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Youre about to enter a city that has no equal. It was built by extraordinary people with imaginative minds. Did they drink? Not sure, but why else would they build it in a Nevada desert? Some say you can go anywhere in the world and discover that people not only know about Las Vegas--theyd give anything to get there. True. As soon as I graduated from college I took an all-night bus to reach a city Id heard of, but never seen. I stayed 30 years. Damn good years, too. And the mystique of the entertainers and the film stars and the elaborate restaurants and 24-hour-a-day casinos never wore off. I spent 20 of my years at the Sahara, on the Strip, got inside the gambling business in the 60s and loved it. Helped it, too, with my writing and my inventions. The Mob was still around in those days. They were the first venture capitalists and owned a piece of every casino in town. Did that stop anyone from having a good time? Of course not. Gradually the Mob faded away--which is what happens when an FBI office with 15 agents sets up shop in town. But the gaiety didnt stop for a second, even when corporations realized they were the big guys now. Our Sahara entertainment director stunned us in 1964 when he made a deal with The Beatles to play two shows. I met the boys after dark at a small Las Vegas airport, rode with them to the Sahara and helped get them to their suite before teen age girls tore their clothes off. So take a chance, have a seat and enjoy that drink in front of you. Its time to start the show. --John Romero
A savage journey into the heart of Hunter S. Thompson's Las Vegas with the Good Doctor as tour guide. A Lord-of-the-Rings-like adventure in the city's underground flood channels. A seven-day stay at a seedy motel on East Fremont Street. The stories in My Week at the Blue Angel aren't about Steve Wynn, Cirque du Soleil, or how to play poker, and they aren't set in Caesars Palace, XS Nightclub, or a 2,000-seat showroom. They're about prostitutes, ex-cons, and the homeless, and they're set under Caesars Palace and in trailer parks and weekly motels. In this creative nonfiction collection, Matthew O'Brien--author of Beneath the Neon: Life and Death in the Tunnels of Las Vegas--and veteran photographer Bill Hughes show a side of the city rarely seen. A side beyond the neon lights, themed facades, and motel-room doors. A side beyond the barbwire fences, No Trespassing signs, and midnight shadows.
What is the origin of the name, BANDITS?How did Sam and Alex become associated with Officer Scott?How did Sam and Phil Koenig become enemies?What dangerous adventure did the gang have at the beach?This collection of short stories, “Scavenger Hunt,” “Meeting the Enemy,” “A Day at the Beach,” “The Cat Burglar,” and many more will reveal some of the untold history of the gang. Fun and excitement happens in every story in this final installment of the LAS VEGAS BANDITS series.If you have enjoyed the previous exploits of Sam, Travis, Alex, Randy, Kevin and Richie, this book is a must read.
On September 20, 1998, Jose Vigoa, a child of Fidel Castro’s revolution, launched what would be the most audacious and ruthless series of high-profile casino and armored car robberies that Las Vegas had ever seen. In a brazen sixteen-month reign of terror, he and his crew would hit the crème de la crème of Vegas hotels: the MGM, the Desert Inn, the New York—New York, the Mandalay Bay, and the Bellagio. The robberies were well planned and executed, and the police–“the stupids,” as Vigoa contemptuously referred to them–were all but helpless to stop them. But Lt. John Alamshaw, the twenty-three-year veteran in charge of robbery detectives, was not giving up so easily. For him, Vigoa’s rampage was a personal affront. And he would do whatever it took, even risk his badge, to bring Vigoa down.
The United States has a long and unfortunate history of exposing employees, the public, and the environment to dangerous work. But in April 2009, the spotlight was on Las Vegas when the Pulitzer committee awarded its public service prize to the Las Vegas Sun for its coverage of the high fatalities on Las Vegas Strip construction sites. The newspaper attributed failures in safety policy to the recent “exponential growth in the Las Vegas market.” In fact, since Las Vegas’ founding in 1905, rapid development has always strained occupational health and safety standards. Gambling with Lives examines the work, hazards, and health and safety programs from the early building of the railroad through the construction of the Hoover Dam, chemical manufacturing during World War II, nuclear testing, and dense megaresort construction on the Las Vegas Strip. In doing so, this comprehensive chronicle reveals the long and unfortunate history of exposing workers, residents, tourists, and the environment to dangerous work—all while exposing the present and future to crises in the region. Complex interactions and beliefs among the actors involved are emphasized, as well as how the medical community interpreted and responded to the risks posed. Updated through 2020, this second edition includes new and expanded discussions on: Union activity, sexual harassment and misconduct, and race and employment The change to Las Vegas’ “What happens here, stays here” slogan The MGM Grand Fire and 1918 influenza pandemic Work-related musculoskeletal disorders in the service industry Legionnaire’s Disease outbreaks at resorts Effects of the Route 91 Harvest Festival Shooting The COVID-19 pandemic Few places in the United States contain this mixture of industrial and postindustrial sites, the Las Vegas area offers unique opportunities to evaluate American occupational health during the twentieth century, and reminds us all about the relevancy of protecting our workers.
