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Al contrario di quanto avviene solitamente nei romanzi del genere noir, gli eroi in questo libro di delitti e misteri agiscono alla luce del luminoso sole di Grecia. Storie del tutto imprevedibili, che avvengono ora nella casa accanto, ora nelle bianche isole greche o talvolta nelle azzurre profondit del mare. Tra i misteri e i codici del teatro antico, o sul sedile di una rossa Ferrari, alla fine matura sempre un atroce delitto. Lassassino sa il perch! La signora Gilda si impossessa della Casa degli oleandri; Nassos rincorre Lauto rossa delle donne di facebook; davanti al faro dellisola di Paros, sotto locchio della telecamera della CNN avviene la scoperta di un singolare delitto; Oreste nellantico teatro di Epidauro indaga i misteri di Asclepio e trova la sua Elena. Un rasta va alla ricerca dei segreti della sirena tra le rocce della fortezza veneziana di Monenvassia; il marinaio Mimis decide di porre fine allangoscia che gli procurano i sofismi del Maestro; Uninnocua amicizia entra nella vita di un marito geloso. Visita il sito libro: www.thekillerknowswhy.com
"Giallo d'arte 2013" è la seconda antologia prodotta dall'omonimo concorso letterario nato da un'idea originale di Francesco D'Agostino: abbinare un racconto giallo o noir a un'opera dell'ingegno appartenente a qualunque ambito artistico. Pittura, scultura, musica, letteratura, cinema, fotografia. Giallo d'Arte è promosso da Bruno Elpis e Malgradopoi. Il volume raccoglie 34 racconti di genere giallo, thriller e noir. Prefazione di Angelo Fàvaro, cover di Ilaria Spes. Con la partecipazione straordinaria di Patrizia Rinaldi. Ha collaborato Tullio Aragona. Sito web: www.giallodarte.it
A noir thriller about a serial killer stalking the universivty students of Bologna, Italy, the rookie detective trying to catch him, and the blind man who is her best lead.
Italian Crime Fiction is the first study in the English language to focus specifically on Italian detective and noir fiction from the 1930s to the present. The eight chapters include studies on some of the founding fathers of the Italian tradition, and mainstream writers. The volume has a particular focus on the new generation of crime writers.
Every Move You Make. . . Surveillance expert Seth Mackey knows everything about the women that his millionaire boss toys with--and tosses aside. Raine Cameron is something different. Night after night, Seth watches her on a dozen different video screens. Her vulnerable beauty haunts him and her fresh innocence stirs a white-hot passion that he can barely control. Raine is pure temptation, but Seth has something more important to take care of first. He's convinced that his boss, Victor Lazar, is responsible for his half-brother's murder. He cannot put his secret investigation at risk, but he can't stop wanting her--craving her--and soon he knows he can't let Victor have her. For Raine may be Victor's next victim. . . Every Breath You Take Raine knows she's being watched--but no one can see the secrets in her heart. She has reasons of her own to seek revenge on Victor Lazar, and she will, despite her fear--and the distracting presence of Seth Mackey. Though Raine has little experience with men, Seth's fiercely masculine good looks and animal sensuality stir her most erotic fantasies when she's along. . .and lead her to a bold plan. Offering her body to him, surrendering totally to his ruthless desire might well push her beyond all emotional limits--and beyond fear itself.
Volume I of Franco Montanari's "Kleine Schriften" comprises some 66 papers on ancient scholarship, a topic which he decisively helped establishing as an extremely important field of study; they include general surveys of Alexandrian and Pergamene philology, major contributions to ancient Homeric scholarship (with a particular emphasis on Aristarchus), ancient scholarship on Hesiod and Aeschylus, as well as an important number of editions and notes on papyrological scholarly texts. Volume II consists of 42 contributions to Homer's Iliad and Odyssey, Pindar, Aeschylus, Herodotus, Euripides, the Athenaion Politeia, Lucian, Nonnus, philosophical papyri, the reception of antiquity and portraits of contemporary scholars.
"Pilliod compares information from documents she has discovered with Vasari's versions of the artists' lives and shows how Vasari manipulated their biographies - for example, suppressing any mention of Pontormo's status as a court artist, including his salary from Duke Cosimo I - in order to diminish their reputations, to obliterate memory of the traditional Florentine workshops, and to enhance the importance of the Academy instead. She also discusses such subjects as the evidence for Pontormo's association with the Medici court; Pontormo's house and its place in the urban fabric of Florence; Bronzino's and Pontormo's intimate association with poets and theatrical spectacles; and Allori's painted challenge to Vasari's view of the artistic scene in sixteenth-century Florence.