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The adventures of two friends, a porcupine and a chipmunk, are related in illustrations and simple text.
WHAT IS THE FORCE That drove them on foot across the land bridge from Asia to the New World long before recorded history? That keeps Joshua Warden on the wagon train headed to the California gold fields after losing so much? That is found in a shovel full of prairie soil-demanding that Amos Krebbs put down roots? That directs Stephano Romano's return to the sea? That moved Harry Krebbs from the Kansas prairie and focuses his eyes and those of his astronaut son, Alan, on the far horizon and beyond? That keeps the feet of industrialist Gilbert Krebbs and Congressman Bobby Dobbson firmly planted in the center? That drives a Monarch butterfly across a thousand miles of desert and mountains to a tiny spot on the California coast, where she has never been, but where she must return? That guides the sleek gray fish and the badly wounded Steve Romano to seek refuge in the Sea of Cortez? That fuels William Henry Stitt and his great grandson in their unending quest for knowledge? WHAT IS THE FORCE?
"Betty Garrett's memoir is a tale of grace under pressure. It's a lovely, moving song of survival."—Studs Terkel
A new collection by the Pulitzer Prize-winning former poet laureate celebrates America's cultural heritage with pieces about such topics as World War I's African-American jazz band, a Harlem girl's examination of adult flirting behaviors, and the first African-American Oscar winner. Reprint.
Second Chance speaks to the vulnerability of the widowed and divorced baby boomers' loneliness, but not in a depressing way. Many are active, normal, healthy, decent men and women with children and grandchildren, yet many are lonely. Infused with humor, Second Chance is funny, charming, poignant, and real. In the Adirondack Mountains Spa Village Resort, in Upstate New York, a good mix of African American and Caucasian Baby Boomers meet the match that was chosen for them to participate in a ten-day organized matchmaking event. Each one has traveled a different path in life. Each one has a unique story. The story centers on Janet, a divorced Pharmaceutical Sales Executive whose path had left her an emotional cripple. Janet could not accept the match that was carefully chosen for her. Through a bond of friendship forged out of adversity Janet struggled to heal her wounds. She soon became unhinged after arriving at the resort and was left with no choice but to walk away from the event. She would learn to heal and love herself and find the kind of relationship that had evaded her entire adult life. Neile Proeser is a fifty-eight-year-old divorced mother of two grown daughters and four grandchildren. Before moving to The Kingdom of Saudi Arabia where she works in Hospital Administration, Neile worked as a Scriptwriter in a local radio station in her native country of Barbados. Neile enjoys traveling throughout the vast desert Kingdom, the Mediterranean, Middle East and Far East.
As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city’s subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
As seasoned dancers and dance educators, Minton and Faber approach brain function from inside the body as embodiment of thought. Their collection of neurological research about the thought processes in learning and performing dance encompasses a vision of dance as creative art, communication, education, and life. The book informs neuroscientists, educators, and dancers about the complex interdependence of brain localities and networking of human neurology through an integration of physiology, cognition, and the art of dance. Chapters address observation, engagement, critical thought, emotion, memory, imagery and imagination, learning, problem solving, and 21st century skills. Finer components are explored through neurological networks, classroom pedagogy, dance, and movement experiences that provide: Description of the thought processes, their components, and their neurological functional needs. The neurological physiology that has been discovered in the cognitive process. How brain function can be applied to the educational classroom. Applications of the neurological research to dance education, the choreographic process, and dance performance. Movement explorations for readers to experience the thought processes through dance with neurological knowledge in mind.
In Ancient Virtues and Vices in Modern Popular Culture, Eran Almagor and Lisa Maurice offer a comprehensive collection of chapters dealing with the reception of antiquity in popular media of the modern era (19th-21st centuries). These media include theatrical plays, cinematic representations, Television drama, popular newspapers or journals, poems and outdoor festivals. For the first time in Classical Reception Studies, ancient Jewish literature and imagery are included in the discussion. The focus of the volume is both the continuity and variance between ancient and modern sets of values, which appear in the new interpretations of the ancient stories, figures and protagonists.