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Where Theory and Practice Meet is a collection of nineteen papers in translation studies. Unlike many similar books published in recent decades, which are mostly non-translation-oriented, veering to issues with little or no relevance to translation, this book focuses on the translation process, on theory formulation with reference to actual translation, on getting to grips with translation problems, and on explaining translation in language which can be understood by the general reader. Perceptive and wide-ranging, the book covers language pairs that include Chinese, English, French, German, Italian, Spanish, Latin, and Classical Greek, and discusses, among other things, translations of Dante’s La Divina Commedia; translations of Shakespeare’s Hamlet; Goethe’s “Prometheus” as a case of untranslatability; the challenge of translating Garcilaso de la Vega’s “Primera Égloga” into Chinese; John Minford’s translation of martial arts fiction; and Lin Shu’s translation of Alexandre Dumas’s La Dame aux camélias.
With more than 1600 descriptive and evaluative entries, ARBA continues its 26-year tradition as a comprehensive review source for reference works published or distributed in the US. ARBA 95 encompasses the subject spectrum, covering such broad areas as general reference, history, education, economics and business and science and technology. Of special note in this edition is increased coverage of CD-ROM products. More than 350 reviewers provide reviews that cover strengths and weaknesses of the reference works.
We are so used to hearing about all the French words that are found in English and about how purist the French are about their language, that we don't realize how many English words have migrated into French. You'll be astonished by how many English words are used in French. French is inundated with them! Swamped with them! Most are native English words, but surprisingly, some were originally French words which moved into English long ago, evolved a different meaning, and then moved back to French with the new meaning as anglicismes. English words aren't always taken into French with the same spelling and usage as they have in our language. For example, you'll encounter le week-end, which has gained a hyphen, and le warning which doesn't mean "the warning" in a general sense, but specifically means the emergency lights or flashers on a car. Some words are specific to certain sports, like l'uppercut or le football, or to other activities, such as playing bridge, while other words which are general in English have only limited meanings in French. An example is le slice, which only refers to golf and tennis, and not to a slice of melon, for instance. Some words are so well integrated into French that the average Frenchman wouldn't be aware that they are words of English origin. At the other extreme are words that that same Frenchman would recognize immediately as English words even though he uses them without reflection (much as we would say ravioli and pizza are Italian words, or taco and tamale are Mexican Spanish words). All these words will be marked as anglicisme or mot anglais in a French dictionary like Le Petit Robert, and the use of some of them would be frowned on in formal speech or writing, but many are very widely used in normal casual speech. You'll find it a fascinating book. READ WHAT PROFESSORS AND INSTRUCTORS OF FRENCH AND OTHERS HAVE WRITTEN ABOUT EARLIER BOOKS IN THIS SERIES: I think your books are wonderful. You have made a fantastic contribution to the French language profession. --- Prof. Judy Baughin, Raymond Walters College You have done a real service to learners of French...This is important work. --- Prof. John Romeiser, U. of Tenn. I have to say your Key Words and Expressions is just the kind of book I would have liked to have had when I was teaching myself French oh-so-many years ago. --- Prof. John Moran, Dir.Language Programs, NYU If you really want to learn spoken French, you need this book (Key Words). You'll need other books as well, you'll need audio materials, and you'll need live language experience. But this book is a necessity. ---- reader reviewer amazon.com I love the Faux Amis, especially the relaxed, conversational presentation. ---- Prof. Norman Shapiro, Wesleyan U. Your little books are great! ---- Prof. AG Fralin, Washington and Lee U. I absolutely *love* Faux Amis. It's so well done. --- Prof. Herta Rodina, Ohio U. I love your books! They are easy to navigate, and they are extremely useful to non-native French speakers. ---- Prof. John Turvaville, U. of Tenn. Perhaps the most amazing thing about this book (Key Words) is that it took until 2007 for anyone to think of writing it! ---- reader reviewer amazon.com The books are excellent.---- Prof. Luke Bouvier, U. of Mass, Amherst I've been perusing Key Words for the past couple of days and it's great fun... What a great idea for a book! --- Prof. Herta Rodina, Ohio U. This (Key Words)is easily one of the best and most important French resources I own (and I've got dozens of them)... It's amazing, absolutely amazing how this book has improved my understanding of spoken French. - reader reviewer, amazon.com I wish Rosenthal had written Rules for the Gender of French Nouns twenty years ago when I was a student. - Stephen Hedge, review in "The French Review"
Thus Burst Hippocrene: Studies in the Olympian Imagination is a collection of nine papers in comparative literature. Discussing the greatest Olympians in world literature, including Homer, Aeschylus, Sophocles, Euripides, Dante, Shakespeare, Milton, Li Bo, Du Fu, and the Bible authors, it is both daring in conception and wide-ranging in scope. Freely drawing on the author’s knowledge of Classical Greek, Latin, Italian, French, German, Spanish, English, and Chinese as well as on his conversance with the literatures of these languages, the papers are truly comparative, making discoveries unique to the author’s characteristic multi-lingual, multi-cultural approach. In going through the book, the reader will be pleasantly surprised by its originality, by its amazing depth and breadth, and by the new light it sheds on topics that are of interest to scholars and students of comparative literature. Written in lucid language with no pretentious jargon, it will also appeal to the general reader who picks up a book simply for the joy of reading or for horizon-broadening without tears.
