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Winner of the Pulitzer Prize for History (1976). The extraordinary biography of a pioneer hero of the frontier Southwest from the author of Great River. Originally published in 1975, this Pulitzer Prize for History–winning biography chronicles the life of Archbishop Jean Baptiste Lamy (1814–1888), New Mexico’s first resident bishop and the most influential, reform-minded Catholic official in the region during the late 1800s. Lamy’s accomplishments, including the endowing of hospitals, orphanages, and English-language schools and colleges, formed the foundation of modern-day Santa Fe and often brought him into conflict with corrupt local priests. His life story, also the subject of Willa Cather’s Death Comes for the Archbishop, describes a pivotal period in the American Southwest, as Spanish and Mexican rule gave way to much greater influence from the United States and Europe. Historian and consummate stylist Paul Horgan has given us a chronicle filled with hardy, often extraordinary adventure, and sustained by Lamy’s magnificent strength of character. “Lamy of Santa Fe stands as a beacon in American biography.” —James M. Day, author of Paul Horgan “Lamy of Santa Fe is a classic work. Not only is the research exemplary but so is the narrative artistry, the work of history as art.” —Robert Gish, author of Nueva Granada: Paul Horgan and the Modern Southwest “Historians, and general readers as well, seeking vivid portrayal of the Southwest’s political, social and cultural traditions will find [this book] rewarding . . . the historical and literary heritage of Americans in general will be the richer for Mr. Horgan’s painstaking effort.” —Southwestern Historical Quarterly
Noted scholar, student of New Mexican culture, and teacher Father Tom Steele has tracked down all the existing manuscript sermons of Jean Baptiste Lamy (1814-88), the first bishop of Santa Fe and the model for the title character of Willa Cather's novel Death Comes for the Archbishop. Lamy has been the subject of devotion, rumor, and attack for over a hundred years. In this new book Steele selects important and characteristic sermons and uses them to decipher the real Lamy, public and private. This book builds on previous scholarly work about Lamy, including Paul Horgan's Lamy of Santa Fe, and presents new information and insight based on Lamy's own writings. A fully searchable CD-ROM (for both PC and MAC) of Lamy's complete sermons in English and Spanish is also available.
"Whatever is felt upon the page without being specifically named there—that, one might say, is created." This famous observation appears inWilla Cather on Writing, a collection of essays and letters first published in 1949. In the course of it Cather writes, with grace and piercing clarity, about her own fiction and that of Sarah Orne Jewett, Stephen Crane, and Katherine Mansfield, among others. She concludes, "Art is a concrete and personal and rather childish thing after all—no matter what people do to graft it into science and make it sociological and psychological; it is no good at all unless it is let alone to be itself—a game of make-believe, of re-production, very exciting and delightful to people who have an ear for it or an eye for it."
This is a book of scenes and portraits from three centuries of the society of Santa Fe, New Mexico, the city which was for so long the northernmost capital of Spain in the New World. Since its foundation in 1610, it has known a variety of social life and an enlivening contrast, and a commingling of several different races. This volume tries to describe that life in the sequence of time during periods of significant change and throughout a succession of conquests from early Spanish colonial times to the present.
The myth is the story of how the chapel acquired its spiral staircase through the intervention of a mysterious white-bearded carpenter who came in answer to the sister's prayers. The author has tracked down the mystery. While St Joseph may not have been directly involved, a miracle of sorts did bring Santa Fe this lovely small Gothic structure with stained glass windows.
Few of the great overland highways of America have known such a wealth of color and romance as that which surrounded the Santa Fé Trail. For over four centuries the dust-gray and muddy-red trail felt the moccasined tread of Comanches, Apaches, Cheyennes, and Arapahoes. These soft footfalls were replaced by the bold harsh clang of the armored conqueror, Coronado, and by a host of Spanish explorers and soldiers seeking the gold of fabled Quivira. Black and brown-robed priests, armed only with the cross, were followed in turn by bearded buckskin-clad fur traders and mountain men, by canny Indian traders, and lean, weather-beaten drovers with great herds of long-horned cattle. [...] The story dictated in such vivid detail by Marian Sloan Russell is a unique and valuable eyewitness account by a sensitive, intelligent girl who grew to maturity on the kaleidoscopic Santa Fé Trail. “Maid Marian,” as she was known by the freighters and soldiers, made five round-trip crossings of the trail before settling down to live her adult life along its deeply rutted traces. —From Foreword “When it was first published in 1954, Marian Russell’s Land of Enchantment was praised as an outstanding memoir of life on the Santa Fe Trail...Now readers everywhere can enjoy Mrs. Russell’s recollections,... And those readers will discover that Mrs. Russell described much more than just life on the Trail. Indeed her memoirs cover virtually every aspect of life in the West...—Southwest Review “These memoirs reveal a strong, energetic woman whose perceptions of old Santa Fe and pioneer life on the trail paint a vivid picture of the nineteenth-century West. The unusual and exact details which Marian Russell recalls make her story enthrallingly real.”—American West
Territory of New Mexico, 1875. Archbishop Jean-Baptiste Lamy needs money to complete the cathedral he's building in Santa Fe. He comes to see Father Clement Grantaire, pastor of a small parish near the Texas border, for help. Father Grantaire has a checkered past, but he also has an idea. Convincing Lamy to give him the few dollars he's collected, Grantaire changes into old clothes and departs for Fort Union, a three-day ride. After a night of gambling, Grantaire wins over a thousand dollars from the soldiers. Riding back to his parish, he's robbed and left for dead. He must tell Lamy about the lost money, until he sees the man who robbed him, and he's wearing a sheriff's badge. How will he get his money?
Hermione Lee’s provocative and influential biography provides a sensitive reappraisal of a marvelous and often underrated writer. The Willa Cather she reveals here was a Nebraskan who spent much of her life in self-imposed exile from the prairies she celebrated in O Pioneers! and My Antonia, a woman whose life was riddled with the tension between masculine and feminine, and a writer whose naturalness of style disguised exquisite artistry. By exposing the contradictions that lie at the heart of much of Cather’s life and work, Lee locates new layers of meaning and places her firmly at the forefront of the modern literary tradition that was taking shape in her time.