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Por su característico diseño, que no ha cambiado en casi 400 años, el Tarot de Marsella es una de las barajas de Tarot más conocidas. Sin embargo, debido a este mismo diseño, considerado de difícil lectura, su uso se convierte en un gran desafío, siendo superado por barajas más modernas, basadas en el Tarot de Waite. Este libro, además de trazar una breve historia del Tarot de Marsella, también pretende presentar un método de juego de las cartas de este Tarot mediante una técnica de interrogación basada en el método mayéutico, que se hizo famoso en los primeros tiempos de la filosofía griega por la representación de Sócrates hizo en los libros de Platón. Se proporcionan 100 preguntas basadas en los 22 arcanos mayores, los 22 arcanos mayores invertidos y los 56 arcanos menores, englobando los 4 palos de la baraja, englobando una pregunta para cada posibilidad lógica del juego de cartas del Tarot de Marsella. Se trata, pues, de un método que permite su uso en juegos en solitario y en juegos de una sola carta (carta guía), así como en técnicas psicodinámicas o formatos famosos, como el mandala astrológico. Tratando las cartas del Tarot de Marsella como preguntas, es posible escudriñar los deseos del consultante, así como dialogar los mensajes provenientes del equipo espiritual del Tarot, trasladando los enigmáticos determinismos del Oráculo a un lugar más vivo y pertinente como guía.
This full-color, profusely illustrated book provides an insightful approach to the 22 cards of the major arcana. Drawing on Jungian psychology and his own considerable knowledge of esoterica, Banzhaf clearly shows how the major arcana of the Waite tarotdeck tell the story of the hero's journey. It is the world's oldest story, residing in our collective unconscious, as women and men alike find themselves engaged in the heroic task of maturation. 126 color illustrations. Color foldout. Notes. Bibliography
Otto Preminger was one of Hollywood's first truly independent producer/directors. He sought to address the major social, political, and historical questions of his time in films designed to appeal to a wide public. Blazing a trail in the examination of controversial issues such as drug addiction (The Man with the Golden Arm) and homosexuality (Advise and Consent) and in the frank, sophisticated treatment of adult material (Anatomy of a Murder), Preminger in the process broke the censorship of the Hollywood Production Code and the blacklist. He also made some of Hollywood's most enduring film noir classics, including Laura and Fallen Angel. An Austrian émigré, Preminger began his Hollywood career in 1936 as a contract director. When the conditions emerged that led to the fall of the studio system, he had the insight to perceive them clearly and the boldness to take advantage of them, turning himself into one of America's most powerful filmmakers. More than anyone else, Preminger represented the transition from the Hollywod of the studios to the decentralized, wheeling and dealing New Hollywood of today. Chris Fujiwara's critical biography--the first in more than thirty years--follows Preminger throughout his varied career, penetrating his carefully constructed public persona and revealing the many layers of his work.
At least three of director Jacques Tourneur's films--Cat People, I Walked with a Zombie and The Leopard Man--are recognized as horror classics. Yet his contributions to these films are often minimized by scholars, with most of the credit going to the films' producer, Val Lewton. A detailed examination of the director's full body of work reveals that those elements most evident in the Tourneur-Lewton collaborations--the lack of monsters and the stylized use of suggested violence--are equally apparent in Tourneur's films before and after his work with Lewton. Mystery and sensuality were hallmarks of his style, and he possessed a highly artistic visual and aural style. This insightful critical study examines each of Tourneur's films, as well as his extensive work on MGM shorts (1936-1942) and in television. What emerges is evidence of a highly coherent directorial style that runs throughout Tourneur's works.
'I am truly a child of both countries and both cultures.' Born to an Indian father and an English mother, Jamila Gavin's childhood was divided between two worlds. Her earliest memories are of India, where she lived in a crumbling palace built for a prince, and learned to steal sugar cane and suck mangoes. But she would spend much of her childhood in England, where she picked blackberries, got chilblains, and learned to recognise doodlebug bombs. And between the two there were unforgettable journeys, by bullock carts and tongas, crowded trains and romantic P&O liners. A touching and very personal recollection, with a backdrop of world-shaking events, from the Blitz of World War II to the struggle for Indian independence and the assassination of Gandhi. Illustrated with the author's own delightful photographs.
A tale of Europe in the days just before the war. It tells of a small group of Jewish holiday makers in the resort of Badenheim in the Spring of 1939. Hitler's war looms, but Badenheim and its summer residents go about life as normal."
Finally, an authentic collection of Salsa/Latin favorites. Complete with syncopations, voicings, and bass figures guaranteed to make you play in whole new ways and expand your musical awareness. There is no drumset on this recording. The percussion is purely Latin/American and the rhythm section is tight. This is like no other play-along in the series. Rhythm Section: Mark Levine (p); David Belove (b); John Santos, Timbales & Miscellaneous Percussion; Harold Muniz (Congas & Miscellaneous Percussion). Titles: Sabor * Linda Chicana * Mambo Inn * ii/V7/I Cha Cha * ii/V7/I Bolero * Afro Blue * Come Candela * Delirio * Manteca * Curacao * Philly Mambo * Mindanao * Picadillo.