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Hong Kong’s approach to heritage conservation has focused mainly on saving an old building here and there with little or no regard to its surroundings. Recent public debates challenging proposals to demolish the former Central Government Offices have highlighted this problem and, for the first time, acknowledged that the heritage value of the buildings is enhanced by their contribution to the broader ‘cultural landscape’ of Government Hill. Not all of Hong Kong’s heritage cultural landscapes have been so fortunate. Landscapes Lost and Found illustrates the concept of cultural landscape using wonderful local examples and champions this new approach to interpreting and conserving Hong Kong’s heritage sites more effectively. “Landscapes Lost and Found is an essential reference for conservation professionals and students. Cultural landscape is an important concept that has been recognised by UNESCO as a World Heritage category, and the author contextualises the concept with local examples, making it relevant to Hong Kong and other Asian cities.” —Lee Ho Yin, head of the division of architectural conservation programmes, the University of Hong Kong
After the fall of communism, Russia was in a state of shock. The sudden and dramatic change left many people adrift and uncertain—but also full of a tentative but tenacious hope. Returning again and again to the provincial hinterlands of this rapidly evolving country from 1992 to 2008, Susan Richards struck up some extraordinary friendships with people in the middle of this historical drama. Anna, a questing journalist, struggles to express her passionate spirituality within the rules of the new society. Natasha, a restless spirit, has relocated from Siberia in a bid to escape the demands of her upper-class family and her own mysterious demons. Tatiana and Misha, whose business empire has blossomed from the ashes of the Soviet Union, seem, despite their luxury, uneasy in this new world. Richards watches them grow and change, their fortunes rise and fall, their hopes soar and crash. Through their stories and her own experiences, Susan Richards demonstrates how in Russia, the past and the present cannot be separated. She meets scientists convinced of the existence of UFOs and mind-control warfare. She visits a cult based on working the land and a tiny civilization founded on the practices of traditional Russian Orthodoxy. Gangsters, dreamers, artists, healers, all are wondering in their own ways, “Who are we now if we’re not communist? What does it mean to be Russian?” This remarkable history of contemporary Russia holds a mirror up to a forgotten people. Lost and Found in Russia is a magical and unforgettable portrait of a society in transition.
Over the past two decades, a growing consensus has emerged among Americans as to the importance of environmental quality. Yet at the same time, conflict over environmental issues has built to a point where rational discussion is often impossible. Efforts to protect unique ecosystems and endangered wildlife are portrayed as threatening entire regions and ways of life, and anti-environmental groups such as the Wise Use Movement are able to use economic insecurity as a weapon in an ongoing attempt to rescind environmental protection measures.In "Lost Landscapes and Failed Economies," economist Thomas Michael Power argues that the quality of the natural landscape is an essential part of a community's permanent economic base and need not be sacrificed in short-term efforts to maintain employment levels in industries that are ultimately not sustainable. He provides numerous case studies of the ranching, mining, and timber industries in a critical analysis of the role played by extractive industry in our communities. In addition, he looks at areas where environmental protection measures have been enacted and examines the impact of protected landscapes on local economies.Both environmental protection and extractive industry are economic activities that can contribute to local economic well-being. Both generate jobs and income. Both have a significant impact on people's lives. Power exposes the fundamental flaws in the widely accepted view of the local economy built around the "extractive model," a model that overemphasizes the importance of extractive industries and assumes that people don't care where they live and that businesses don't care about the available labor supply. By revealing theinadequacies of the extractive model, he lays to rest fears that environmental protection will cause an imminent collapse of the community, and puts economic tools in the hands of those working to protect their communities.
Written with the raw honesty and poignant insight that were the hallmarks of her acclaimed bestseller A Widow’s Story, an affecting and observant memoir of growing up from one of our finest and most beloved literary masters. The Lost Landscape is Joyce Carol Oates’ vivid chronicle of her hardscrabble childhood in rural western New York State. From memories of her relatives, to those of a charming bond with a special red hen on her family farm; from her first friendships to her earliest experiences with death, The Lost Landscape is a powerful evocation of the romance of childhood, and its indelible influence on the woman and the writer she would become. In this exceptionally candid, moving, and richly reflective account, Oates explores the world through the eyes of her younger self, an imaginative girl eager to tell stories about the world and the people she meets. While reading Alice in Wonderland changed a young Joyce forever and inspired her to view life as a series of endless adventures, growing up on a farm taught her harsh lessons about sacrifice, hard work, and loss. With searing detail and an acutely perceptive eye, Oates renders her memories and emotions with exquisite precision, transporting us to a forgotten place and time—the lost landscape of her youth, reminding us of the forgotten landscapes of our own earliest lives.