Beyond the bright lights and casinos lies the real Las Vegas where four lives will be brought together by one split-second choice.
The extraordinary life of one of the world’s greatest music and literary icons, in the words of those who knew him best. Poet, novelist, singer-songwriter, artist, prophet, icon—there has never been a figure like Leonard Cohen. He was a true giant in contemporary western culture, entertaining and inspiring the world with his work. From his groundbreaking and bestselling novels, The Favourite Game and Beautiful Losers, to timeless songs such as “Suzanne,” “Dance Me to the End of Love,” and “Hallelujah,” Cohen is one of the world’s most cherished artists. His death in 2016 was felt around the world by the many fans and followers who would miss his warmth, humour, intellect, and piercing insights. Leonard Cohen, Untold Stories chronicles the full breadth of his extraordinary life. This third and final volume in biographer Michael Posner’s sweeping series of Cohen’s life—That’s How the Light Gets In—explores the last thirty years of his life, starting with the late 1980s revival of his music career with the successful albums I’m Your Man and The Future. It covers the death of his manager, Marty Machat, and the appointment of another who would ultimately be accused of stealing more than five million dollars from Cohen. Personally, Cohen suffers the traumatic end of his long relationship with French photographer Dominique Issermann and begins a public romance with actress Rebecca De Mornay. When that relationship ends in 1993, as Cohen is about to turn sixty years old, he begins a deeply spiritual phase, entering the Mount Baldy monastery under the tutelage of Zen master Joshu Sasaki Roshi—arguably the most important relationship in Cohen’s life. Ever the seeker, he then goes to Mumbai in 1999, the first of half a dozen trips to India to investigate Advaita Vedanta Hinduism, expanding his growing fascination with spirituality. In 2008, Cohen makes his triumphant return to the concert stage, and for five years travels the world in an extraordinary final act of his life, giving almost four hundred performances over three continents. The book provides the first full chronicle of Cohen’s final months, fighting debilitating disease, while still creating three new studio albums, adding to his remarkable legacy. Cohen’s story is told through the voices of those who knew him best—family and friends, colleagues and contemporaries, business partners and lovers. Bestselling author Michael Posner draws on hundreds of interviews to reveal the unique, complex, and compelling figure of the man The New York Times called “a secular saint.” This is a book like no other, about a man like no other.
The fight of the century is almost here, and everyone in Sin City feels the buzz. The young journalist on the make. The lovesick con man. The rich man's daughter with a very dirty secret. The king of Vegas night life. A clown who wants waffles. As the frenzy builds and the stakes -- financial, emotional, moral -- get higher, these and other indelible Vegas characters will put everything on the line. In these linked stories, the one and only P Moss shows you a darker, wilder, more uproarious side of this neon paradise.
This first novel kicks off a new series based on the hit show on NBC's fast-paced, sexy drama that follows an elite Las Vegas surveillance team charged with maintaining one of Sin City's largest resorts and casinos. Original.
A tale of good and evil, of corruption and deceit, of prejudice, politics, and power, this compelling account scrutinizes the immensely lucrative Nevada gambling industry’s struggle to maintain legitimacy—or at least the appearance of it. Ronald A. Farrell and Carole Case tell how state regulators created the “Black Book” in the 1960s, a list of “notorious and unsavory” persons banned forever from owning, managing, or even entering casinos in the state. The regulators dramatically pursued and publicly denounced former lieutenants of Al Capone, alleged overlords of the American Mafia, nationally known professional gamblers, and major casino owners, as well as small-time bookies and hoods, reputed sports fixers, and gambling cheats. To date, thirty-eight names have been entered in the Black Book, including Sam Giancana, Anthony Spilotro, and Frank “Lefty” Rosenthal. Farrell and Case contend, however, that the denunciations were a melodrama, meant to show that the government was cleansing the city of corruption. Through the Black Book, the regulators focus public attention on “the Mob,” rather than on a multitude of competing criminal interests already in the gaming industry. The authors uncover evidence of ethnic discrimination by the regulators, including selective prosecution of Italian Americans whose notoriety fit popular Mafia stereotypes. The Black Book and the Mob records hearings of the regulatory commission and the voices of lawyers, government officials, casino owners, and the people named in the Black Book itself. This Las Vegas story is a rebuke to the gaming industry and a cautionary tale for many states and communities now weighing the legalization of casino gambling.