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An exploration of what constitutes the "poetic" in landscape painting today.t examines ways for artists in all mediums to express the poetic in theirainting. According to Elizabeth Mowry, a master of the poetic landscapeenre, a key element of his genre is evoking an emotional response in theiewer, which is achieved by the artist's arrangement of natural elements aseeply expressed through his or her imagination, intellect and feelings. Theaintings that grace these pages are all visual illustrations of the book'soncept of the poetic landscape. Paintings are examined through the specificoncerns for achieving the special sense of time and place found in theseandscapes such as colour, time of day, time of year, atmosphere and weather;s well as capturing the more illusive qualities that define this genre, suchs a sense of place recognition, leading and letting go, and grace of line.
Gilbert Highet was a legendary teacher at Columbia University, admired both for his scholarship and his charisma as a lecturer. Poets in a Landscape is his delightful exploration of Latin literature and the Italian landscape. As Highet writes in his introduction, “I have endeavored to recall some of the greatest Roman poets by describing the places were they lived, recreating their characters and evoking the essence of their work.” The poets are Catullus, Vergil, Propertius, Horace, Tibullus, Ovid, and Juvenal. Highet brings them life, setting them in their historical context and locating them in the physical world, while also offering crisp modern translations of the poets’ finest work. The result is an entirely sui generis amalgam of travel writing, biography, criticism, and pure poetry—altogether an unexcelled introduction to the world of the classics.
Recent years have seen the arrival of new approaches to writing about landscape. Partly to do with new eco-sensibilities, this is however also due to a realisation that landscape writing need not be confined to literary tourism, and to the injection of radical poetic styles. This is the first volume to engage with this new wave of writing.
Just as the look of the American landscape has changed since the nineteenth century, so has our idea of landscape. Here Bonnie Costello reads six twentieth-century American poets who have reflected and shaped this transformation and in the process renovated landscape by drawing new images from the natural world and creating new forms for imagining the earth and our relation to it.
In this masterful new study of the ancient poetry of the Song of Songs, Elaine T. James explores the Song's underlying interest in the natural world. Engaging with the fields of geography, landscape architecture, and literature, James critiques the tendency of scholars to reify a perceived dichotomy between "nature" and "culture" and instead argues that the poetic attention to landscape indicates an awareness of a viewer. Nature is here a poetic device that informs James's close-readings of agrarianism, gardens, cities, social control, and feminism and the gaze in the Song. With this two-fold emphasis on landscape and lyric, Landscape of the Song of Songs shows how the Song persistently envisions a world in which human lovers are embedded in the natural world, complexly enfolded in relationships of fragility and care.
A visionary new work from an award-winning poet.
A masterful new collection of poetry from the winner of the Pulitzer Prize and the Ruth Lilly Prize The poems in Carl Dennis’s thirteenth collection, Night School, are informed by an engagement with a world not fully accessible to the light of day, a world that can only be known with help from the imagination, whether we focus on ourselves, on people close at hand, or on the larger society. Only if we imagine alternatives to our present selves, Dennis suggests, can we begin to grasp who we are. Only if we imagine what is hidden from us about the lives of others can those lives begin to seem whole. Only if we can conceive of a social world different from the one we seem to inhabit can we begin to make sense of the country we call our own. To read these poems is to find ourselves invited into a dialogue between what is present and what is absent that proves surprising and enlarging.
Mary Oliver is one of America's best-loved poets, the winner of the Pulitzer Prize and the National Book Award. Her luminous poetry celebrates nature and beauty, love and the spirit, silence and wonder, extending the visionary American tradition of Whitman, Emerson, Frost and Emily Dickinson. Her extraordinary poetry is nourished by her intimate knowledge and minute daily observation of the New England coast, its woods and ponds, its birds and animals, plants and trees.
Poetry. "Silvia Curbelo's poetry is accomplished, daring, full of energy and intelligence; it is the generous manifestation of an authentic and original gift. Her poems embody imaginative honesty and a free-ranging and fresh sensibility. I think they should be welcomed and read with care."—W.S. Merwin