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Celebrating the diverse languages of Australia's First Peoples, this book presents stories told by elders in eighteen languages from around the continent, and explores their patterns of meaning. The stories recount the experiences of the tellers and histories of their communities, from tales of anti-colonial resistance to origin stories of the Dreaming. The book aims to make the languages accessible and engaging through the voices of the elders, while building readers' knowledge about language and language learning. It opens with some basic language knowledge for reading the stories. Each chapter then begins with the cultural and historical contexts of the stories, which are first previewed in English translation, then presented sentence-by-sentence, setting out the original sounds and wordings, glossed with plain English. Extracts are selected to illustrate patterns of meanings that are characteristic of each language. The final chapter sums up the various meaning patterns the stories use, and interprets their evolution in the light of First Peoples' deep histories, as recorded by archaeology and traditional knowledge. The book will be useful for language learning programs in communities and schools, for researchers of language and language teaching, and for any reader with an interest in the languages and cultures of Australia's First Peoples.
Dark Emu puts forward an argument for a reconsideration of the hunter-gatherer tag for pre-colonial Aboriginal Australians. The evidence insists that Aboriginal people right across the continent were using domesticated plants, sowing, harvesting, irrigating and storing - behaviors inconsistent with the hunter-gatherer tag. Gerritsen and Gammage in their latest books support this premise but Pascoe takes this further and challenges the hunter-gatherer tag as a convenient lie. Almost all the evidence comes from the records and diaries of the Australian explorers, impeccable sources.
An indispensable reference for the study of Australian literature.
Typical and Atypical Language Development in Cultural and Linguistic Diversity brings together state-of-the-art studies in both typical and atypical language development. Placing the topic in the context of cultural and linguistic diversity (CALD), the book offers readers serious theoretical consideration of the topic and provides implications for multilingual educational and clinical practices. The content covers a wide range of topics related to multilingual language development in CALD: typical and atypical language development in CALD, and the interface between both; the relationship between multilingual competence and academic performance in CALD; providing unbiased speech and language measures in CALD; and heritage and minority languages education in CALD. Each chapter outlines the core theoretical and practical issues and explores both theoretical and pedagogical/clinical implications in the area and possible future developments. This volume is an essential resource for all those who study, research, or are interested in multilingual development, educational linguistics, and clinical linguistics in the CALD context.
This is a book for all Australians. Since the Uluru Statement from the Heart was formed in 2017, Thomas Mayo has travelled around the country to promote its vision of a better future for Indigenous Australians. He’s visited communities big and small, often with the Uluru Statement canvas rolled up in a tube under his arm. Through the story of his own journey and interviews with 20 key people, Thomas taps into a deep sense of our shared humanity. The voices within these chapters make clear what the Uluru Statement is and why it is so important. And Thomas hopes you will be moved to join them, along with the growing movement of Australians who want to see substantive constitutional change. Thomas believes that we will only find the heart of our nation when the First peoples – the Aboriginal and Torres Strait Islanders – are recognised with a representative Voice enshrined in the Australian Constitution. ‘Thomas’s compelling work is full of Australian Indigenous voices that should be heard. Read this book, listen to them, and take action.’ – Danny Glover, actor and humanitarian
Childhood stories of family, country and belonging What is it like to grow up Aboriginal in Australia? This anthology, compiled by award-winning author Anita Heiss, showcases many diverse voices, experiences and stories in order to answer that question. Accounts from well-known authors and high-profile identities sit alongside those from newly discovered writers of all ages. All of the contributors speak from the heart – sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect. This groundbreaking collection will enlighten, inspire and educate about the lives of Aboriginal people in Australia today. Contributors include: Tony Birch, Deborah Cheetham, Adam Goodes, Terri Janke, Patrick Johnson, Ambelin Kwaymullina, Jack Latimore, Celeste Liddle, Amy McQuire, Kerry Reed-Gilbert, Miranda Tapsell, Jared Thomas, Aileen Walsh, Alexis West, Tara June Winch, and many, many more. Winner, Small Publisher Adult Book of the Year at the 2019 Australian Book Industry Awards ‘Growing Up Aboriginal in Australia is a mosaic, its more than 50 tiles – short personal essays with unique patterns, shapes, colours and textures – coming together to form a powerful portrait of resilience.’ —The Saturday Paper ‘... provides a diverse snapshot of Indigenous Australia from a much needed Aboriginal perspective.’ —The Saturday Age
A thrilling, multi award-winning, teen ghost story, from a First Nations Australian author, drawing on the culture and beliefs of her close-knit community. Stacey and Laney are twins and mirror images of each other but as different as the sun and the moon. Stacey wants to go places, do things and be someone different while Laney just wants to skip school and sneak out of the house to meet her boyfriend Troy. When Laney doesn't come home one night, the town assumes she's just doing her normal run-off but Stacey's gut tells her different.Stacey knows her twin isn't dead - she just doesn't know where she is; she can see her in her dreams but doesn't know if she is real or imagined. Holding onto the words her Nan taught her is one thing but listening to those around you is another - who will Stacey trust? As the town starts to believe that Laney is missing for good, can she find her twin in time?'Part coming-of-age story, part "Romeo and Juliet" romance, part speculative fiction, part Aboriginal spiritual revelation, part mystery - this is a story that is mature on many levels.' ReadPlus
Art Therapy in Australia: Taking a Postcolonial, Aesthetic Turn explores and enacts established and emergent art therapy histories, narratives and practices in the specific postcolonial context of contemporary Australia. It is the first published book to attempt to map this terrain. In doing so, the book aims to document important aspects of art therapy in Australia, including how Australian approaches both reiterate and challenge the dominant discourse of art therapy. This book is as much a performance as an account of the potential of art therapy to honour alterity, illuminate possibilities and bear witness to the intrapsychic, relational and social realms. The book offers a selective window into the rambling assemblage that is art therapy in the ‘Great Southern Land’. Contributors are: Jan Allen, Bronwyn Davies, Claire Edwards, Nicolette Eisdell, Patricia Fenner, John Henzell, Pam Johnston, Lynn Kapitan, Carmen Lawson, Sheridan Linnell, Tarquam McKenna, Michelle Moss, Suzanne Perry, Josephine Pretorius, Jean Rumbold, Victoria Schnaedelbach, Lilian Tan, Jody Thomson, Jill Westwood, Amanda Woodford, and Davina Woods.
NPR Best Books of 2018 “Coleman’s timely debut is testimony to the power of an old story seen afresh through new eyes.” —Adelaide Advertiser “In our politically tumultuous time, the novel’s themes of racism, inherent humanity and freedom are particularly poignant.” —Books + Publishing The Natives of the Colony are restless. The Settlers are eager to have a nation of peace and to bring the savages into line. Families are torn apart. Reeducation is enforced. This rich land will provide for all. This is not the Australia we know. This is not the Australia of the history books. Terra Nullius is something new, but all too familiar. Shortlisted for the 2018 Stella Prize Indie Book Awards and Highly Commended for the Victorian Premiers Literary Awards, Terra Nullius is an incredible debut from a striking new Australian Aboriginal voice. Jacky was running. There was no thought in his head, only an intense drive to run. There was no sense he was getting anywhere, no plan, no destination, no future. All he had was a sense of what was behind, what he was running from. Jacky was running. Claire G. Coleman is a writer from Western Australia. She identifies with the South Coast Noongar people. Her family are associated with the area around Ravensthorpe and Hopetoun. Claire grew up in a Forestry’s settlement in the middle of a tree plantation, where her dad worked, not far out of Perth. She wrote her black&write! fellowship- winning manuscript Terra Nullius while traveling around Australia in a caravan.
For the first time the story of Australian English is about to be told in full. It is written for people who want to know where Australian English came from, what the forces were that moulded it, why it takes its present form, and where it is going. Australian author and content.