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A gripping and inspiring space adventure for kids of all ages from popular author Tristan Bancks. Dash Campbell has only ever had one dream. To go to space. Now he and four others have been given the chance to become the first kids ever to leave our planet. From building rockets behind his family's laundromat in Australia to attending a hardcore Space School in the US, Dash is a long way from home. And he still has an intense month of training ahead before he can even think about that glorious moment of blasting out of Earth's atmosphere and living his dream. But does Dash have what it takes t.
Summary: Four social scientists from the University of Western Sydney explore management and organizations today, along with their theories and practices, as the 2008 worldwide financial crisis continues, from a perspective that questions much of the intellectual trappings of neo-liberalism. They cover what is wrong with business education, the Larrikin Principle, managerialism, neo-liberalism and its discontents, corruption, power versus goodness at the edge of chaos, soft capital and the informal polity, and culture and organizations in a global world.
Eric loves to read. He has a towering bookshelf brimming with stories of strange and wonderful worlds. But ... if only there were a way to actually get to these magical places. He just can't seem to find the right words and his drawings never look quite right-not like his books at all! How will Eric find a way? A humorous and unique story about finding your own way to be creative.
A book of male nude portraits shot in the great outdoors.
A book of male nude portraits shot at evocative locations in the US and Australia
Larrikins, Rebels, and Journalistic Freedom is a cultural history of Australian journalism. In a democratic nation where a free news media is not guaranteed, Australian journalism has inherited what could be described as a ‘Larrikin’ tradition to protect its independence. This book mines Australian journalism’s rebelliousness, humor and distinct disrespect for authority in various socio-historical contexts, to explore its determination to maintain professional independence. Beginning with a Larrikin analysis of Australian journalism’s inherited Enlightenment tradition, Dr Josie Vine takes the reader through the Colonial era’s hardships, Federation, two World Wars, the Cold War’s fear and suspicion, the swinging sixties, a Prime Minister’s dismissal, 1980’s neo-liberalism, post-9/11 and, finally, provides a conclusive synthesis of current Australian journalism culture. Throughout, the book highlights the audacious, iconoclastic and determined figure of the Larrikin-journalist, forever pushing boundaries to protect democracy’s cornerstone – freedom of the news media. “Book-length histories of Australian journalism are still relatively rare, but what makes this new arrival particularly welcome is the way in which it is structured around an exploration of the ‘Larrikin paradox’. This refers to the fact that although Australian journalism may profess to be ‘professional’ and ‘reputable’, it can also be raucous, unruly and disrespectful in pursuit of what it sees as its democratic purposes. The Larrikin may be a uniquely Australian figure but the paradox is far from confined to Australian journalism (not least because of the influence of erstwhile Australian Rupert Murdoch on journalism in the Anglosphere), and this book should be of considerable interest to those concerned with the means whereby journalism performs its democratic, Fourth Estate role in modern democracies. This is an extremely very well-informed and highly insightful work which ought to appeal equally to those interested in journalism and in Australian politics.” — Julian Petley, Professor, Brunel University London, UK
Who can be a larrikin and how is it used politically? The figure of the larrikin goes deep in Australian culture. But who can be a larrikin, and what are its political uses? This brilliant essay looks at Australian politics through the prisms of class, egalitarianism and masculinity. Lech Blaine examines some “top blokes,” with particular focus on Scott Morrison and Anthony Albanese, but stretching back to Bob Hawke and Kerry Packer. He shows how Morrison brought a cohort of voters over to the Coalition side, “flipping” what was once working-class Labor culture. Blaine weaves his own experiences through the essay as he explores the persona of the Aussie larrikin. What are its hidden contradictions – can a larrikin be female, or Indigenous, say? – and how has it been transformed by an age of affluence and image?
A book of male nude portraits shot around the theme of manual labour.