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It is said that when the world dies, the spirits of the first people will return to witness the last days of humanity. Well, the spirits have arrived, and the end is here. But not everyone has given up hope. Naledi, a teenage girl living in the deserted city once called Johannesburg, has always believed that there is a land, hidden away in time where the gods still live. And where there are gods, there are miracles. Perhaps even miracles that are big enough to save our dying planet. And so, after a lifetime of isolation, Naledi will head out into the unknown with little to hold onto but her faith - and her magical pet plant, Buyo. A fairy tale for the times in which we find ourselves, brought to life by South African writer and producer Isaac Mogajane (Matwetwe, Catching Feelings) and Brazilian artist Santtos (Night Shift), LAND OF THE LIVING GODS will introduce you to a world of wonder and cruelty, beauty and perseverance - and will leave you profoundly changed.
How are we placed on Earth? What is our relationship to the world around us, and howWalking in the Land of Many Gods envisions a new way of thinking about the world, one grounded in a moral imagination reconnected to Earth. Insightful readings of three contemporary classics of nature writing—Janisse Ray's Ecology of a Cracker Childhood, Terry Tempest Williams's Refuge: An Unnatural History of Family and Place, and Linda Hogan's Dwellings: A Spiritual History of the Living World—are at the heart of Wohlpart's endeavor. Powerful and affecting works like these reveal a pathway to a deeper remembering, one that reconnects us with the primal forces of creation and acknowledges the sacredness of the world. We have forgotten that the world around us is rich and fertile and generative, says Wohlpart. His exploration of these literary works, based on deep anthropology and Native American philosophy, opens a pathway into a new way of thinking called sacred reason. Founded on interdependence and interrelationship, and on care and compassion, sacred reason reminds us that divinity exists around us at all times. We are invited to walk, once again, in a land filled with many gods.
At the dawn of the 1970s, waves of hopeful idealists abandoned the city and headed for the country, convinced that a better life awaited. They were full of dreams, mostly lacking in practical skills, and soon utterly out of money. But they knew paradise when they saw it. When Loraine, Craig, Pancake, Hershe, and a dozen of their friends came into possession of 116 acres in Vermont, they had big plans: to grow their own food, build their own shelter, and create an enlightened community. They had little idea that at the same moment, all over the country, a million other young people were making the same move -- back to the land. We Are As Gods follows the Myrtle Hill commune as its members enjoy a euphoric Free Love summer. Nearby, a fledgling organic farm sets to work with horses, and a couple -- the author's parents -- attempts to build a geodesic dome. Yet Myrtle Hill's summer ends in panic as they rush to build shelter while they struggle to reconcile their ideals with the somber realities of physical hardship and shifting priorities -- especially when one member goes dangerously rogue. Kate Daloz has written a meticulously researched testament to the dreams of a generation disillusioned by their parents' lifestyles, scarred by the Vietnam War, and yearning for rural peace. Shaping everything from our eating habits to the Internet, the 1970s Back-to-the-Land movement is one of the most influential yet least understood periods in recent history. We Are As Gods sheds light on one generation's determination to change their own lives and, in the process, to change the world.
In recent sociological approaches to the Old Testament, Christians have been finding unexpected resources for their ethical reflection and action relative to the modern world's pressing social and economic dilemmas. This unique survey by Christopher Wright examines life in Old Testament Israel from an ethical perspective by considering how the economic facts of Israel's social structure were related to the people's religious beliefs. Observing the centrality of the family in social, economic and religious spheres of Israelite life, Wright analyzes Israel's theology of land, the rights and responsibilities of property owners, and the socioeconomic and legal status of dependent persons in ancient Israel - wives, children, and slaves - showing the mutual interaction between such laws, institutions, and customs and the nation's covenant relationship with God. While primarily exegetical, God's People in God's Land contains many useful insights for Christian social ethics: Wright suggests how the ethical application of his findings might proceed as Christians with different theological perspectives and cultural contexts seek to work out the relevance of the Old Testament for today.
During the nineteenth century, white Americans sought the cultural transformation and physical displacement of Native people. Though this process was certainly a clash of rival economic systems and racial ideologies, it was also a profound spiritual struggle. The fight over Indian Country sparked religious crises among both Natives and Americans. In The Gods of Indian Country, Jennifer Graber tells the story of the Kiowa Indians during Anglo-Americans' hundred-year effort to seize their homeland. Like Native people across the American West, Kiowas had known struggle and dislocation before. But the forces bearing down on them-soldiers, missionaries, and government officials-were unrelenting. With pressure mounting, Kiowas adapted their ritual practices in the hope that they could use sacred power to save their lands and community. Against the Kiowas stood Protestant and Catholic leaders, missionaries, and reformers who hoped to remake Indian Country. These activists saw themselves as the Indians' friends, teachers, and protectors. They also asserted the primacy of white Christian civilization and the need to transform the spiritual and material lives of Native people. When Kiowas and other Native people resisted their designs, these Christians supported policies that broke treaties and appropriated Indian lands. They argued that the gifts bestowed by Christianity and civilization outweighed the pains that accompanied the denial of freedoms, the destruction of communities, and the theft of resources. In order to secure Indian Country and control indigenous populations, Christian activists sanctified the economic and racial hierarchies of their day. The Gods of Indian Country tells a complex, fascinating-and ultimately heartbreaking-tale of the struggle for the American West.
Modern movements such as neo-Calvinism, the New Perspective on Paul, and the emerging church have popularized a view of Christianity and culture that calls for the redemption of earthly society and institutions. Many Christians have reflexively embraced this view, enticed by the socially active and engaged faith it produces. Living in God's Two Kingdoms illustrates how a two-kingdoms model of Christianity and culture affirms much of what is compelling in these transformationist movements while remaining faithful to the whole counsel of Scripture. By focusing on God's response to each kingdom—his preservation of the civil society and his redemption of the spiritual kingdom—VanDrunen teaches readers how to live faithfully in each sphere. Highlighting vital biblical distinctions between honorable and holy tasks, VanDrunen's analysis will challenge Christians to be actively and critically engaged in the culture around them while retaining their identities as sojourners and exiles in this world.
An epic of warrior chieftains, their women and their slaves. Land of Wooden Gods, book 1 of the Viking Slave Trilogy tests belief in the Norse Gods and the sacrificial rituals of Old Scandinavia.
Remains of Ritual, Steven M. Friedson’s second book on musical experience in African ritual, focuses on the Brekete/Gorovodu religion of the Ewe people. Friedson presents a multifaceted understanding of religious practice through a historical and ethnographic study of one of the dominant ritual sites on the southern coast of Ghana: a medicine shrine whose origins lie in the northern region of the country. Each chapter of this fascinating book considers a different aspect of ritual life, demonstrating throughout that none of them can be conceived of separately from their musicality—in the Brekete world, music functions as ritual and ritual as music. Dance and possession, chanted calls to prayer, animal sacrifice, the sounds and movements of wake keeping, the play of the drums all come under Friedson’s careful scrutiny, as does his own position and experience within this ritual-dominated society.