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Lapdogs of the Bourgeoisie investigates the latent issue of class underlying the field of contemporary visual art. On the one hand, it raises the question of whether a given socioeconomic background still helps define your artistic career--and to which point the said career might reflect or consolidate the hierarchies in question. On the other hand, the project asks whether the traditional analytical tools at our disposal are helpful in such an examination of the art world today. Class inevitably raises awkward questions regarding the very participants, their backgrounds, patrons, and ideological partialities. This is perhaps the reason why the role of class structure has been so easily overlooked in the production and presentation of contemporary art, especially so in an era where artists are coaxed into anthropological framings of their practice. What was it that made gender, sexuality, ethnicity, and nationality eclipse the class issue with such ease? Lapdogs of the Bourgeoisie presents a collaborative project with a number of practitioners that scrutinize their own positions, bias, and gaze within the hierarchy of cultural production. It seeks to identify the levels of affect class has in the field--from artists, through to curators, institutions, and even audiences--and also looks at the hidden anxieties involved, particularly in relation to the actual decision-makers in mainstream art. Contributors Charlotte Bydler, Neil Cummings, Annika Eriksson, Chris Evans, Liam Gillick, Nav Haq, San Keller, Hassan Khan, Erden Kosova, Dr. Suhail Malik, Marion von Osten, Natascha Sadr Haghighian, Dr. Malcolm Quinn, Tirdad Zolghadr
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of the University of California, Davis. Learn more at the TOME website, available at: openmonographs.org. Creating the Intellectual redefines how we understand relations between intellectuals and the Chinese socialist revolution of the last century. Under the Chinese Communist Party, "the intellectual" was first and foremost a widening classification of individuals based on Marxist thought. The party turned revolutionaries and otherwise ordinary people into subjects identified as usable but untrustworthy intellectuals, an identification that profoundly affected patterns of domination, interaction, and rupture within the revolutionary enterprise. Drawing on a wide range of data, Eddy U takes the reader on a journey that examines political discourses, revolutionary strategies, rural activities, urban registrations, workplace arrangements, organized protests, and theater productions. He lays out in colorful detail the formation of new identities, forms of organization, and associations in Chinese society. The outcome is a compelling picture of the mutual constitution of the intellectual and the Chinese socialist revolution, the legacy of which still affects ways of seeing, thinking, acting, and feeling in what is now a globalized China.
Brown shows how the literary works of the 18th century use animal-kind to bring abstract philosophical, ontological, and metaphysical questions into the realm of everyday experience, difference, hierarchy, intimacy, diversity, and transcendence.
The occupy movement that is currently sweeping the world is in fact a spontaneous revolutionary movement and lacks direction as the working class, the 99 percent, is not aware of itself as a class. This book attempts to bring to the 99 percent, the proletariat, the awareness of itself as a class and its historical destiny of overthrowing the capitalist class, the 1 percent, creating a socialist state for the benefit of the vast majority, and subsequently crushing the desperate and determined resistance of the 1 percent through the dictatorship of the proletariat.
The lives of animals in Russia are intrinsically linked to cultural, political and psychological transformations of the imperial, Soviet, and post-Soviet eras. Other Animals examines the interaction of animals and humans in Russian literature, art, and life from the eighteenth century until the present. The chapters explore the unique nature of the Russian experience in a range of human-animal relationships through tales of cruelty, interspecies communion and compassion, and efforts to either overcome or establish the human-animal divide. Four themes run through the volume: the prevalence of animals in utopian visions; the ways in which Russians have incorporated and sometimes challenged Western sensibilities and practices, such as the humane treatment of animals and the inclusion of animals in urban domestic life; the quest to identify and at times exploit the physiological basis of human and animal behavior and the ideological implications of these practices; and the breakdown of traditional human-animal hierarchies and categories during times of revolutionary upheaval, social transformation, or disintegration.From failed Soviet attempts to transplant the seminomadic Sami and their reindeer herds onto collective farms, to performance artist Oleg Kulik's scandalous portrayal of Pavlov's dogs as a parody of the Soviet "new man," to novelist Tatyana Tolstaya's post-cataclysmic future world of hybrid animal species and their disaffection from the past, Other Animals presents a completely new perspective on Russian and Soviet history. It also offers a fascinating look into the Russian psyche as seen through human interactions with animals.
