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Ludovico Quaroni, a native Roman, was a master of Italian architecture during the second half of the twentieth century; his talent contributed to the education – in addition to the majority of the younger generations of architects in Italy – of Carlo Aymonino, Manfredo Tafuri and Antonino Terranova. He also constituted one of the fundamental references to the elaboration of Aldo Rossi’s theories on the city. An architect and urban planner, professor and author, Quaroni represents the most open and inclusive methodological and linguistic experimentalism and the most progressive identity of modern Italian architecture, founded on the close relationship between historic culture, social and contextual awareness, a scientific understanding of design and a passionate investigation of the future; courageous and unbridled. In adopting his name for the review presented today, the Scientific Society intends to return to the discussion of the Architecture of Cities at a time when methodologies, technologies, relationships between the scales of design, the formal and symbolic meanings and languages of the city, everything about which modern Western urban culture appeared certain, now appear overrun by the vertiginous nature of the most rapid and imposing urban expansion in human history, sweeping across both ancient and new continents.
International openness is one of the fundamental characteristics of the DiAP Department of Architecture and Design, which sees its members active in 57 bilateral collaboration agreements (without counting the Erasmus agreements) with countries in which today there is a demand for architectural design that looks at Italy as a model, not only for studies of historical architecture, but also for contemporary architecture designed in the existing city and for the new building, including complex landscape and environmental systems.
Ludovico Quaroni, romano, è stato un maestro dell’architettura italiana nella seconda parte del secolo scorso; il suo magistero ha contribuito a formare – oltre a tanta parte delle più giovani generazioni di architetti del nostro paese – Carlo Aymonino, Manfredo Tafuri, Antonino Terranova ed ha costituito uno dei fondamentali riferimenti dell’elaborazione teorica di Aldo Rossi sulla città. Architetto e urbanista, docente e scrittore, Quaroni rappresenta lo sperimentalismo metodologico e linguistico più aperto e inclusivo, la parte più progressiva dell’identità dell’architettura italiana moderna, fondata su uno stretto rapporto tra cultura storica, sensibilità sociale e contestuale, perizia scientifica del progetto e appassionata ispezione del futuro; coraggiosa, senza freni. Adottando il suo nome, dunque, la Società Scientifica, con la rivista che qui presentiamo, intende riprendere la discussione sull’Architettura delle Città in un momento nel quale metodologie, tecnologie, rapporti tra le scale di progettazione, significati e linguaggi formali e simbolici delle città, tutto ciò di cui la moderna cultura urbana occidentale sembrò, per un attimo, certa, sembra ormai travolto dalla vertigine della espansione urbana più veloce e imponente dell’intera storia dell’umanità, nei continenti più antichi e nei più nuovi.
The Scientific Society Ludovico Quaroni was founded in Rome in 2010 as a tribute to Ludovico Quaroni, the Italian Master of Urban Architecture. Its purpose is “the study of the contemporary and historical city and architecture; the study of the design and theoretical works of the leading architects and scholars of architecture, the city and the territory”. To achieve these goals, the Scientific Society Ludovico Quaroni has founded the present electronic review, “L’architettura delle città – The Journal of the Scientific Society Ludovico Quaroni”. The title is a reminder of Ludovico Quaroni’s earliest book entitled L’architettura delle città (Ed. Sansaini, Rome 1939).
Aldo Rossi was a practicing architect and leader of the Italian architectural movement La Tendenza and one of the most influential theorists of the twentieth century. The Architecture of the City is his major work of architectural and urban theory. In part a protest against functionalism and the Modern Movement, in part an attempt to restore the craft of architecture to its position as the only valid object of architectural study, and in part an analysis of the rules and forms of the city's construction, the book has become immensely popular among architects and design students.
Hangzhou is a very special city for Italian architects who want to learn about historical and contemporary architecture and about the urban challenges in contemporary China. There are further issues that we would like to investigate about Hangzhou in the future and in order to do that, it would be interesting to involve further experts such as archaeologists and hydrologists given the special presence of historical relics, water and several issues which still deserve a better enhancement.
Building Knowledge, Constructing Histories brings together the papers presented at the Sixth International Congress on Construction History (6ICCH, Brussels, Belgium, 9-13 July 2018). The contributions present the latest research in the field of construction history, covering themes such as: - Building actors - Building materials - The process of building - Structural theory and analysis - Building services and techniques - Socio-cultural aspects - Knowledge transfer - The discipline of Construction History The papers cover various types of buildings and structures, from ancient times to the 21st century, from all over the world. In addition, thematic papers address specific themes and highlight new directions in construction history research, fostering transnational and interdisciplinary collaboration. Building Knowledge, Constructing Histories is a must-have for academics, scientists, building conservators, architects, historians, engineers, designers, contractors and other professionals involved or interested in the field of construction history. This is volume 2 of the book set.
This book gathers more than 150 peer-reviewed papers presented at the 5th INTBAU International Annual Event, held in Milan, Italy, in July 2017. The book represents an invaluable and up-to-date international exchange of research, case studies and best practice to confront the challenges of designing places, building cultural landscapes and enabling the development of communities. The papers investigate methodologies of representation, communication and valorization of historic urban landscapes and cultural heritage, monitoring conservation management, cultural issues in heritage assessment, placemaking and local identity enhancement, as well as reconstruction of settlements affected by disasters. With contributions from leading experts, including university researchers, professionals and policy makers, the book addresses all who seek to understand and address the challenges faced in the protection and enhancement of the heritage that has been created.
Building Knowledge, Constructing Histories brings together the papers presented at the Sixth International Congress on Construction History (6ICCH, Brussels, Belgium, 9-13 July 2018). The contributions present the latest research in the field of construction history, covering themes such as: - Building actors - Building materials - The process of building - Structural theory and analysis - Building services and techniques - Socio-cultural aspects - Knowledge transfer - The discipline of Construction History The papers cover various types of buildings and structures, from ancient times to the 21st century, from all over the world. In addition, thematic papers address specific themes and highlight new directions in construction history research, fostering transnational and interdisciplinary collaboration. Building Knowledge, Constructing Histories is a must-have for academics, scientists, building conservators, architects, historians, engineers, designers, contractors and other professionals involved or interested in the field of construction history.
The crisis of contemporary public space is a question of interest to all architects. The economic, social and cultural crisis, in particular affecting the entire European continent, is clearly and originally reflected in the public spaces of our cities, more and more of which are now considered “heritage”. Public space and the public realm, due to their original facets, are once again a theme of interest for architects, but also for philosophers, sociologist and anthropologists (J. Habermas, D. Innerarity, Z. Bauman, M. Augé), as complex “spaces” to be decomposed. Hence, a few questions: Does the analysis of public space and an approach to design, in a reality that considers a different concept of “public” than that of the pat century comport a new way of looking? A new urban-architectural nomenclature? An interdisciplinary approach to design? The general situation described in this publication, in various authors from different disciplinary backgrounds, clearly expresses the tangible need to provide (or provide once again) positive responses to different questions before proceeding with the design – or analysis – of contemporary public space.