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The story of a year-long confrontation in 1972 between the Vancouver police and the Clark Park gang, a band of unruly characters who ruled the city’s east side. Corrupt cops, hapless criminals, and murder figure in this story that questions which gang was tougher: the petty criminals, or the police themselves. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
Revised and updated to cover the Clash's induction into the Rock and Roll Hall of Fame and the band members' post-Clash careers, The Clash: Return of the Last Gang in Town now includes the first full account of Joe Strummer's "Wilderness Years," his triumphant comeback with the Mescaleros, and his sudden and tragic early death. Extensively revised and updated from both its 1995 and 2001 incarnations, The Clash traces the band members' progress from dispiriting rehearsals in damp London basements to packed American stadiums. A fascinatingly detailed account of the first band to take punk's radical politics to the masses and survive for a decade against all the odds, it also offers an intriguing investigation into the gap between rock mythology and rock reality.
The pioneers of British punk rock: trendsetters, icons, revolutionaries. Strummer, Jones, Simonon and Headon. In their own words. For the first time.
This volume brings together a range of writers from different academic disciplines and different locations to provide an engaging and accessible critical exploration of one of the most revered and reviled bands in the history of popular music. The essays collated here locate The Clash in their own explosive cultural moment of punk's year zero and examine how the group speaks from beyond the grave to the uncanny parallels of other moments of social and political crisis. In addition, the collection considers the impact of the band in a range of different geopolitical contexts, with various contributors exploring what the band meant in settings as diverse as Italy, England, Northern Ireland, Australia and the United States. The diverse essays gathered in Working for the clampdown cast a critical light on both the cultural legacy and contemporary resonance of one of the most influential bands ever to have graced a stage.
This book looks at the post-Holocaust experience with emphasis on aspects of its impact on popular culture.
Punk Rock Warlord explores the relevance of Joe Strummer within the continuing legacies of both punk rock and progressive politics. It is aimed at scholars and general readers interested in The Clash, punk culture, and the intersections between pop music and politics, on both sides of the Atlantic. Contributors to the collection represent a wide range of disciplines, including history, sociology, musicology, and literature; their work examines all phases of Strummer’s career, from his early days as ’Woody’ the busker to the whirlwind years as front man for The Clash, to the ’wilderness years’ and Strummer’s final days with the Mescaleros. Punk Rock Warlord offers an engaging survey of its subject, while at the same time challenging some of the historical narratives that have been constructed around Strummer the Punk Icon. The essays in Punk Rock Warlord address issues including John Graham Mellor’s self-fashioning as ’Joe Strummer, rock revolutionary’; critical and media constructions of punk; and the singer’s complicated and changing relationship to feminism and anti-racist politics. These diverse essays nevertheless cohere around the claim that Strummer’s look, style, and musical repertoire are so rooted in both English and American cultures that he cannot finally be extricated from either.
The Clash thought they could change the world. They never did, but they created some of the greatest rock music of all time in the attempt. Clash interviews were mesmerizing. Infused with the messianic spirit of punk, the Clash engaged with the press like no rock group before or since, treating interviews almost as addresses to the nation. Their pronouncements were welcomed but were hardly uncritically reported. The Clash's back pages are voluminous, crackle with controversy, and constitute a snapshot of a uniquely thoughtful and fractious period in modern history. Included in this compendium are the Clash's encounters with the most brilliant music writers of their time, including Lester Bangs, Nick Kent, Mikal Gilmore, Chris Salewicz, Charles Shaar Murray, Mick Farren, Kris Needs, and Lenny Kaye. Whether it be their audience with the (mainly) simpatico likes of punk fanzine Sniffin' Glue, their testy encounters with the correspondents of pious UK weeklies like New Musical Express, Melody Maker, and Sounds, or their friendlier but no less eyebrow-raising conversations with US periodicals like Creem and Rolling Stone, the Clash consistently created copy that lived up to their sobriquet "The Only Band That Matters."
Modern motherhood has changed; it isnt just frilly aprons, mini-vans, and soccer practice anymore. You are a modern moma rebel momready to raise your kids while running a successful business, starting a band, or finding your voice, while doing the things you love and fighting for what's right. Even so, the path to epic mom rebellion is not always easy. Meet the women who have seen, conquered, and survivedmaking a difference, doing things their own way and on their own terms. They are activists, teachers, veterans, firefighters, pin-ups, fast food workers, tattoo artists, and more. A rebel mom has no set definition beyond her tendency to elude definition. These women, from varying places and backgrounds, have seen it all: divorce, abuse, depression, and disability. They have succeeded and raised children with tough grins on their faces. Are you a new or expecting mother? Are you a mother who's fed up with the super-mom/super-woman myth? Or are you a pro whos been there and done that, but would still love to learn from other rebel moms? Its never too late to learn a new trick, and motherhood is never the same for anyone. Cultures change, as do child-rearing practices, but certain aspects of being a mom are universal and timelesslove, support, and strength. The rebel moms have mastered the art of motherhood, and you can embrace the revolution.
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
On their debut, The Clash famously claimed to be "bored with the USA, ]? but The Clash wasn't a parochial record. Mick Jones' licks on songs such as "Hate and War+? were heavily influenced by classic American rock and roll, and the cover of Junior Murvin's reggae hit "Police and Thieves+? showed that the band's musical influences were already wide-ranging. Later albums such as Sandinista! and Combat Rock saw them experimenting with a huge range of musical genres, lyrical themes and visual aesthetics. The Clash Takes on the World explores the transnational aspects of The Clash's music, lyrics and politics, and it does so from a truly transnational perspective. It brings together literary scholars, historians, media theorists, musicologists, social activists and geographers from Europe and the US, and applies a range of critical approaches to The Clash's work in order to tackle a number of key questions: How should we interpret their negotiations with reggae music and culture? How did The Clash respond to the specific socio-political issues of their time, such as the economic recession, the Reagan-Thatcher era and burgeoning neoliberalism, and international conflicts in Nicaragua and the Falkland Islands? How did they reconcile their anti-capitalist stance with their own success and status as a global commodity? And how did their avowedly inclusive, multicultural stance, reflected in their musical diversity, square with the experience of watching the band in performance? The Clash Takes on the World is essential reading for scholars, students and general readers interested in a band whose popularity endures.