Utah is a land of untamed beauty. from the snowy peaks of the Wasatch Mountains to the brilliant red rocks of Southern Utah, the state boasts views and vistas found nowhere else in the nation. Travelers can glean a great amount of history from the scenes they see and the places they visit, yet there are other stories and legends that belong to Utah and her native land - tales that are not often told. Saltair was once the premier resort on the shores of the Great Salt Lake. Now it lies abandoned and in disrepair, almost mythical in appearance. Mount Timpanogos's unique shape subtly speaks the story of Utahna and the Indian brave who loved her. and not so long ago, the Anasazi Indians were a thriving people, destined for greatness - until they disappeared into the canyons from which they'd carved their civilization, leaving no clues as to their whereabouts. for young and old alike, Lost Landscapes will pique interest and raise questions to the mysteries lurking within Utah's borders. Whether it be the unsolved riddles of places, people, puzzling objects, or legends that have been passed down through the generations, everyone will find something that will have them eagerly turning to the next page.
The past decade has been witness to a remarkable resurgence of interest in landscape. While this recovery invokes a return of past traditions and ideas, it also implies renewal, invention, and transformation. Recovering Landscape collects a number of essays that discuss why landscape is gaining increased attention today, and what new possibilities might emerge from this situation. Themes such as reclamation, urbanism, infrastructure, geometry, representation, and temporality are explored in discussions drawn from recent developments not only in the United States but also in the Netherlands, France, India, and Southeast Asia. The contributors to this collection, all leading figures in the field of landscape architecture, include Alan Balfour, Denis Cosgrove, Georges Descombes, Christophe Girot, Steen Hoyer, David Leatherbarrow, Bart Lootsma, Sebastien Marot, Anuradha Mathur, Marc Treib, and Alex Wall.
Dispatches from the front lines of American culture by the great humorist Ian Frazier, “America’s greatest essayist” (Los Angeles Times), has gathered his insights on the most urgent issues of today in Cranial Fracking. From climate change (what did Al Gore say at his colloquium on the rising temperatures in Hell?) to the state of culture (what do you do when you’re afflicted with Loss of Funding?) to Texas (what should we do with Texas?), he has all the answers. Or, at the very least, a lot of questions. Frazier is endlessly curious and perpetually delighted, and seeing the absurdity of the world through his eyes is irresistible. Once more, the author of Hogs Wild and Travels in Siberia has struck oil.
From "the queen of heartbreaking prose" (Paste) Helene Dunbar, We Are Lost and Found is a young adult realistic fiction novel in the vein of The Perks of Being a Wallflower about three friends coming-of-age against the backdrop of the AIDS crisis in the early 1980s. Michael is content to live in the shadow of his best friends, James and Becky. Plus, his brother, Connor, has already been kicked out of the house for being gay and laying low seems to be Michael's only chance at avoiding the same fate. To pass the time before graduation, Michael hangs out at The Echo where he can dance and forget about his father's angry words, the pressures of school, and the looming threat of AIDS, a disease that everyone is talking about, but no one understands. Then he meets Gabriel, a boy who actually sees him. A boy who, unlike seemingly everyone else in New York City, is interested in him and not James. And Michael has to decide what he's willing to risk to be himself. This book is perfect for: Readers who want stories centering gay boys coming of age Parents and educators looking for realistic historical fiction for teens Fans of Becky Albertalli, Adam Silvera, and Stephen Chbosky Praise for We Are Lost and Found: "Dunbar painstakingly populates the narrative with 1980s references—particularly to music—creating a vivid historical setting... A painful but ultimately empowering queer history lesson."—Kirkus Reviews "It's a certain type of magic that Helene Dunbar managed with this story... A hauntingly beautiful, yet scarring story that captures the struggles of figuring out who you are while facing the uncertainties of the world, a story that should be mandatory reading for all."—The Nerd Daily "We Are Lost and Found absolutely sparkles... she so perfectly, so evocatively captures the angst, uncertainty, and shaky self-confidence of adolescence that it might make you wince."—Echo Magazine Optioned for a major motion picture adaptation by Nikolaj Coster-Waldau's production company, Ill Kippers!
Well known for his imaginative treatment of environmental issues, Kevin Dann presents a natural history of the Lewis Creek watershed in Vermont's Champlain Valley, told largely through the lives and thought of three individuals,whose investigations brought them into close contact with the area. Congregationalist minister John Perry (1825 - 1872) conducted paleontological research on the region's Paleozoic rock and attempted to negotiate his era's confrontation between science and religion. Rowland Robinson (1833 - 1900) was a Quaker farmer and author/artist whose historical fiction often dealt with issues of human impact on this watershed. The first plant-hunting expeditions of another Quaker farmer and noted plant collector, Cyrus Pringle (1838 - 1911), took place in this watershed as well. Dann's account of these three men, whose lives span nearly a century, graphically illustrates contemporary human-nature relationships at the same time that it suggests the limits of science in circumscribing our experience of the physical landscape. The experience of pain and loss is documented along with the stories of success and celebration, since, as Dann writes, "Genuine places, like human hearts, have dark recesses within them, and by examining these recesses within the Lewis Creek watershed, we take a small step toward demythologizing Vermont."