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At the dawn of the 1980s, there was one serious name in horror and exploitation film criticism: Bill Landis. While other magazines were concerned with behind-the-scenes information, tributes, and SFX tutorials, Landis' Sleazoid Express was one part film journal and one part anthropological study, seriously critiquing the grindhouse movies that played the theaters of 42nd Street while also documenting the dying subculture that had grown up around them. Profiled in Film Comment and Rolling Stone for his pioneering work, Landis' over-the-top "Mr. Sleazoid" persona and double-life as an adult film star masked the pain behind the excess: a child genius whose intellect alienated him from his peers; a sexual abuse survivor who numbed his trauma with drugs; a consummate outcast who only felt at home among other outcasts. After settling into life as a husband, father, and author in the 90s, it seemed that Landis had turned a corner-but the ghosts of Times Square were never far behind him. Dead at the age of 49 on the eve of what should have been a successful comeback, his legacy has nominally been forgotten, most of his work lost, and his memory relegated to a footnote in journalism history. Now, award-winning author and journalist Preston Fassel (Our Lady of the Inferno; Fangoria magazine; The Daily Grindhouse) pieces together the full story of his life for the first time, from his turbulent childhood, to his meteoric rise in the New York vice scene, to his tragic demise on the streets of Chicago. Featuring exclusive interviews with Kurt Loder (MTV; Rolling Stone), Michael J. Weldon (Psychotronic Video), Art Ettinger (Ultra Violent Magazine), Carl Abrahamsson, Mike McPadden (Heavy Metal Movies; Teen Movie Hell), and others, plus excerpts from Landis' unpublished autobiographical novella Last Exit in Manattan and a reprint of Landis' seminal Fangoria interview with Andy Milligan, Landis at last pulls back the curtain on one of genre writing's most influential-yet unknown-figures. In that lost, damned, golden age called the 80s, there was a movie star named Bobby Spector and a writer named Mr. Sleazoid. Most importantly, there was a man named Bill Landis. This is his story.
A complete collection of the British comedy show following Rowan Atkinson's hapless, rubber-faced clown. The set includes all episodes from the original series and the animated spin-off, as well as the two 'Mr Bean' movies. In 'Bean - The Ultimate Disaster Movie' (1997), Mr Bean (Atkinson) has obtained a job as an attendant at the National Gallery in London. He enjoys the protection of the chairman, but the gallery's governors are keen to be rid of him. When the Grierson Gallery in Los Angeles asks for an expert to give a speech on the recently-purchased painting of Whistler's mother, Bean is quickly despatched. On his arrival in America he begins wreaking havoc in the art world. In 'Mr Bean's Holiday' (2007), Bean has won a church fete raffle's top prize, consisting of a trip to France, where the language barrier predictably causes our hero no end of grief until he meets Emil (Karel Roden), a Russian director on his way to judge at Cannes.
Spring, 1983. Sally Ride is about to go into space. Flashdance is a cultural phenomenon. And in Times Square, two very deadly women are on a collision course with destiny-- and each other. At twenty-one, Ginny Kurva is already legendary on 42nd Street. To the pimp for whom she works, she's the perfect weapon-- a martial artist capable of taking down men twice her size. To the girls in her stable, she's mother, teacher, and protector. To the little sister she cares for, she's a hero. Yet Ginny's bravado and icy confidence hide a mind at the breaking point, her sanity slowly slipping away as both her addictions and the sins of her past catch up with her... At thirty-seven, Nicolette Aster is the most respected woman at the Staten Island Landfill. Quiet and competent, she's admired by the secretaries and trusted by her supervisors. Yet those around her have no idea how Nicolette spends her nights-- when the hateful madness she keeps repressed by day finally emerges, and she turns the dump into a hunting ground to engage in a nightmarish bloodsport...
A social and cultural history of exploitation films, which were produced on the fringes of Hollywood and often dealt with subjects forbidden by the Production Code.
Imagine shuffling down Broadway through the hustle and bustle right into the nonstop, neon heart of New York City: 42nd Street. Once a quiet neighborhood of brownstones and churches, the area wastransformed in the early 1900s into an entertainment hub unlike any in theworld. No place has ever evoked the glamour and romantic possibility of bigcity nightlife as vividly as did 42nd Street. It was the dazzle of "naughty, bawdy, gaudy" 42nd Street that put Times Square on the map and turned the Broadway theater district into the Great White Way. Ghosts of 42nd Street stirs your imagination as it takes you on a historical journey of this glamorized strip still known today as the Crossroads of the World. From the bold innovations of Oscar Hammerstein and Florenz Ziegfeld through the porn-laden 1960s and 1970s to the present-day "Disneyfication" of New York's bright lights district, Ghosts of 42nd Street is as fascinating as a tabloid frozen in time.
