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Retired from her position as housemother at Priscilla Home, a Christian habitat for women who abuse drugs, the feisty Esmeralda is ready for whatever God has in store for her. Stepping out of her comfort zone once again, she packs her bags for an adventure on the high seas. As the new travel companion of the elderly and rich Mrs. Winifred Winchuster, Esmeralda must accompany her and her Afghan hound on an Alaskan cruise. But when things get a little choppy, Esmeralda wonders if she's fit for the job. Will she find the patience and strength to continue? Will she find a way to share the Good News with Winifred? Or will leaving Priscilla Home turn out to be the worst decision she's ever made? Fans of Good Heavens and Mercy Me can't wait for Esmeralda's third adventure.
From one of the greatest writers of our time, his first collection of short stories, written between 1979 and 2011, chronicling—and foretelling—three decades of American life Set in Greece, the Caribbean, Manhattan, a white-collar prison and outer space, these nine stories are a mesmerizing introduction to Don DeLillo’s iconic voice, from the rich, startling, jazz-infused rhythms of his early work to the spare, distilled, monastic language of the later stories. In “Creation,” a couple at the end of a cruise somewhere in the West Indies can’t get off the island—flights canceled, unconfirmed reservations, a dysfunctional economy. In “Human Moments in World War III,” two men orbiting the earth, charged with gathering intelligence and reporting to Colorado Command, hear the voices of American radio, from a half century earlier. In the title story, Sisters Edgar and Grace, nuns working the violent streets of the South Bronx, confirm the neighborhood’s miracle, the apparition of a dead child, Esmeralda. Nuns, astronauts, athletes, terrorists and travelers, the characters in The Angel Esmeralda propel themselves into the world and define it. DeLillo’s sentences are instantly recognizable, as original as the splatter of Jackson Pollock or the luminous rectangles of Mark Rothko. These nine stories describe an extraordinary journey of one great writer whose prescience about world events and ear for American language changed the literary landscape.
A silly, laugh-out-loud read-aloud picture book debut from #1 New York Times bestselling author Melissa de la Cruz! Once upon a time, in the middle of a group of seven thousand happy islands named after King Philip of Spain, there lived a lady named Dona Esmeralda. She had a big bouffant hairdo and was much smaller than you. And she was always hungry... And so begins the wickedly hilarious tale of one very old, but very stylish little lady who loves to eat, but can only find the ooey, gooey, mushy, smelly leftovers of naughty children to nosh on. But what happens when Dona Esmeralda finds out about all the tasty treats that children do eat? Hold on to your hairdos as Esmeralda eats everything in sight in a cumulative read-aloud inspired by stories from author Melissa de la Cruz's childhood in the Philippines!
As a young girl growing up in Spain, Ana Larragoity Cubillas is powerfully drawn to Puerto Rico by the diaries of an ancestor who traveled there with Ponce de Leon. And in handsome twin brothers Ramon and Inocente—both in love with Ana—she finds a way to get there. Marrying Ramon at the age of eighteen, she travels across the ocean to Hacienda los Gemelos, a remote sugar plantation the brothers have inherited. But soon the Civil War erupts in the United States, and Ana finds her livelihood, and perhaps even her life, threatened by the very people on whose backs her wealth has been built: the hacienda’s slaves, whose richly drawn stories unfold alongside her own in this epic novel of love, discovery and adventure.
“Unadulterated fun. . . witty, frequently hilarious.”—San Francisco Chronicle Chaos and hilarity ensue when a young woman becomes the first female wizard, upending the Discworld in this bitingly funny tale from internationally bestselling author Sir Terry Pratchett. A little knowledge is a dangerous thing, but it’s not half so bad as a lot of ignorance. Everyone knows there’s no such thing as a female wizard. So when a dying wizard accidentally passes on his staff of power to an eighth daughter of an eighth son, the exclusively masculine world of wizarding is thrown into a tailspin. Eskarina isn’t afraid of male critics and she isn’t going to relinquish this unexpected gift. With a little hocus pocus from Granny Weatherwax, the Discworld’s most infamous witch (an old crone who has plenty of experience ignoring the status quo), Esk infiltrates the magical Unseen University and befriends another apprentice, a wizard named Simon. But power is unpredictable, and these bright young students soon find themselves in a whole new dimension of trouble. . . . The Discworld novels can be read in any order but Equal Rites is the first book in the Witches collection. The Witches collection, in order, include: Equal Rites Wyrd Sisters Witches Abroad Lords and Ladies Maskerade Carpe Jugulum
A modern classic for our time and for all time-this beloved, award-winning bestseller resonates with fresh meaning for each new generation. Perfect for fans of Kate DiCamillo, Christopher Paul Curtis, and Rita Williams-Garcia. Pura Belpre Award Winner * "Readers will be swept up." -Publishers Weekly, starred review Esperanza thought she'd always live a privileged life on her family's ranch in Mexico. She'd always have fancy dresses, a beautiful home filled with servants, and Mama, Papa, and Abuelita to care for her. But a sudden tragedy forces Esperanza and Mama to flee to California and settle in a Mexican farm labor camp. Esperanza isn't ready for the hard work, financial struggles brought on by the Great Depression, or lack of acceptance she now faces. When Mama gets sick and a strike for better working conditions threatens to uproot their new life, Esperanza must find a way to rise above her difficult circumstances--because Mama's life, and her own, depend on it.
An argument that operational urban planning can be improved by the application of the tools of urban economics to the design of regulations and infrastructure. Urban planning is a craft learned through practice. Planners make rapid decisions that have an immediate impact on the ground—the width of streets, the minimum size of land parcels, the heights of buildings. The language they use to describe their objectives is qualitative—“sustainable,” “livable,” “resilient”—often with no link to measurable outcomes. Urban economics, on the other hand, is a quantitative science, based on theories, models, and empirical evidence largely developed in academic settings. In this book, the eminent urban planner Alain Bertaud argues that applying the theories of urban economics to the practice of urban planning would greatly improve both the productivity of cities and the welfare of urban citizens. Bertaud explains that markets provide the indispensable mechanism for cities’ development. He cites the experience of cities without markets for land or labor in pre-reform China and Russia; this “urban planners’ dream” created inefficiencies and waste. Drawing on five decades of urban planning experience in forty cities around the world, Bertaud links cities’ productivity to the size of their labor markets; argues that the design of infrastructure and markets can complement each other; examines the spatial distribution of land prices and densities; stresses the importance of mobility and affordability; and critiques the land use regulations in a number of cities that aim at redesigning existing cities instead of just trying to alleviate clear negative externalities. Bertaud concludes by describing the new role that joint teams of urban planners and economists could play to improve the way cities are managed.