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Everyone thinks they know the story of Las Vegas: the showgirls, the gambling, the mob. But Las Vegas has always been much more. Families have lived here since its founding in 1905. After 1931, legalized gaming became the big tourist draw, and following World War II, the town began to market itself as "America's Playground." That is when the famed Las Vegas Strip came into its own and downtown was dubbed "Glitter Gulch." These vintage postcards show how Las Vegas evolved from a dusty railroad town into the "Entertainment Capital of the World," while remaining a city filled with families and pioneering souls.
Through colorful photogra phs and firsthand narrative detail, Picturing Las Vegas tells the story of a city whose history mirrors that of America itself: a tale of the frontier, of corruption and greed, of beauty and loss and ineffable hope. From its hardscrabble origins, to the Golden Age of the Rat Pack, to today's mind-blowing theme-park casinos, Las Vegas is the city that has it all. Mobsters. Mormons. Elvis and Wayne Newton, Siegfried and Roy. It's a place where change is the one constant, and where the pursuit of happiness is the only law. In the words of writer Chuck Palahniuk, it's the place that "looks the way you'd imagine heaven must look at night." Linda Chase is the author of Surfing Women of the Waves and grew up in Las Vegas. She lives in California. Explores the fascinating story of Sin City, from its origins as a desert outpost to today's eye-popping fantasyland
People all over the globe know Las Vegas as gambling's Mecca, Sin City, the Entertainment Capital of the World, a resort destination that attracts more than 35 million visitors per year. But that's just one piece of the story of this fascinating metropolis of 1.5 million people - and counting. With more than 6,000 people rushing to the valley each month, Las Vegas responded to the influx with enthusiasm and a can-do attitude, all while coping with enormous economic, social and political challenges. This carefully documented history focuses on the most exciting and chaotic decade in Las Vegas history: the 1990s. Veteran journalist Geoff Schumacher captures the true essence of Las Vegas, seeing past the neon and discovering the multi-faceted communities beyond.
The transformations of the Strip—from the fake Wild West to neon signs twenty stories high to “starchitecture”—and how they mirror America itself. The Las Vegas Strip has impersonated the Wild West, with saloon doors and wagon wheels; it has decked itself out in midcentury modern sleekness. It has illuminated itself with twenty-story-high neon signs, then junked them. After that came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel Tower. (It might be noted that forty-two million people visited Las Vegas in 2015—ten million more than visited the real Paris.) More recently, the Strip decided to get classy, with casinos designed by famous architects and zillion-dollar collections of art. Las Vegas became the “implosion capital of the world” as developers, driven by competition, got rid of the old to make way for the new—offering a non-metaphorical definition of “creative destruction.” In The Strip, Stefan Al examines the many transformations of the Las Vegas Strip, arguing that they mirror transformations in America itself. The Strip is not, as popularly supposed, a display of architectural freaks but representative of architectural trends and a record of social, cultural, and economic change. Al tells two parallel stories. He describes the feverish competition of Las Vegas developers to build the snazziest, most tourist-grabbing casinos and resorts—with a cast of characters including the mobster Bugsy Siegel, the eccentric billionaire Howard Hughes, and the would-be political kingmaker Sheldon Adelson. And he views the Strip in a larger social context, showing that it has not only reflected trends but also magnified them and sometimes even initiated them. Generously illustrated with stunning color images throughout, The Strip traces the many metamorphoses of a city that offers a vivid projection of the American dream.
Discover one of !--?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" /--America's most fascinating cities through 30 dramatic true stories spanning Las Vegas's 150-year history. James Roman takes readers on a tour through the glamorous and sometimes sordid history of Las Vegas and explains how a railroad town transformed itself into "the Entertainment Capital of the World." Essays explore the major historic events from the founding of Sin City and the building of the Hoover Dam to the rise of the Rat Pack at the Sands and the establishment of the Mafia-controlled casinos. Also included are intriguing tales of Vegas celebrities from Frank Sinatra and Liberace to Siegfried and Roy, as well as numerous historical photos and full-color maps.
A memoir of growing up in mob-run Sin City from a casino heir-turned-governor who's seen two sides of every coin When Bob Miller arrived in Las Vegas as a boy, it was a small, dusty city, a far cry from the glamorous, exciting place it is today. Driving the family car was his father Ross Miller, a tough guy—though a good family man—who had operated on both sides of the law on some of the meaner streets of industrial Chicago. The Miller family was as close and as warm as "Ozzie and Harriet," as long as you knew that Ozzie was a bookmaker and a business acquaintance of some very dubious criminal types. As Bob grew up, so did Vegas, now a "town" of some two million. Ross Miller became a respectable businessman and partner in a major casino, though he was still capable of settling a score with his fists. And Bob went on to law school, entering law enforcement and eventually becoming a popular governor of Nevada, holding office longer than anybody in the state's history. And the Miller family's legacy continues. Bob's own son is presently serving as Secretary of State. A warm family memoir, the story of a city heir, with just a little bit of The Godfather and Casino thrown in for spice, Son of a Gambling Man is a unique and thoroughly memorable story.
