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This unique volume aims to break down the lingering linguistic boundaries that continue to divide up the circumpolar world, to move beyond ethnographic ‘thick description’ to integrate the study of northern Eurasian hunting and herding societies more effectively by encouraging increased international collaboration between archaeologists, ethnographers and historians, and to open new directions for archaeological investigation of spirituality and northern landscape traditions. Authors examine the life-ways and beliefs of the indigenous peoples of northern Eurasia; chapters contribute ethnographic, ethnohistoric and archaeological case-studies stretching from Fennoscandia, through Siberia, and into Chukotka and the Russian Far East.
This unique volume aims to break down the lingering linguistic boundaries that continue to divide up the circumpolar world, to move beyond ethnographic 'thick description' to integrate the study of northern Eurasian hunting and herding societies more effectively by encouraging increased international collaboration between archaeologists, ethnographers and historians, and to open new directions for archaeological investigation of spirituality and northern landscape traditions. Authors examine the life-ways and beliefs of the indigenous peoples of northern Eurasia; chapters contribute ethnographic, ethnohistoric and archaeological case-studies stretching from Fennoscandia, through Siberia, and into Chukotka and the Russian Far East.
Examining human-animal relations among the reindeer hunting and herding Dukha community in northern Mongolia, this book focuses on concepts such as domestication and wildness from an indigenous perspective. By looking into hunting rituals and herding techniques, the ethnography questions the dynamics between people, domesticated reindeer, and wild animals. It focuses on the role of the spirited landscape which embraces all living creatures and acts as a unifying concept at the center of the human and non-human relations.
This landscape study of the rock-art of Rombalds Moor, West Yorkshire, considers views of and from the sites. In an attempt to understand the rock-art landscapes of prehistory the study considered the environment of the moor and its archaeology along with the ethnography from the whole circumpolar region.
Technology as Human Social Tradition outlines a novel approach to studying variability and cumulative change in human technology—prominent research themes in both archaeology and anthropology. Peter Jordan argues that human material culture is best understood as an expression of social tradition. In this approach, each artifact stands as an output of a distinctive operational sequence with specific choices made at each stage in its production. Jordan also explores different material culture traditions that are propagated through social learning, factors that promote coherent lineages of tradition to form, and the extent to which these cultural lineages exhibit congruence with one another and with language history. Drawing on the application of cultural transmission theory to empirical research, Jordan develops a descent-with-modification perspective on the technology of Northern Hemisphere hunter-gatherers. Case studies from indigenous societies in Northwest Siberia, the Pacific Northwest Coast, and Northern California provide cross-cultural insights related to the evolution of material culture traditions at different social and spatial scales. This book promises new ways of exploring some of the primary factors that generate human cultural diversity in the deep past and through to the present.
Pictures from the Bronze Age are numerous, vivid and complex. There is no other prehistoric period that has produced such a wide range of images spanning from rock art to figurines to decoration on bronzes and gold. Fourteen papers, with a geographical coverage from Scandinavia to the Iberian Peninsula, examine a wide range of topics reflecting the many forms and expressions of Bronze Age imagery encompassing important themes including religion, materiality, mobility, interaction, power and gender. Contributors explore specific elements of rock art in some detail such as the representation of the human form; images of manslaughter; and gender identities. The relationship between rock art imagery and its location on the one hand, and metalwork and networks of trade and exchange of both materials and ideas on the other, are considered. Modern and ancient perceptions of rock art are discussed, in particular the changing perceptions that have developed during almost 150 years of documented research. Picturing the Bronze Age is based on an international workshop with the same title held in Tanum, Sweden in October 2012.
