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Life in the 21th century has already been marked by a changing world in many aspects. The Internet has reached virtually the whole world, neoliberal marketing policies have become more aggressive than ever and alternative economies such as cryptocurrencies have emerged within the first quarter of this century. Adding to the equation the ever-increasing population of the world and the much increased connectedness of its residents, novel definitions of what have already been known have emerged, reflecting the changing life in our time. The changes to life as observed in our century has also made it explicit that the concepts we tend to define continually are far from being stable and static. Instead, the current status of the world we live in prove time and again that those changes are instable, dynamic, non-linear and coadaptive, signifying the difficulty of achieving predictability. In a world that is best defined as dynamic and unpredictable, management becomes a key term for the harmony in life that every person tends to strive for. Efficiency in managing harmony among people, cities, industries, politics, education, arts, organizations or countries stands out as the utmost necessity regardless of the context one might be in. Without the endeavor to manage efficiently, the harmony that we all look for would become even more difficult to achieve. Such a harmony through efficient management, perhaps naturally, necessitates the coadaptation of academic disciplines just as it does the same in other fields in life. For this reason, multidisciplinary academic studies are now more important than ever because the instable, non-linear and dynamic nature of life and its changes are highly unlikely to be explained by a single discipline in isolation. The efficient management of the planet earth undoubtedly requires the efficient coexistence of societies, industries, education, politics and countries. All those structures forming human life in the world should coexist and academic studies are no exception to ensure a proper, scientific understanding of the worldly phenomena. In that respect, this book aims to present multidisciplinary perspectives in respect of the management of the societies, politics, arts, industries, international relations and education. We hope that the chapters within, distinguished works of the mentioned disciplines, will inform the readers regarding the interplay among various branches of science and contribute to the knowledge base of the world regarding language, culture, arts and politics in an ever-changing world.
In the Fourth Edition of Cultures and Societies in a Changing World, author Wendy Griswold illuminates how culture shapes our social world and how society shapes culture. She helps students gain an understanding of the sociology of culture and explore stories, beliefs, media, ideas, art, religious practices, fashions, and rituals from a sociological perspective. Cultural examples from multiple countries and time periods will broaden students′ global understanding. They will develop a deeper appreciation of culture and society, gleaning insights that will help them overcome cultural misunderstandings, conflicts, and ignorance; equip them to be more effective in their professional and personal lives, and become wise citizens of the world.
A clarion call to action, incorporating powerful stories of failure and success, that points the way for all who seek to preserve indigenous languages.
An innovative text which adopts the tools of cultural studies to provide a fresh approach to the study of Chinese language, culture and society. The book tackles areas such as grammar, language, gender, popular culture, film and the Chinese diaspora and employs the concepts of social semiotics to extend the ideas of language and reading. Covering a range of cultural texts, it will help to break down the boundaries around the ideas and identities of East and West and provide a more relevant analysis of the Chinese and China.
This book addresses the changing contemporary language worlds in three major contexts. It first discusses how the language landscape maps of cities are changing as a result of increased migration, globalization and global media. These features are evident in place names and place name changes as well as the densities and frequencies of language spoken and used in texts. The second section discusses how the state itself is responding to both indigenous and heritage groups desiring to be included and represented in the state’s political landscapes and also expressions of art and culture. In the third section, the authors address a number of cutting-edge theses that are emerging in the linguistic geography and political words. These include the importance of gender, anthropogenetic discourse, the preservation of endangered languages and challenges to a state’s official language policy. Through including authors from nine different countries, who are writing about issues in twelve countries and their overlapping interests in language mapping, language usage and policy and visual representations, this book provides inspiring research into future topics at local, national, regional and international scales.
Leading social critic Carol Becker offers a timely analysis of the nature of art and its role in politics and society. Completed just before the September 11, 2001 World Trade Center catastrophe, this book is remarkably prescient of the new concerns that have now become foremost in our thoughts since the attack. Becker raises the question of the place of art and the function of public intellectuals in a society desperately in need of creativity and leadership. Visit our website for sample chapters!
A ground-breaking new anthology in the Art in Theory series, offering an examination of the changing relationships between the West and the wider world in the field of art and material culture Art in Theory: The West in the World is a ground-breaking anthology that comprehensively examines the relationship of Western art to the art and material culture of the wider world. Editors Paul Wood and Leon Wainwright have included over 350 texts, some of which appear in English for the first time. The anthologized texts are presented in eight chronological parts, which are then subdivided into key themes appropriate to each historical era. The majority of the texts are representations of changing ideas about the cultures of the world by European artists and intellectuals, but increasingly, as the modern period develops, and especially as colonialism is challenged, a variety of dissenting voices begin to claim their space, and a counter narrative to western hegemony develops. Over half the book is devoted to 20th and 21st century materials, though the book’s unique selling point is the way it relates the modern globalization of art to much longer cultural histories. As well as the anthologized material, Art in Theory: The West in the World contains: A general introduction discussing the scope of the collection Introductory essays to each of the eight parts, outlining the main themes in their historical contexts Individual introductions to each text, explaining how they relate to the wider theoretical and political currents of their time Intended for a wide audience, the book is essential reading for students on courses in art and art history. It will also be useful to specialists in the field of art history and readers with a general interest in the culture and politics of the modern world.
In "Ecstasy Unlimited", Laura Kipnis provides a collection of essays on popular culture, politics, aesthetics, feminism, and postmodernism, along with complete scripts from three of her videotapes. These essays, written from her perspective as a practising artist, in tandem with her videoscripts, are singular in bringing a wide range of theoretical sophistication to film and video studies. Kipnis challenges political and aesthetic orthodoxies. Her interpretations take risks at a number of levels, and do not easily fit into established disciplines and categories. Extensively illustrated with stills from her videotapes, "Ecstasy Unlimited" examines everyday life and popular culture produced by consumer capitalism in ironic - and, at times, very funny - ways. Laura Kipnis is a video artist and theorist whose work has been shown widely in the United States and Europe. Her latest video production is "Marx: the Video". She has written extensively on the politics and aesthetics of postmodernism, feminism, and popular culture. This book is intended for students and academics of media studies, cultural politics.
Everyday Culture examines the confluence of cultural and material possibility--the bringing together of thought and action in daily life. David Trend argues that an informed and invigorated citizenry can help reverse patterns of dehumanization and social control. The impetus for Everyday Culture can be described in the observation by Raymond Williams that the "culture is ordinary," and that the fabric of meanings that inform and organize everyday life often go undervalued and unexamined. Everyday Culture shares with thinkers like Williams the conviction that it is precisely the ordinariness of culture that makes it extraordinarily important. The ubiquity of everyday culture means that it affects all aspects of contemporary economic, social, and political life.
The central purpose of this collection of essays is to make a creative addition to the debates surrounding the cultural heritage domain. In the 21st century the world faces epochal changes which affect every part of society, including the arenas in which cultural heritage is made, held, collected, curated, exhibited, or simply exists. The book is about these changes; about the decentring of culture and cultural heritage away from institutional structures towards the individual; about the questions which the advent of digital technologies is demanding that we ask and answer in relation to how we understand, collect and make available Europe’s cultural heritage. Cultural heritage has enormous potential in terms of its contribution to improving the quality of life for people, understanding the past, assisting territorial cohesion, driving economic growth, opening up employment opportunities and supporting wider developments such as improvements in education and in artistic careers. Given that spectrum of possible benefits to society, the range of studies that follow here are intended to be a resource and stimulus to help inform not just professionals in the sector but all those with an interest in cultural heritage.