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The biblical motif of a land divinely-promised and given to Abraham and his descendants is argued to be an ideological reflex of post-monarchic, territorial disputes between competing socio-religious groups. The important biblical motif of a Promised Land is founded upon the ancient Near Eastern concept of ancestral land: hereditary space upon which families lived, worked, died and were buried. An essential element of concept of ancestral land was the belief in the post-mortem existence of the ancestors, who were venerated with grave offerings, mortuary feasts, bone rituals and standing stones. The Hebrew Bible is littered with stories concerning these practices and beliefs, yet the specific correlation of ancestor veneration and certain biblical land claims has gone unrecognized. The book remedies this in presenting evidence for the vital and persistent impact of ancestor veneration upon land claims. It proposes that ancestor veneration, which formed a common ground in the experiences of various socio-religious groups in ancient Israel, became in the Hebrew Bible an ideological battlefield upon which claims to the land were won and lost.
In 1954, ex-convict Joe Shelby Ferguson sets out for Mexico to find the relatives hinted at in letters written by his great-great-great-grandmother.
While working on the UNESCO Slave Route project in the early 2000s, Botlhale Tema discovered the extraordinary fact that her highly educated family from the farm Welgeval in the Pilanesberg had originated with two young men who had been child slaves in the mid-nineteenth century. She pieced together the fragments of information from relatives and community members, and scoured the archives to produce this book. Land of My Ancestors, previously published as The People of Welgeval, tells the story of the two young men and their descendants, as they build a life for themselves on Welgeval. As they raise their families and take in people who have been dispossessed, we follow the births, deaths, adventures and joys of the farm’s inhabitants in their struggle to build a new community. Set against the backdrop of slavery, colonialism, the Anglo-Boer War and the rise of apartheid, this is a fascinating and insightful retelling of history. It is an inspiring story about friendship and family, landownership and learning, and about how people transform themselves from victims to victory. A new prologue and epilogue give more historical context to the narrative and tell the story of the land claim involving the farm, which happened after the book’s original publication.
A new 30th Anniversary paperback edition of an award-winning classic. Winner of the National Book Award, 1976 World of Our Fathers traces the story of Eastern Europe's Jews to America over four decades. Beginning in the 1880s, it offers a rich portrayal of the East European Jewish experience in New York, and shows how the immigrant generation tried to maintain their Yiddish culture while becoming American. It is essential reading for those interested in understanding why these forebears to many of today's American Jews made the decision to leave their homelands, the challenges these new Jewish Americans faced, and how they experienced every aspect of immigrant life in the early part of the twentieth century. This invaluable contribution to Jewish literature and culture is now back in print in a new paperback edition, which includes a new foreword by noted author and literary critic Morris Dickstein.
An ambitious man and his adoring daughter are separated and estranged by an ocean and by the tides of history in this “marvelous” novel (Los Angeles Times). For Anna Schoene, growing up in the magical world of Shanghai in the 1930s creates a special bond between her and her father. He is the son of missionaries, a smuggler, and a millionaire who leads a charmed but secretive life. When the family flees to Los Angeles in the face of the Japanese occupation, he chooses to stay, believing his connections and luck will keep him safe. He’s wrong—but he survives, only to again choose Shanghai over his family during the Second World War. Anna and her father reconnect late in his life, when she finally has a family of her own, but it is only when she discovers his extensive journals that she is able to fully understand him and the reasons for his absences. The Distant Land of My Father is a “beautiful” novel “for everyone who has ever felt himself in exile from any beloved place, or a time that can never return” (The Washington Post Book World). “Seamlessly weaves together Anna’s own memories with those of her father, gleaned from the journals . . . An elegant, refined story of families, wartime, and the mystique of memory.” —Kirkus Reviews “Vivid with details of prewar Shanghai and Los Angeles.” —Publishers Weekly “Lush and epic.” —San Jose Mercury News “Remarkable . . . A moving tale of love and the possibility of forgiveness.” —Library Journal
In 1960, renowned Nevada writer Robert Laxalt moved himself and his family to a small Basque village in the French Pyrenees. The son of Basque emigrants, Laxalt wanted to learn as much as he could about the ancient and mysterious people from which he was descended and about the country from which his parents came. Thanks to his Basque surname and a wide network of family connections, Laxalt was able to penetrate the traditional reserve of the Basques in a way that outsiders rarely can. In the process, he gained rare insight into the nature of the Basques and the isolated, beautiful mountain world where they have lived for uncounted centuries. Based on Laxalt’s personal journals of this and a later sojourn in 1965, The Land of My Fathers is a moving record of a people and their homeland. Through Laxalt’s perceptive eyes and his wife Joyce’s photographs, we observe the Basques’ market days and festivals, join their dove hunts and harvests, share their humor and history, their deep sense of nationalism, their abiding pride in their culture and their homes, and discover the profound sources of the Basques’ strength and their endurance as a people. Photography by Joyce Laxalt.
365 quotes from Scottish Christians Biblical truths for every day Covering over 400 years of faith
When in 1705 Kornell Csillag's grandfather returns destitute to his native Hungary from exile, he happens across a gold fob-watch gleaming in the mud. The shipwrecked fortunes of the Csillag family suddenly take a new and marvelous turn. The golden watch brings an unexpected gift to the future generations of firstborn sons: clairvoyance. Passed down from father to son, this gift offers the ability to look into the future or back into history–for some it is considered a blessing, for others a curse. No matter the outcome, each generation records its astonishing, vivid, and revelatory visions into a battered journal that becomes known as The Book of Fathers. For three hundred years the Csillag family line meanders unbroken across Hungary's rivers and vineyards, through a land overrun by wolves and bandits, scarred by plague and massacre, and brutalized by despots. Impetuous, tenderhearted, and shrewd, the Csillags give birth to scholars and gamblers, artists and entrepreneurs. Led astray by unruly passions, they marry frigid French noblewomen and thieving alehouse whores. They change their name and their religion, and change them back. They wander from home but always return, and through it all The Book of Fathers bears witness to holocaust and wedding feast alike.
The Land Our Fathers Saw reveals the Hagell Heritage Collection held by the Galt Museum and Archives in the City of Lethbridge, Alberta, Canada. In 1960, upon the request of the Lethbridge Historical Society, the City purchased the collection from Hagell to illustrate the prairie conditions of the settlers who homesteaded in southern Alberta in the early 1900s. It is the third book in a series of three which has been written by the author about the southern Alberta artist. Hagell's art is in the western tradition of Fredric Remington and Charles Russell. The 68 ink and crayon drawings present his view of the prairie landscape from the 1800s to the 1950s.
Interprets the patriotic song, America (My country, 'tis of thee), with photographs.