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Istanbul – Kushta – Constantinople presents twelve studies that draw on contemporary life narratives that shed light on little explored aspects of nineteenth-century Ottoman Istanbul. As a broad category of personal writing that goes beyond the traditional confines of the autobiography, life narratives range from memoirs, letters, reports, travelogues and descriptions of daily life in the city and its different neighborhoods. By focusing on individual experiences and perspectives, life narratives allow the historian to transcend rigid political narratives and to recover lost voices, especially of those underrepresented groups, including women and members of non-Muslim communities. The studies of this volume focus on a variety of narratives produced by Muslim and Christian women, by non-Muslims and Muslims, as well as by natives and outsiders alike. They dispel European Orientalist stereotypes and cross class divides and ethnic identities. Travel accounts of outsiders provide us with valuable observations of daily life in the city that residents often overlooked.
This book concentrates on the sometimes Greek but largely Roman survivals many travellers set out to see and perhaps possess throughout the immense Ottoman Empire, on what were eastward and southward extensions of the Grand Tour. Europeans were curious about the Empire, Christianity’s great rival for centuries, and plenty of information on its antiquities was available, offered here via lengthy quotations. Most accounts of the history of collecting and museums concentrate on the European end. Plundered Empire details how and where antiquities were sought, uncovered, bartered, paid for or stolen, and any tribulations in getting them home. The book provides evidence for the continuing debate about the ethics of museum collections, with 19th century international competition the spur to spectacular acquisitions.
Offering a multitude of examples through the centuries, this book examines how the architecture of the ancient world was transformed or destroyed under Byzantium and Islam, to produce new forms which often owed their materials and sometimes their styles to the past.