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Since 1868, the Lansing Correctional Facility (formerly the Kansas State Penitentiary) has stood watch over what would become the city of Lansing. Designed by Erasmus Carr, architect of the Kansas State Capitol, the prison is the oldest in Kansas. In the beginning, it housed male and female inmates from Kansas and Oklahoma, as well as inmates serving federal sentences. Today, the facility's population of minimum, medium, maximum, and special management custody offenders is approximately 2,400. Leavenworth County has also seen the addition of the United States Disciplinary Barracks, United States Penitentiary-Leavenworth, and Corrections Corporation of America-Leavenworth, making it the only county in the country to host a state, military, federal, and private prison. Images of America: Lansing Correctional Facility features photographs of the early days, when inmates were on the "silent system" and could not speak to one another, to more modern times when rehabilitation has become an important component of prison life.
Since 1868, the Lansing Correctional Facility (formerly the Kansas State Penitentiary) has stood watch over what would become the city of Lansing. Designed by Erasmus Carr, architect of the Kansas State Capitol, the prison is the oldest in Kansas. In the beginning, it housed male and female inmates from Kansas and Oklahoma, as well as inmates serving federal sentences. Today, the facilitys population of minimum, medium, maximum, and special management custody offenders is approximately 2,400. Leavenworth County has also seen the addition of the United States Disciplinary Barracks, United States Penitentiary-Leavenworth, and Corrections Corporation of America-Leavenworth, making it the only county in the country to host a state, military, federal, and private prison. Images of America: Lansing Correctional Facility features photographs of the early days, when inmates were on the silent system and could not speak to one another, to more modern times when rehabilitation has become an important component of prison life.
Policing Sex in the Sunflower State: The Story of the Kansas State Industrial Farm for Women is the history of how, over a span of two decades, the state of Kansas detained over 5,000 women for no other crime than having a venereal disease. In 1917, the Kansas legislature passed Chapter 205, a law that gave the state Board of Health broad powers to quarantine people for disease. State authorities quickly began enforcing Chapter 205 to control the spread of venereal disease among soldiers preparing to fight in World War I. Though Chapter 205 was officially gender-neutral, it was primarily enforced against women; this gendered enforcement became even more dramatic as Chapter 205 transitioned from a wartime emergency measure to a peacetime public health strategy. Women were quarantined alongside regular female prisoners at the Kansas State Industrial Farm for Women (the Farm). Women detained under Chapter 205 constituted 71 percent of the total inmate population between 1918 and 1942. Their confinement at the Farm was indefinite, with doctors and superintendents deciding when they were physically and morally cured enough to reenter society; in practice, women detained under Chapter 205 spent an average of four months at the Farm. While at the Farm, inmates received treatment for their diseases and were subjected to a plan of moral reform that focused on the value of hard work and the inculcation of middle-class norms for proper feminine behavior. Nicole Perry’s research reveals fresh insights into histories of women, sexuality, and programs of public health and social control. Underlying each of these are the prevailing ideas and practices of respectability, in some cases culturally encoded, in others legislated, enforced, and institutionalized. Perry recovers the voices of the different groups of women involved with the Farm: the activist women who lobbied to create the Farm, the professional women who worked there, and the incarcerated women whose bodies came under the control of the state. Policing Sex in the Sunflower State offers an incisive and timely critique of a failed public health policy that was based on perceptions of gender, race, class, and respectability rather than a reasoned response to the social problem at hand.
This annual Sourcebook brings together data of interest to the criminal justice community. A compilation of information from a variety of sources. The book has six sections: 1. Characteristics of the Criminal Justice System, 2. Public Attitude Toward Crime & Criminal Justice-related Topics, 3. Nature & Distribution of Known Offenses, 4. Characteristics & Distribution of Persons Arrested, 5. Judicial Processing of Defendants, 6. Persons Under Correctional Supervision. Over 400 charts & Tables.
From a federal inmate with two decades of continuous confinement comes a controversial expose of the shocking details of life in American prisons
On May 21, 1874, Congress approved the establishment of the United States Disciplinary Barracks (USDB), formerly the United States Military Prison at Fort Leavenworth. The original prison was once a quartermaster depot, supplying all military posts, camps, and stations in the Indian Territory to the West. It has been the "center of correctional excellence" in the military for over 130 years, housing the most notorious service members in the armed forces, including maximum-custody inmates and those with death sentences. On October 5, 2002, retreat was played for the last time in front of the eight-story castle inside the old USDB, and another era started with the occupation of a new modern correctional facility.
Isaiah "Fireball" Jackson was a promising pitcher with major league potential. Armed robberies put him behind bars, where he became a prolific and renowned painter. This is the story of Jackson's pitching exploits, and his artistic career.
The U.S. incarceration machine imprisons more people than in any other country. Music-Making in U.S. Prisons looks at the role music-making can play in achieving goals of accountability and healing that challenge the widespread assumption that prisons and punishment keep societies safe. The book’s synthesis of historical research, contemporary practices, and pedagogies of music-making inside prisons reveals that, prior to the 1970s tough-on-crime era, choirs, instrumental ensembles, and radio shows bridged lives inside and outside prisons. Mass incarceration had a significant negative impact on music programs. Despite this setback, current programs testify to the potency of music education to support personal and social growth for people experiencing incarceration and deepen social awareness of the humanity found behind prison walls. Cohen and Duncan argue that music-making creates opportunities to humanize the complexity of crime, sustain meaningful relationships between incarcerated individuals and their families, and build social awareness of the prison industrial complex. The authors combine scholarship and personal experience to guide music educators, music aficionados, and social activists to create restorative social practices through music-making.
Over 100,000 people in the U.S. are incarcerated in prisons owned and operated by private corporations--a booming business. But how are the human rights of prisoners and prison employees affected when prisons are run for profit? An accomplished group of human rights writers and activists explores the historical, political and economic context of private prisons: * How are prisoners' lives affected by privatization? * How does it impact prison labor and prison employees? * How and why are private prisons becoming transnational? * Are women, children, and African and Native Americans affected differently from other populations? * How is privatization connected to the war on drugs, the criminalization of poverty and 'tough on crime' politics? The preface is by Sir Nigel Rodley, Professor of Law at the University of Essex; former United Nations Special Rapporteur for Torture; and knighted in 1999 for recognition of services to human rights and international law.