Scandinavia is home to prolific and varied rock art images among which the ship motif is prominent. Because of this, the rock art of Scandinavia has often been interpreted in terms of social ritual, cosmology, and religion associated with the maritime sphere. This comprehensive review is based on the creation of a Scandinavia-wide GIS database for prehistoric rock art and reexamines theoretical approaches and interpretations, in particular with regard to the significance of the ship and its relationship to a maritime landscape Discussion focuses on material agency as a means to understanding the role of rock art within society. Two main theories are developed. The first is that the sea was fundamental to the purpose and meaning of rock art, especially in the Bronze Age and, therefore, that sea-level/shoreline changes would have inspired a renegotiation of the relationship between the rock art sites and their intended purpose. The fundamental question posed is: would such changes to the landscape have affected the purpose and meaning of rock art for the communities that made and used these sites? Various theories from within and outside of archaeology are drawn on to examine environmental change and analyze the rock art, led to second theory: that the purpose of rock art might have been altered to have an effect on the disappearing sea. The general theory that rock art would have been affected by environmental change was discussed in tandem with existing interpretations of the meaning and purpose of rock art. Imbuing rock art with agency means that it could be intertwined in an active web of relations involving maritime landscapes, shoreline displacement and communities. Though created in stone and fixed in time and place, rock art images have propagated belief systems that would have changed over time as they were re-carved, abandoned and used by different groups of inhabitants. In the thousands of years rock art was created, it is likely that shoreline displacement would have inspired a renegotiation of the purpose and meaning of the imagery situated alongside the Scandinavian seas. This journey through a prehistoric Scandinavian landscape will lead us into a world of ancient beliefs and traditions revolving around this extraordinary art form.
This book considers theoretical issues of the ethnocultural landscape concepts at large as well as examples of its practical application in ethnic communities of Siberia. It reveals the patterns of the processes of penetration, settlement, development and adaptation of Siberian populations from Paleolithic time to Russian colonization in the era of the Russian Empire, during Soviet modernization and in the face of modern challenges. The authors consider the principal interactions (character, stages, conditions), system-related evidence and phenomena that determine the diverse specifics and multidirectional vectors of a change in the ethnic (social, cultural, economic, legal) presence in large subregions of Siberia in the mirror of various theoretical paradigms. This transdisciplinary volume appeals to researchers, lecturers and students in the fields of geography, history, philosophy, anthropology, ecology, archaeology and interfaces to many other disciplines.
A New Imperial History of Northern Eurasia, 600-1700 proposes a new language for studying and conceptualizing the spaces, societies, and institutions that existed on the territory of today's Northern Eurasia. This is not the story of a certain present-day state or people evolving through consecutive historical stages. Rather, the book is a modern analytical approach to the problem of human diversity as a fundamental social condition. Through cooperation and confrontation, various attempts to manage diversity fostered processes of societal self-organization, as new ideas, practices, and institutions were developed virtually from scratch or radically altered. Essentially, this is the story of individuals and societies creatively responding to their natural and social environments in unique historical circumstances. This volume explores how the mutual interactions of several local socio-political arrangements, and attempts to integrate with one of the universal cultures of the time, caused a string of unintended consequences. As a result, the enormous landmass from the Carpathian Mountains in the west to the Pacific Ocean in the east, from the Polar Circle in the north to the steppe belt in the south was divided among several regional powers. Ultimately unable to overtake each other by military force, they were locked in a zero-sum game until the uneven development of modern state institutions tilted the balance in favor of one of them – Russia.
Like a word stuck on the tip of your tongue that you can't quite remember, fairy tales aggravate us with deeper meanings we're almost certain we know, but can’t quite recall. For just enough of the old fairy faiths survive within them to tantalize us with their forgotten mysteries; teasing us with a hidden past filled with dark guardians to the underworld, bright and beautiful fairies, and long winters nights people feared would never end. There is still a mysterious heart to fairy tales, giving us a peek into a primal world, beckoning us to recall old traditions. This book will seek to explore these old traditions, to answer questions about the hidden origins of fairy tales. “From Celtic Fairies to Romanian Vampires,” this book will take you on a journey to understand fairy tales which are likely far stranger and more beautiful than you ever imagined.