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A study of England's biggest and best-known witch trial, which took place in 1612 when ten witches from the forest of Pendle were hanged at Lancaster. A little-known second trial occured in 1633-4, when up to nineteen witches were sentenced to death.
This book is the first major study of England's biggest and best-known witch trial which took place in 1612, when ten witches were arraigned and hung in the village of Pendle in Lancashire. The book has equal appeal across the disciplines of both History and English Literature/Renaissance Studies, with essays by the leading experts in both fields. Includes helpful summaries to explain the key points of each essay. Brings the subject up-to-date with a study of modern Wicca and paganism, including present-day Lancashire witches. Quite simply, this is the most comprehensive study of any English witch trial.
This bestseller presents a remarkable series of new insights into the Lancashire Witch Craze. By placing the events in their wider European context, it explains far more satisfactorily than ever before exactly why these disturbing events occurred.
In the febrile religious and political climate of late sixteenth-century England, when the grip of the Reformation was as yet fragile and insecure, and underground papism still perceived to be rife, Lancashire was felt by the Protestant authorities to be a sinister corner of superstition, lawlessness and popery. And it was around Pendle Hill, a sombre ridge that looms over the intersecting pastures, meadows and moorland of the Ribble Valley, that their suspicions took infamous shape. The arraignment of the Lancashire witches in the assizes of Lancaster during 1612 is England's most notorious witch-trial. The women who lived in the vicinity of Pendle, who were accused, convicted and hanged alongside the so-called 'Salmesbury Witches', were more than just wicked sorcerers whose malign incantations caused others harm. They were reputed to be part of a dense network of devilry and mischief that revealed itself as much in hidden celebration of the Mass as in malevolent magic. They had to be eliminated to set an example to others. In this remarkable and authoritative treatment, published to coincide with the 400th anniversary of the case of the Lancashire witches, Philip C Almond evokes all the fear, drama and paranoia of those volatile times: the bleak story of the storm over Pendle.
Thomas Potts' famous account of the Pendle witch trials of 1612 is the only original source of information about the events, and in this new version historian Robert Poole makes the text accessible and usable for 21st-century readers.
From the author of The Dark Lady, a novel of England’s trial of the Pendle witches of 1612 and a family struggling to survive the hysteria. Bess Southerns, an impoverished widow living in Pendle Forest, is haunted by visions and gains a reputation as a cunning woman. Drawing on the Catholic folk magic of her youth, Bess heals the sick and foretells the future. As she ages, she instructs her granddaughter, Alizon, in her craft, as well as her best friend, who ultimately turns to dark magic. When a peddler suffers a stroke after exchanging harsh words with Alizon, a local magistrate, eager to make his name as a witch finder, plays neighbors and family members against one another until suspicion and paranoia reach frenzied heights. This e-book includes a sample chapter of Illuminations. “Daughters of the Witching Hill offers a fresh approach with witches who believe in their own power and yet, in many ways, are still innocent. Sharratt’s readers—like the magistrate who took the women’s confessions—are likely to be spellbound by their stories.”—San Francisco Chronicle “Full of the reality of the day, this story is stark and real, but Sharratt’s descriptions of landscape and the daily life of the poor at the time are rich enough to feed the senses. The author weaves this vast canvas of changing culture into the personal stories of these women, and in the process transports us to a distant land, a distant time—and deep into the story of people we sympathize with and care about.”—Minneapolis Star-Tribune
In this ribald comedy, first performed at The Globe in 1634, everything is going wrong at a wedding, and everyone in attendance is eager to believe a local coven is to blame.