarily on selected filmic texts from former-Yugoslavia, the book examines key social and political events that triggered the Yugoslav wars in the 1990s. Yugoslav politics and society are set within the broader artistic and cinematic strategies that helped stabilise post-Yugoslav territories strategies that were part of the national desire of looking forward to a time of 'perpetual peace' and its subsequent cosmopolitan norms. It argues that filmic texts demonstrate the degree to which nationalism was at the heart of the violent disintegration of Yugoslavia. Yet, the concern of the argument is not simply to offer a filmic critique but to develop an alternative to nationalism; namely, a theoretical framework through which cosmopolitan humanism is at the forefront of addressing former Yugoslavia's political wounds.
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
From the New York Times bestselling author of Annihilation, Jeff VanderMeer’s first novel, Veniss Underground, takes readers on a journey to a labyrinthine city of tunnels, and the dangers lurking behind each turn. This paperback edition features the bonus novella “Balzac’s War.” In a dark and decadent far future, the city of Veniss persists beside a dead ocean. Earth has become a desert wasteland ravaged by climate change. Veniss endures on the strength of its innovative tech of almost Boschian intensity, but at what cost? Where does the line between “made creature” and “person” lie? Against this backdrop, Veniss Underground spins the tale of Nicholas, an aspiring, struggling Artist; his twin sister, Nicola; and Shadrach, Nicola’s former lover. A fateful trip by Nicholas to the maverick biotech Quin will have far-reaching consequences for all three—and for the fate of Veniss itself, as insurrection stirs and the oppressed begin to revolt. Veniss Underground is Jeff VanderMeer’s first novel, a spectacular surreal foray into a world as influenced by Alejandro Jodorowsky as by Ursula K. Le Guin. Readers of VanderMeer’s later work will be enchanted and horrified by the marvels within, including the author’s signature fascination with the nonhuman and the environment. By turns beautiful and powerful, Veniss Underground explores the limits of love, memory, and obsession against a backdrop of betrayal and biological mutation. This reissue includes a new introduction by the National Book Award–winning author Charles Yu and a bonus story from Jeff VanderMeer.
This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.
The Iranian revolution of 1979 launched a vast, global diaspora, with many Iranians establishing new lives in the United States. In the four decades since, the diaspora has expanded to include not only those who emigrated immediately after the revolution but also their American-born children, more recent immigrants, and people who married into Iranian families, all of whom carry their own stories of trauma, triumph, adversity, and belonging that reflect varied and nuanced perspectives on what it means to be Iranian or Iranian American. The essays in My Shadow Is My Skin are these stories. This collection brings together thirty-two authors, both established and emerging, whose writing captures the diversity of Iranian diasporic experiences. Reflecting on the Iranian American experience over the past forty years and shedding new light on themes of identity, duality, and alienation in twenty-first-century America, the authors present personal narratives of immigration, sexuality, marginalization, marriage, and religion that offer an antidote to the news media’s often superficial portrayals of Iran and the people who have a connection to it. My Shadow Is My Skin illuminates a community that rarely gets to tell its own story.