Russ Meyer, cult hero, creator of the sexploitation film, and the man the Wall Street Journal called the King Leer of Hollywood, made movies that filled the big screen with “big bosoms and square jaws.” In the first candid and fiendishly researched account of the late cinematic instigator’s life, Jimmy McDonough shows us how Russ Meyer used that formula to turn his own crazed fantasies into movies that made him a millionaire and changed the face of American film forever. This former WWII combat photographer immortalized his personal sexual obsession upon the silver screen, creating box-office gold with The Immoral Mr. Teas in 1959. The modest little film pushed all preexisting limits of on-screen nudity, and with its success, the floodgates of what was permitted to be shown on film were thrust open, never to be closed again. Russ Meyer ignited a true revolution in filmmaking, breaking all sex, nudity, and violence taboos. In a career that spanned more than forty years, Meyer created a body of work that has influenced a legion of filmmakers, fashionistas, comic book artists, rock bands, and even the occasional feminist. Bringing his anecdote- and action-packed biographical style to another renegade of popular culture, New York Times bestselling author of Shakey Jimmy McDonough offers a wild, warts-and-all portrait of Russ Meyer, the director, writer, producer, and commando moviemaking force behind the sexploitation classics Vixen, Beyond the Valley of the Dolls, Faster, Pussycat! Kill! Kill! and many others. Big Bosoms and Square Jaws blows the lid off the story of Russ Meyer, from the beginning to his recent tragic demise, creating in the process a vivid portrait of a past America.
“In SUBURBAN GRINDHOUSE, Nick Cato becomes the Marcel Proust of trash cinema, resurrecting memories of the kinds of late, lamented, Mom and Pop fleapits in which seeing an anti-social movie with your buddies was a gloriously anti-social act.” — Michael Marano, movie columnist Cemetery Dance Film review books may be a dime a dozen, but how many include the actual experience of witnessing the movie in a theater? Zine editor and online columnist Nick Cato shares his time growing up in seedy NY and NJ theaters, and how these screenings helped to shape opinion of the movies. Whether one of his beloved local theaters in Staten Island, NY, or at a double feature at the infamous 42nd Street in Times Square during its heyday, audiences were always lively and outspoken. Part memoir, part film criticism, SUBURBAN GRINDHOUSE looks at the audiences as much as it is a book about exploitation movies themselves.
The classic account of New York City's sleaziest district returns with seven new chapters.
The former special advisor and press secretary to President Ronald Reagan shares a “sentimental but often revealing…enjoyable walk down Memory Lane” (Kirkus Reviews)—told through the movies he watched with the Reagans every week at Camp David. Over the course of eight years, Mark Weinberg travelled to Camp David with Ronald and Nancy Reagan as they screened movies on Friday and Saturday nights. They watched movies in times of triumph, such as the aftermath of Reagan’s 1984 landslide, and after moments of tragedy, such as the explosion of the Challenger and the shooting of the President and Press Secretary Jim Brady. Weinberg’s unparalleled access offers a rare glimpse of the Reagans—unscripted, relaxed, unburdened by the world, with no cameras in sight. Each chapter discusses a legendary film, what the Reagans thought of it, and provides warm anecdotes and untold stories about his family and the administration. From Reagan’s pranks on the Secret Service to his thoughts on the parallels between Hollywood and Washington, Weinberg paints a full picture of the president The New Yorker once famously dubbed “The Unknowable.” A “meander through a simpler time capturing a different time and a different president” (USA TODAY), Movie Nights with the Reagans is a nostalgic journey through the 1980s and its most iconic films, seen through the eyes of one of Hollywood’s former stars: one who was simultaneously transforming the Republican Party, the American economy, and the course of the Cold War. “For those equally enthused about movies and the fortieth president, this book will serve as a welcome change from today’s political climate” (Publishers Weekly).
One of the most acclaimed film director biographies ever published. The Ghastly One: The 42nd Street Netherworld of Director Andy Milligan is back in print in paperback, following the run-away Sold Out success of its large format slipcased limited edition. Andy Milligan, perhaps the most compelling lone wolf in cinema history, gets his due in this definitive work. A dressmaker, actor and puppeteer, Milligan cranked out explosive titles like Bloodthirsty Butchers, The Body Beneath, and The Rats Are Coming! The Werewolves Are Here! on threadbare budgets. Biographer and journalist Jimmy McDonough's book serves as a history of not only the shadowy New York City sexploitation business, but also of the Caffe Cino - a tiny storefront café many consider to be the beginning of Off-Off Broadway theatre in America. Starring a cast of unforgettable, elusive characters, the gripping narrative turns grimly personal, and it's told with unflinching honesty. Hilarious at times, deeply unsettling, and ultimately heartbreaking, THE GHASTLY ONE will haunt you long after the last page is turned.