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'Silence, Chris discovered, is easy. If nobody asks, you never have to tell.' Christopher Bright is a well-respected conservation architect, good neighbour and friend. He has a devoted wife, two talented children and an old Rover. He plays tennis on Saturdays and enjoys a beer with his business partner after work. Life is orderly, yet an unresolved question has haunted him for as long as he can remember: Who was his birth father? Devotion to his adoptive parents has always prevented Chris from enquiring too deeply, but when his mother dies, information emerges that becomes the catalyst for changes he has never imagined. As light is cast on his father, attention turns to his birth mother, but when he goes in search of the person behind the photo, he encounters a conspiracy of silence. His quest for information, however, reveals not only the truth about his mother's life but exposes the fault lines in his own, and Chris finds the price of knowledge increasingly heavy. Nevertheless, the truth must be told ... Or must it?
This book deals with the formation of state surveillance and the emergence of institutionalized political policing in late Victorian and Edwardian Britain. Little has been written on this early formative period for the British security state, which began in earnest as a response to the Fenian dynamite campaign of the 1880s. Based on newly declassified documents, Solomon weaves together separate narrative threads which converge to paint a complex picture of the institutional innovations and personal rivalries that produced Britain's first national political police. The interactions between high-ranking bureaucrats, policemen and politicians reveal how often conflicting ideas on controlling organized radicalism coalesced into a unified counter-subversive strategy. Stressing the distinctness of the early British model of political policing, the narrative goes past the confines of a scholarly account by using source material to flesh out multidimensional characters, ranging from choleric Home Secretaries to remorseful anarchist double agents embroiled in a high-stakes and often unscrupulous combination of espionage, collusion and betrayal.
Never have so many possessed the means to be so lethal. The diffusion of modern technology (robotics, cyber weapons, 3-D printing, autonomous systems, and artificial intelligence) to ordinary people has given them access to weapons of mass violence previously monopolized by the state. In recent years, states have attempted to stem the flow of such weapons to individuals and non-state groups, but their efforts are failing. As Audrey Kurth Cronin explains in Power to the People, what we are seeing now is an exacerbation of an age-old trend. Over the centuries, the most surprising developments in warfare have occurred because of advances in technologies combined with changes in who can use them. Indeed, accessible innovations in destructive force have long driven new patterns of political violence. When Nobel invented dynamite and Kalashnikov designed the AK-47, each inadvertently spurred terrorist and insurgent movements that killed millions and upended the international system. That history illuminates our own situation, in which emerging technologies are altering society and redistributing power. The twenty-first century "sharing economy" has already disrupted every institution, including the armed forces. New "open" technologies are transforming access to the means of violence. Just as importantly, higher-order functions that previously had been exclusively under state military control - mass mobilization, force projection, and systems integration - are being harnessed by non-state actors. Cronin closes by focusing on how to respond so that we both preserve the benefits of emerging technologies yet reduce the risks. Power, in the form of lethal technology, is flowing to the people, but the same technologies that empower can imperil global security - unless we act strategically.
A transnational history of the first urban bombing campaign, when Irish nationalists targeted symbolic British public buildings in the 1880s.
DigiCat Publishing presents to you this special edition of "Dynamite Stories, and Some Interesting Facts About Explosives" by Hudson Maxim. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
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