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The West has figured in the American imagination under many guises: as the last best place on earth, a refuge, an escape, a land of opportunity, but also as a place of conquest and failure. Where Lewis and Clark saw great possibilities, Native cultures found disappointment and loss. This collection presents the diverse and often contradictory accounts that make up the mosaic of the nineteenth-century American West. From Thomas Hart Benton?s famous speech in the Senate when he argued that non-white civilizations must fall before the western expansion of white Americans to Black Elk?s story of a way of life lost on the frozen ground at Wounded Knee, Gary Noy offers a representative sampling of the many Wests that historians have strug-gled to define for over a century. Distant Horizon chronicles the dusty world of the cowboy, the hard-scrabble existence of the farmer and the settler, and the miner?s vision of golden glory. It examines the independent nature of the explorer and mountain man and the sometimes heroic, sometimes cruel existence of the soldier. We hear the voices of those outside the mainstream of power?women and Westerners of color?and explore the most tragic element of Western history: the confinement, subjugation, and extermination of Native Americans. No other single volume provides as many readings on as many topics in the history of the American West.
Truth is stranger than fiction, it is said. If so then Distant Horizons presents some of the strangest sea mysteries of all time. For it is not the product of uncritically passing along tales of the sea. It is the result of decades of research. The stories in this compendium are true, often presented with meticulous detail. Sometimes this explodes myth. Sometimes the facts reveal myth to be anemic by comparison. Famous ghost ships like the Mary Celeste and the Carroll A. Deering have become literary formula and economic rehash. But what are the actual facts? Thousands of derelicts once peppered the North Atlantic, but these two mystery ships have stood the test of time. What is really so unique about them? The Bermuda Triangle has earned its infamous reputation, but is it really to blame for some of its most famous victims? Did the Marine Sulphur Queen truly even vanish in the Triangle? What about the USS Cyclops? Could it truly be the American version of the HMS Bounty?
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Christopher Empson organizes his narrative about Uruguayan rural life and tells his own experiences as the central element of his memoir. Like many texts written by Spanish conquistadors more than five centuries ago, Empson's memoir is about the encounter
This is a completely revised edition of Gold Medallion Award-winning Expositor's Bible Commentary. This revised commentary has undergone substantial revisions that keep pace with current evangelical scholarship and resources. Just as its previous edition, it offers a major contribution to the study and understanding of the Scriptures. Providing pastors and Bible students with a comprehensive and scholarly tool for the exposition of the Scriptures and the teaching and proclamation of the gospel, this ten-volume reference work has become a staple of seminary and college libraries and pastors' studies worldwide. Its fifty-six contributors---thirty of them are new---represent the best in evangelical scholarship committed to the divine inspiration, complete trustworthiness, and full authority of the Bible. As before, The Expositor's Bible Commentary features full NIV text, but also refers freely to other translations and to the original languages. In addition to its exposition, each book of the Bible has an introduction, outline, and an updated bibliography. Notes on textual questions and special problems are correlated with the expository units; transliteration and translation of Semitic and Greek words make the more technical notes accessible to readers unacquainted with the biblical languages. In matters where marked differences of opinion exist, commentators, while stating their own convictions, deal fairly and irenically with opposing views.
A major new novel from the Nobel laureate Peter Handke—one of his most inventive and dazzlingly original works On a summer day under a blue sky a man is stung on his foot by a bee. “The sting signaled that the time had come to set out, to hit the road. Off with you. The hour of departure has arrived.” The man boards a train to Paris, crosses the city by Métro, then boards another, disembarking in a small town on the plains to the north. He is searching for a young woman he calls the Fruit Thief, who, like him, has set off on a journey to the Vexin plateau. What follows is a vivid but dreamlike exploration of topography both physical and affective, charting the Fruit Thief’s perambulations across France’s internal borderlands: alongside rivers and through ravines, beside highways and to a bolt-hole under the stairs of an empty hotel. Chance encounters—with a man scrambling through the underbrush in search of his lost cat, and with a delivery boy who abandons his scooter to become a fellow traveler for a day—are like so many throws of the dice, each exposing new facets of this mysterious individual in the manner of a cubist portrait. In prose of unrivaled precision, lucidly rendered into English by Krishna Winston, The Fruit Thief elevates the terrain of everyday life to epic status, and situates the microgeography of an individual at the center of a book like few others. This is one of Nobel laureate Peter Handke’s most significant and original achievements.