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Packed with extraordinary photos, illustrations, and historical facts, a celebration of the legendary Manhattan rail terminal’s first century. Opened in February 1913, Grand Central Terminal—one of the country's great architectural monuments—helped create Midtown Manhattan. Over the next century, it evolved into an unofficial town square for New York. Today, it sits astride Park Avenue at 42nd Street in all its original splendor, attracting visitors by the thousands. This book celebrates Grand Central’s Centennial by tracing the Terminal’s history and design, and showcasing 200 photographs of its wonders—from the well-trodden Main Concourse to its massive power station hidden ten stories below. The stunning photographs, some archival and some taken by Frank English, official photographer of Metro-North Railroad for more than twenty-five years, capture every corner of this astonishing complex.
The American Civil Liberties Union partners with award-winning authors Michael Chabon and Ayelet Waldman in this “forceful, beautifully written” (Associated Press) collection that brings together many of our greatest living writers, each contributing an original piece inspired by a historic ACLU case. On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman, founded the American Civil Liberties Union. A century after its creation, the ACLU remains the nation’s premier defender of the rights and freedoms guaranteed by the Constitution. In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays “full of struggle, emotion, fear, resilience, hope, and triumph” (Los Angeles Review of Books) about landmark cases in the organization’s one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in—Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona—need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now. Familiar or little-known, each case springs to vivid life in the hands of the acclaimed writers who dive into the history, narrate their personal experiences, and debate the questions at the heart of each issue. Hector Tobar introduces us to Ernesto Miranda, the felon whose wrongful conviction inspired the now-iconic Miranda rights—which the police would later read to the man suspected of killing him. Yaa Gyasi confronts the legacy of Brown v. Board of Education, in which the ACLU submitted a friend of- the-court brief questioning why a nation that has sent men to the moon still has public schools so unequal that they may as well be on different planets. True to the ACLU’s spirit of principled dissent, Scott Turow offers a blistering critique of the ACLU’s stance on campaign finance. These powerful stories, along with essays from Neil Gaiman, Meg Wolitzer, Salman Rushdie, Ann Patchett, Viet Thanh Nguyen, Louise Erdrich, George Saunders, and many more, remind us that the issues the ACLU has engaged over the past one hundred years remain as vital as ever today, and that we can never take our liberties for granted. Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.
Much of Louis Chevalier's Paris faced the wrecking ball in the 1950s, 60s, and 70s, as Georges Pompidou, Andre Malraux, and their cadres of technocratic elites sought to proclaim the glory of the new France by reinventing its capital in brutal visions of glass and steel.
Sixteen essays from the Albright conference held at the Johns Hopkins University charting the course of ancient Near Eastern studies in the twenty-first century. This landmark volume is essential reading for both students and scholars.
Honoring the 100th anniversary of Fenway Park, this is a nostalgic and reverent look at America's # 1 baseball shrine--the national treasure that has been home to more than 600 straight sellouts and some of baseball's greatest games and players over the last century Relive 100 years of memories in Fenway Park with this monumental book-with an original DVD documentary hosted by Carlton Fisk. With supreme photography, a wealth of memorabilia, and original commentary by three generations of Boston Red Sox players and fans, this book celebrates the stadium in style. It also includes treasures from the Sports Museum of New England—rarely seen photographs and artifacts—that enhance the nostalgic experience. FENWAY PARK: THE CENTENNIAL is a visually stunning and thoroughly engaging celebration of this great monument and its 100 year history. Packed with original essays, commentary and history, this landmark book includes sections on: • The inception, construction, and early years of Fenway Park • Detailed looks at Red Sox legends from Babe Ruth and Ted Williams to Pedro Martinez and David Ortiz • The greatest moments of the Green Monster, Fenway's most famous feature • A trip inside the Monster's manually operated scoreboard • Fenway fans and their love affair with the legendary stadium through the years • Unforgettable seasons, including the Impossible Dream team and the 2004 World Series champs
Twentieth Anniversary Edition with a new preface and afterword From the removal of Confederate monuments in New Orleans in the spring of 2017 to the violent aftermath of the white nationalist march on the Robert E. Lee monument in Charlottesville later that summer, debates and conflicts over the memorialization of Confederate “heroes” have stormed to the forefront of popular American political and cultural discourse. In Written in Stone Sanford Levinson considers the tangled responses to controversial monuments and commemorations while examining how those with political power configure public spaces in ways that shape public memory and politics. Paying particular attention to the American South, though drawing examples as well from elsewhere in the United States and throughout the world, Levinson shows how the social and legal arguments regarding the display, construction, modification, and destruction of public monuments mark the seemingly endless confrontation over the symbolism attached to public space. This twentieth anniversary edition of Written in Stone includes a new preface and an extensive afterword that takes account of recent events in cities, schools and universities, and public spaces throughout the United States and elsewhere. Twenty years on, Levinson's work is more timely and relevant than ever.
Havig addresses such key topics as the growth of the society's collections; the reference library; the Western Historical Manuscript Collection; and an extensive assortment of visual art, including a famed collection of works by Thomas Hart Benton and George Caleb Bingham. Havig also examines the society's collaboration with the University of Missouri in obtaining physical space for its operations; its work with local groups in promoting special events such as Missouri's centennial in 1920-1921; the society's outstanding publications program; its role in the placement of historic markers along Missouri highways; its sponsorship of History Day; and numerous other endeavors made by the society to preserve and disseminate Missouri's rich heritage to the state's citizens. A Centennial History of the State Historical Society of Missouri, 1898-1998 will be of special value to professionals working in Missouri history and in the field of state and local history.
UCLA: The First Century is an extensively illustrated hardcover book which follows a chronological historical narrative with in-depth sections on campus traditions and the history of Bruin athletics.Since the UCLA History Project was launched in 2004, UCLA have been chronicling a full account of their alma mater, from humble beginnings to their current standing as one of the world's most prestigious public research universities. The research and editorial team for this publication delved into the untold number of historical documents and photographs preserved in UCLA's archives and beyond, interviewed numerous members of the UCLA community, and searched for materials and anecdotes that were on the verge of becoming permanently lost or forgotten.'100 years of UCLA on your coffee table.' Los Angeles Times"I wanted to create an authentic, historical account of our university. Every day I am inspired by the story of UCLA and I see its history as a collective, living legacy that we all share." Marina Dundjerski '94, Author'The book is indeed beautiful. Thank you so much for all the work that went into it.' Rhea Turtletaub, Vice Chancellor, UCLA External Affairs
First United Methodist Church (UMC) of San Diego has worshipped in several locations throughout San Diego, California, since February 1869. As the city of San Diego grew, so did the church. The first locations were near the waterfront and in the neighborhood that is known today as the Gaslamp Quarter. From 1870 to 1906, the church was in the heart of what is now downtown. In 1906, the congregation decided to move a few blocks northeast, and it worshipped from 1907 to 1963 in a Gothic Revival-style sanctuary designed by Irving J. Gill. In the late 1950s, even with additions, First Church was outgrowing its space, and so it moved again, to a location in Mission Valley. In 1963, construction began on a Spanish contemporary-style church that was completed in 1964 and continues to be an iconic landmark in San Diego. Over the years, the church's reach has expanded to multiple sites and many congregations.
"In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi