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The Red Lobster chain restaurant perched in the far corner of a run-down American mall hasn't been making its numbers and headquarters has pulled the plug. But manager Manny DeLeon still needs to navigate a tricky last shift with a near-mutinous staff and the final onslaught of hungry retirees, lunatics and office parties. All the while, he's wondering how to handle the waitress he's still in love with, what to do about his pregnant girlfriend and where to find the Christmas present that will make everything better. Stewart O'Nan has been called 'the bard of the working class', and Last Night at the Lobster is a masterclass of precision and empathy.
'A book that embodies what's best in us.' - Stephen King Washington Post Best Book of the Year,2017 San Francisco Chronicle Best Book of the Year, 2017 E ntertainment Weekly Best Book of the Year,2017 The Red Lobster chain restaurant perched in the far corner of a run-down American mall hasn't been making its numbers and has pulled the plug. But manager Manny DeLeon still needs to navigate a tricky last shift with a near-mutinous staff and the final onslaught of hungry retirees, lunatics, and office parties. All the while, Manny wondering how to handle the waitress he's still in love with, what to do about his pregnant girlfriend, and how to find the Christmas present that will make everything better. Stewart O'Nan has been called 'the bard of the working class', and Last Night at the Lobster is a American cult classic and a masterpiece of precision and empathy.
From a writer who reveals 'the plainness of everyday life with straightforward lyricism' (The New York Times Book Review), the story of one remarkable, average woman. On a clear winter night in upstate New York, two young men break in to a house they believe is empty. It isn't, and within minutes an old woman is dead and the house is in flames. Soon after, the men are caught by the police. Across the county, a phone rings in a darkened bedroom, waking a pregnant woman. It's her husband. He wants her to know that he and his friend have gotten themselves into a little trouble. So Patty Dickerson's old life ends and a strange new one begins. At once a love story and a portrait of a woman discovering her own strength, The Good Wife follows Patty through the twenty-eight years of her husband's incarceration, as she raises her son, navigates a system that has no place for her, and braves the scorn of her community. Compassionate and unflinching, Stewart O'Nan's The Good Wife illuminates a marriage and a family tested to the limits of endurance.
A frank and funny yet emotionally resonant tale set within a vivid work day world, from the author of Emily, Alone and Henry, Himself--named a Best Book of the Year by The Washington Post, the San Francisco Chronicle, and Entertainment Weekly A Finalist for the Los Angeles Times Book Prize Perched in the far corner of a run-down New England mall, the Red Lobster hasn't been making its numbers and headquarters has pulled the plug. But manager Manny DeLeon still needs to navigate a tricky last shift--just four days before Christmas and in the midst of a fierce blizzard--with a near-mutinous staff and the final onslaught of hungry retirees, lunatics, and holiday office parties. All the while, he's wondering how to handle the waitress he's still in love with, his pregnant girlfriend, and where to find the present that will make everything better. Stewart O'Nan has been called "the bard of the working class," and Last Night at the Lobster is a poignant yet redemptive look at what a man does when he discovers that his best might not be good enough.
A “rich, sometimes heartbreaking” (Dennis Lehane) novel of F. Scott Fitzgerald’s last years in Hollywood, from the acclaimed author of Emily, Alone and Henry, Himself In 1937, F. Scott Fitzgerald was a troubled, uncertain man whose literary success was long over. In poor health, with his wife consigned to a mental asylum and his finances in ruins, he struggled to make a new start as a screenwriter in Hollywood. By December 1940, he would be dead of a heart attack. Those last three years of Fitzgerald’s life, often obscured by the legend of his earlier Jazz Age glamour, are the focus of Stewart O’Nan’s gorgeously and gracefully written novel. With flashbacks to key moments from Fitzgerald’s past, the story follows him as he arrives on the MGM lot, falls in love with brassy gossip columnist Sheilah Graham, begins work on The Last Tycoon, and tries to maintain a semblance of family life with the absent Zelda and daughter, Scottie. Fitzgerald’s orbit of literary fame and the Golden Age of Hollywood is brought vividly to life through the novel’s romantic cast of characters, from Dorothy Parker and Ernest Hemingway to Humphrey Bogart. A sympathetic and deeply personal portrait of a flawed man who never gave up in the end, even as his every wish and hope seemed thwarted, West of Sunset confirms O’Nan as “possibly our best working novelist” (Salon).
A riotously funny, razor-sharp indictment of America's cultural wasteland by one of its most merciless critics.
"For the past five years, the lobster population along the coast of Maine has boomed, resulting in a lobster harvest six times the size of the record catch from the 1980s ... [This book] follows three lobster captains ... as they haul and set thousands of traps. Unexpectedly, boom may turn to bust, as the captains must fight a warming ocean, volatile prices, and rough weather to keep their livelihood afloat. The three captains work longer hours, trying to make up in volume what they lack in price. As a result, there are 3 million lobster traps on the bottom of the Gulf of Maine, while Frank, Jason, and others call for a reduction of traps ... Maine lobstering towns are among the first American communities to confront global warming, and the survival of the Maine Coast depends upon their efforts. It may be an uphill battle to create a sustainable catch as high temperatures are already displacing lobsters northward toward Canadian waters--out of reach of American fishermen"--
Set in a working-class town on the Rhode Island coast, O’Nan’s latest is a crushing, beautifully written, and profoundly compelling novel about sisters, mothers, and daughters, and the terrible things love makes us do. In the first line of Ocean State, we learn that a high school student was murdered, and we find out who did it. The story that unfolds from there with incredible momentum is thus one of the build-up to and fall-out from the murder, told through the alternating perspectives of the four women at its heart. Angel, the murderer, Carol, her mother, and Birdy, the victim, all come alive on the page as they converge in a climax both tragic and inevitable. Watching over it all is the retrospective testimony of Angel’s younger sister Marie, who reflects on that doomed autumn of 2009 with all the wisdom of hindsight. Angel and Birdy love the same teenage boy, frantically and single mindedly, and are compelled by the intensity of their feelings to extremes neither could have anticipated. O’Nan’s expert hand paints a fully realized portrait of these women, but also weaves a compelling and heartbreaking story of working-class life in Ashaway, Rhode Island. Propulsive, moving, and deeply rendered, Ocean State is a masterful novel by one of our greatest storytellers.
Now a major motion picture from Warner Independent starring Sam Rockwell and Kate Beckinsale In Stewart O'Nan's Snow Angels, Arthur Parkinson is fourteen during the dreary winter of 1974. Enduring the pain of his parents' divorce, his world is shattered when his beloved former babysitter, Annie, falls victim to a tragic series of events. The interlinking stories of Arthur's unraveling family, and of Annie's fate, form the backdrop of this intimate tale about the price of love and belonging, told in a spare, translucent, and unexpectedly tender voice.
A death-row inmate gives her confession—a hair-raising tale of sex, drugs and murder across Oklahoma—in this “vividly realized” novel (The New York Times Book Review). Marjorie Standiford has quite a story to tell. And on the eve of her execution for a sensational murder spree, she’s giving every detail, just as she remembers them, to the famous novelist who has come to record it all. Of course, Marjorie contends that she didn’t do any killing. That was all Lamont, her boyfriend, and Natalie, their girlfriend, while Marjorie got high and took care of the baby. But she was in it just the same, careening across the desert plains of Oklahoma, fueled by lust, crime, cars, drugs—speed in all its forms. The Speed Queen is the story of a terrifying voyage into the dark soul of America’s Heartland. From acclaimed author Stewart O’Nan—selected by Granta as one of the Best Young American Novelists—this is “classic American noir” in the tradition of James M. Cain (San Francisco Chronicle).