From Pulitzer Prize-winning journalist and culture critic Christina Binkley comes an updated edition of her New York Times bestselling account of sex, drugs, and the rise of Las Vegas. With a new prologue on the rise and fall of Steve Wynn. The Strip. Home to some of the world's grandest, flashiest, and most lucrative casino resorts, Las Vegas, with its multitude of attractions, draws millions of tourists from around the world every year. But Sin City hasn't always been booming: modern Vegas exists largely thanks to the extraordinary vision, and remarkable hubris, of three competing business moguls: Kirk Kerkorian, Dr. Gary Loveman, and Steve Wynn. And in the wake of #MeToo revelations, not all empires survive. Having had personal access to all three tycoons, Binkley explains how their audacious efforts to reach the top-and to top one another-shaped the city as it stands. She takes us inside their grandest schemes, their riskiest deals, and the personalities that drove them to their greatest successes, and their most painful defeats. In this updated edition, she reveals the inside story of how Steve Wynn, the winner who took all, ultimately lost everything-twice. Sharp, insightful, and revealing, Winner Takes All is the gripping story of how billions of dollars and the unparalleled drive for power turned dreams into larger-than-life reality. "It's a great drama on the greatest stage. . . Wynn, Kerkorian, and Loveman represent three opposing business personalities, three styles of achieving success. On the Vegas Strip, they're pitted against one another like gladiators, and we've got front-row seats. Kapow!" - bestselling author Po Bronson
Hunter S. Thompson, “smart hillbilly,” boy of the South, born and bred in Louisville, Kentucky, son of an insurance salesman and a stay-at-home mom, public school-educated, jailed at seventeen on a bogus petty robbery charge, member of the U.S. Air Force (Airmen Second Class), copy boy for Time, writer for The National Observer, et cetera. From the outset he was the Wild Man of American journalism with a journalistic appetite that touched on subjects that drove his sense of justice and intrigue, from biker gangs and 1960s counterculture to presidential campaigns and psychedelic drugs. He lived larger than life and pulled it up around him in a mad effort to make it as electric, anger-ridden, and drug-fueled as possible. Now Juan Thompson tells the story of his father and of their getting to know each other during their forty-one fraught years together. He writes of the many dark times, of how far they ricocheted away from each other, and of how they found their way back before it was too late. He writes of growing up in an old farmhouse in a narrow mountain valley outside of Aspen—Woody Creek, Colorado, a ranching community with Hereford cattle and clover fields . . . of the presence of guns in the house, the boxes of ammo on the kitchen shelves behind the glass doors of the country cabinets, where others might have placed china and knickknacks . . . of climbing on the back of Hunter’s Bultaco Matador trail motorcycle as a young boy, and father and son roaring up the dirt road, trailing a cloud of dust . . . of being taken to bars in town as a small boy, Hunter holding court while Juan crawled around under the bar stools, picking up change and taking his found loot to Carl’s Pharmacy to buy Archie comic books . . . of going with his parents as a baby to a Ken Kesey/Hells Angels party with dozens of people wandering around the forest in various stages of undress, stoned on pot, tripping on LSD . . . He writes of his growing fear of his father; of the arguments between his parents reaching frightening levels; and of his finally fighting back, trying to protect his mother as the state troopers are called in to separate father and son. And of the inevitable—of mother and son driving west in their Datsun to make a new home, a new life, away from Hunter; of Juan’s first taste of what “normal” could feel like . . . We see Juan going to Concord Academy, a stranger in a strange land, coming from a school that was a log cabin in the middle of hay fields, Juan without manners or socialization . . . going on to college at Tufts; spending a crucial week with his father; Hunter asking for Juan’s opinion of his writing; and he writes of their dirt biking on a hilltop overlooking Woody Creek Valley, acting as if all the horrible things that had happened between them had never taken place, and of being there, together, side by side . . . And finally, movingly, he writes of their long, slow pull toward reconciliation . . . of Juan’s marriage and the birth of his own son; of watching Hunter love his grandson and Juan’s coming to understand how Hunter loved him; of Hunter’s growing illness, and Juan’s becoming both son and father to his father . . .