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Life and nature often create compositions in a minor key. Upheavals and traumatic events offer dissonance, which eventually resolve in some harmony. This collection reflects some of those minor chords and dissonance but is also threaded through with a slender strand of hope. Each event allows for resolution to more melodic notes. Even nature has a dying before resurrection and in the process can offer beauty and promise. The upheaval of lives in ?Executive Orders? leads eventually to the creation of some order, even in a repressive situation. Other poems mirror responses we have to negative situations, often moving through the varied stages of grief to arrive at some resolution. Nature moves through life stages ? birth, full bloom, aging and death only to be resurrected as the seasons roll around in harmony. This collection of poems attempts to express these journeys as well as movement towards harmony.
The American church avoids lament. But lament is a missing, essential component of Christian faith. Soong-Chan Rah's prophetic exposition of the book of Lamentations provides a biblical and theological lens for examining the church's relationship with a suffering world. Hear the prophet's lament as the necessary corrective for Christianity's future.
When the Hungarian composer Gyrgy Ligeti passed away in June 2006, he was widely feted as being one of the greatest composers of our time. His complete published works were recorded during his lifetime and his music continues to inspire a steady stream of performances and scholarship. Ligeti's Laments provides a critical analysis of the composer's works, considering both the compositions themselves and the larger cultural implications of their reception. Bauer both synthesizes and challenges the prevailing narratives surrounding the composer's long career and uses the theme of lament to inform a discussion of specific musical topics, including descending melodic motives, passacaglia and the influence of folk music. But Ligeti 'laments' in a larger sense; his music fuses rigour and sensuality, tradition and the new and influences from disparate high and low cultures, with a certain critical and ironic distance, reflected in his spoken commentary as well as in the substance of his music. The notions of nostalgia, exoticism and the absolute are used to relate works of different eras and genres, along with associated concepts of allegory, melancholy, contemporary subjectivity and the voice.
Unlocking Meaning in Art Song teaches singers how to analyze songs in order to discover deeper meanings and create more compelling interpretations and performances. The first part of the book introduces important practical skills for analyzing the text as well as key musical elements including melody, rhythm, structure, linear motion, and harmony. The remainder of the book presents an in-depth guided analysis of twenty Schubert songs. The questions and prompts in these chapters allow students, singers, and other readers to discover for themselves the amazing ways in which music and expressive meaning are structured. Songs range from simpler analytical difficulty (such as An die Musik) to medium difficulty (such as Gretchen am Spinnrade), and finally to more complex (such as Erlkönig). The techniques presented in this book can be applied to all types of songs, allowing singers to build critical skills and artful consciousness. This is an ideal resource for song literature courses, voice teachers, students, collaborative pianists, and theory faculty.
Tonal Space in the Music of Antonio Vivaldi incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major-minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his prosaic and idiosyncratic sides to emerge clearly. This book contributes to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and the diffusion of artistic ideas in the 18th century.
DISCIPLE: REMEMBER WHO YOU ARE is part of the four-phase DISCIPLE program and is prepared for those who have completed BECOMING DISCIPLES THROUGH BIBLE STUDY. The driving idea in this study is the connection between memory and identity as the people of God. The word You in the title is meant to be heard both in its singular form (the individual) and its plural form (the community). We are a community of memory. Participants in this thirty - two week study will read the major and minor Old Testament prophets, with the exception of Daniel, and will read the thirteen Letters traditionally attribu.
Do we know what it means to question well? We need not fear questions. By the grace of God, we have the safety and security to rush headlong into them and find ourselves better for it on the other side. Faith is not the sort of thing that endures so long as our eyes are closed. The opposite is the case: Faith helps us see, and that means not shrinking from the ambiguities and the difficulties that provoke our most profound questions. In our embrace of questioning, we must learn to question well. In our uncertainty, we must not give up the task of walking worthy of the calling that Christ has placed upon us. We are living in the age of deconstruction. We are constantly bombarded online, in schools, and sometimes even in our homes by attitudes and arguments aimed at deconstructing our faith. Called Into Questions is written to aid us in faithfully questioning our foundations. Professor Matthew Lee Anderson shows us, and the ones we love, how to grapple with doubt in a redemptive way—in a way that brings us closer and leaves us more secure in Jesus Christ.
Opera is often regarded as the pinnacle of high art. A "Western" genre with global reach, it is where music and drama come together in unique ways, supported by stellar singers and spectacular scenic effects. Yet it is also patently absurd -- why should anyone break into song on the dramatic stage? -- and shrouded in mystique. In this engaging and entertaining guide, renowned music scholar Tim Carter unravels its many layers to offer a thorough introduction to Italian opera from the seventeenth to the early twentieth centuries. Eschewing the technical musical detail that all too often dominates writing on opera, Carter begins instead where the composers themselves did: with the text. Walking readers through the relationship between music and poetry that lies at the heart of any opera, Carter then offers explorations of five of the most enduring and emblematic Italian operas: Monteverdi's The Coronation of Poppea; Handel's Julius Caesar in Egypt; Mozart's The Marriage of Figaro; Verdi's Rigoletto; and Puccini's La Bohème. Shedding light on the creative collusions and collisions involved in bringing opera to the stage, the various, and varying, demands of the text and music, and the nature of its musical drama, Carter also shows how Italian opera has developed over the course of music history. Complete with synopses, cast lists, and suggested further reading for each work discussed, Understanding Italian Opera is a must-read for anyone with an interest in and love for this glorious art.
The Practice of Popular Music is a music theory and musicianship textbook devoted to explaining the organization of contemporary popular music styles such as pop, rock, R&B, rap, and country. Rooted in recent research showing that the structure of popular music differs from classical music in important ways, this textbook offers an approach to teaching music theory that is fully oriented around popular and commercial genres. Beginning with fundamentals and requiring no previous training in music theory or notation, this book eventually guides the reader through a range of advanced topics, including chromatic mixture, secondary chord function, complex time signatures, and phrase organization. Each chapter develops concepts in tandem with aural comprehension, and the included exercises balance written tasks with listening activities. A companion website provides links to playlists of the music discussed in the book. With an innovative approach designed to broaden the reach of music theory coursework to a wide range of students, including non-majors and those in modern music degree programs such as audio engineering, songwriting, and music business, this textbook enables readers to gain a deep understanding of music theory in the context of popular music.
Finding hope when faced with the devastating loss of your most precious dreams. At 20 weeks pregnant, Lindsey Dennis and her husband were told the child she was carrying would not live due to a fatal diagnosis. Later, in another stunning blow, they were told the same news with her second pregnancy. They chose to celebrate both lives alongside a community, both local and online, of hundreds of thousands as she carried each child to term only to bury them 14 months apart from each other. Through the crushing of their hopes and dreams, they came to know the kind of resurrection hope that can rise from the grave. This experience of infant loss revealed to Dennis how sorrow and suffering are instruments in the hands of God to forge in us a greater joy and hope than one can ever know. This kind of joy can only be discovered when we walk through the deep pain of burying our most precious dreams. Buried Dreams offers an uplifting perspective, sharing how devastating loss of personal dreams can give way to unimaginable hope and how death can give way to life. Framing her own story of staggering loss and soaring hope with biblical perspective, Dennis highlights that we can never plan for the unexpected turns of this life that sometimes lead to great personal suffering, but we can reach for the One who is there with us in the loss. Product Features: Shares how unrealized dreams can give way to unimaginable hope. Shows how sorrow and suffering are instruments in the hands of God. Rekindles hope for those who have experienced loss.