From the creator of the Cuck Philosophy YouTube channel comes this timely and explosive re-evaluation of Marx and Nietzsche for the 21st-century left. Modernity has been defined by humanity's capacity for self-destruction. Over the last century, the means which threaten not only life's joy but its very existence have only multiplied. At the same time, as a new wave of nationalism and right-wing politics spreads across the world, fewer and fewer people are being convinced that socialism could improve their everyday lives, let alone save us from our own destruction. In this timely and explosive book, philosopher and YouTuber Jonas Čeika (aka Cuck Philosophy) re-invigorates socialism for the twenty-first century. Leaving behind its past associations with bureaucracy and state tyranny, and it's lifeless and drab theoretical accounts, Čeika instead uses the works of Marx and Nietzsche to reconnect socialism with its human element, presenting it as something not only affecting, but created by living, breathing, suffering human individuals. At a time when ecological collapse is hurtling towards us, and capitalism offers no solution except more growth and exploitation, How to Philosophise with a Hammer and Sickle shows us the way forward to a socialism grounded in human experience and accessible to all.
In a series of newly commissioned essays by both established and emerging scholars, Globalization and Contemporary Art probes the effects of internationalist culture and politics on art across a variety of media. Globalization and Contemporary Art is the first anthology to consider the role and impact of art and artist in an increasingly borderless world. First major anthology of essays concerned with the impact of globalization on contemporary art Extensive bibliography and a full index designed to enable the reader to broaden knowledge of art and its relationship to globalization Unique analysis of the contemporary art market and its operation in a globalized economy
There are a number of different crises, in various guises, in today’s world. The most prominent of these is the global economic crisis, but this is not felt as keenly across the globe: there are also countries of economic prosperity. There is also, however, the museum crisis: the predominant model of the museum is collapsing. Again, this crisis is not constant everywhere – there are spaces that didn’t have museums until recently and are now suddenly experiencing a museum boom, or else are still without museums but have initiatives that are taking care of heritage beyond the traditional model of the museum. Such crises mean that the old paradigm is being replaced by a new one that still needs to be defined. This book investigates what such a new paradigm may entail and its consequences for the preservation of heritage.
"As for the more long-term solutions, this is certainly a job for the avant-garde, be it in the shape of architects, supercilious tourist intellectuals, secret societies or some other semi-conspiratorial cluster... This demands an avantgarde a little more proactive... and responsive than a Brechtian Villa Aurora... It's hardly a surprise that, over time, most Americans have become suspicious of people sympathetic to avant-gardism, assuming them all to be fascist hyena pigs, ipso facto no less. But in point of fact, America offers a rich tradition of politicized avant-garde conspiracies, the Black Panthers being only the most impressive recent example to have caught the public eye. To be honest, anything in my own book was long tucked away in their laundry list already." Solution 168-185: America is the fourth book in the Solution series. Opting for the United States of America, "still the most proficiently colonial place I know," Zolghadr provides a compilation of highly entertaining "solutions," where the objective is not the education of America so much as the pleasure of a text that purports to be just that. Tirdad Zolghadr is an independent writer/curator based in Berlin. He writes for frieze and other publications, and is editor-at-large for Cabinet magazine. Zolghadr most recently organized the national pavilion of the United Arab Emirates, Venice Biennale 2009, and the long-term project Lapdogs of the Bourgeoisie (with Nav Haq). He's a curatorial advisor to the Guggenheim Abu Dhabi. Zolghadr currently teaches at the Center for Curatorial Studies, Bard College.