This book isn't anything you have to memorize. As Catherine Ostrower, who teaches French at Wesleyan and was proofreading the book, wrote to the author: "THIS BOOK IS JUST SO MUCH FUN TO READ " It gives you the fascinating stories of English words that came from French, often words you would never have dreamt were French (like important, relay, stereotype, surrender, stranger, similar, and delicious). It tells you how these words evolved, how they arrived in English, and how they changed once in English. Think of these fascinating stories as a little treat for when you just feel like reading something interesting. Books in this Series by Saul H. Rosenthal The Rules for the Gender of French Nouns (3rd revised edition) Speaking Better French: Faux Amis Speaking Better French: More Faux Amis Speaking Better French: Still More Faux Amis French Faux Amis: The Combined Book Speaking Better French: The Key Words and Expressions Speaking Better French: More Key Words and Expressions French Key Words and Expressions: The Combined Book All the French You Use Without Knowing It
If you have read the first book in this series, All the French You Use Without Knowing It, you already know that this is not a book with useful facts to memorize. In fact it's probably not useful at all. It's interesting. It's fun to read. It will stretch your mind and introduce you to things you never imagined. Think of reading these fascinating stories just as a pleasure you grant yourself when you just feel like reading something interesting. Books in this Series by Saul H. Rosenthal The Rules for the Gender of French Nouns (3rd revised edition) Speaking Better French: Faux Amis Speaking Better French: More Faux Amis Speaking Better French: Still More Faux Amis French Faux Amis: The Combined Book Speaking Better French: The Key Words and Expressions Speaking Better French: More Key Words and Expressions French Key Words and Expressions: The Combined Book All the French You Use Without Knowing It Praise for Rosenthal's Books "I think your books are wonderful. You have made a fantastic contribution to the French language profession." -- Professor Judy Baughin, Raymond Walters College "You have done a real service to learners of French. This is important work." -- Professor John Romeiser, University of Tennessee, Knoxville "I am amazed at how fun to read and incredibly informative it is. It's a wonderful tool." -- Professor Brigitte Humbert, Middlebury College "Your little books are great!" -- Professor A. G. Fralin, Washington and Lee University "I love your books! They are easy to navigate and they are extremely useful to non-native French speakers." -- Professor John Turvaville, University of Tennessee, Knoxville "I have to say that it is just the kind of book I would have liked to have when I was teaching myself French oh-so-many years ago." -- Professor John Moran, Director of Language Programs, NYU "I love the Faux Amis, especially the relaxed conversational presentation." -- Professor Norman Shapiro, Wesleyan University "I've been perusing Key Words for the past couple of days and it's great fun. What a great idea for a book!" -- Professor Herta Rodina, Ohio University "The books are excellent." -- Professor Luke Buvier, University of Massachusetts, Amherst
This dictionary contains over 20,000 entries and has been compiled from a wide range of agricultural literature emanating from France and other francophone countries. The term agriculture is interpreted in its widest sense, to include agronomy, soil science, statistics and parasites.
The Routledge Dictionary of Cultural References in Modern French reveals the hidden cultural dimension of contemporary French, as used in the press, going beyond the limited and purely lexical approach of traditional bilingual dictionaries. Even foreign learners of French who possess a good level of French often have difficulty in fully understanding French articles, not because of any linguistic shortcomings on their part but because of their inadequate knowledge of the cultural references. This cultural dictionary of French provides the reader with clear and concise explanations of the crucial cultural dimension behind the most frequently used words and phrases found in the contemporary French press. This vital background information, gathered here in this innovative and entertaining dictionary, will allow readers to go beyond a superficial understanding of the French press and the French language in general, to see the hidden yet implied cultural significance that is so transparent to the native speaker. Key features: a broad range of cultural references from the historical and literary to the popular and classical, with an in-depth analysis of punning mechanisms. over 3,000 cultural references explained a three-level indicator of frequency over 600 questions to test knowledge before and after reading. The Routledge Dictionary of Cultural References in Modern French is the ideal reference for all undergraduate and postgraduate students of French seeking to enhance their understanding of the French language. It will also be of interest to teachers, translators and Francophiles alike. French students in khâgne, Sciences-Po and schools of journalism will also find this valuable and relevant for their studies.