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"Marvin Olasky explores how his Jewish American father was impacted by World War 2, Reconstructionist Judaism, and social Darwinist teaching at Harvard-facing pain in order to understand and forgive"--
A loving father explores with honesty and intensity all facets of his grief at the death of his 25-year-old son.
A loving father explores with honesty and intensity all facets of his grief at the death of his 25-year-old son.
“If our families are to flourish, we will need to learn and practice ways of forgiving those who have had the greatest impact upon us: our mothers and fathers.” Do you struggle with the deep pain of a broken relationship with a parent? Leslie Leyland Fields and Dr. Jill Hubbard invite you to walk with them as they explore the following questions: What does the Bible say about forgiveness? Why must we forgive at all? How do we honor those who act dishonorably toward us, especially when those people are as influential as our parents? Can we ever break free from the “sins of our fathers”? What does forgiveness look like in the lives of real parents and children? Does forgiveness mean I have to let an estranged parent back into my life? Is it possible to forgive a parent who has passed away? Through the authors’ own compelling personal stories combined with a fresh look at the Scriptures, Forgiving Our Fathers and Mothers illustrates and instructs in the practice of authentic forgiveness, leading you away from hate and hurt toward healing, hope, and freedom. "A call to very hard, but very vital, work of the soul." —Dr. Henry Cloud, leadership expert, psychologist, and best-selling author "Forgiving Our Fathers and Mothers is essential reading for anyone who wants to deal with those hurts in a constructive, healing, and God-honoring manner." —Jim Daly, president, Focus on the Family "Leslie Leyland Fields and Jill Hubbard take us into raw, messy stories so we can be transformed by that mysterious and painful grace in the force called forgiveness." —Scot McKnight, Northern Seminary
When The Atlantic Monthly celebrated its 150th anniversary by publishing excerpts from the best writing ever to appear in the magazine, in the category of the humorous essay it chose only four pieces—one by Mark Twain, one by James Thurber, one by Kurt Vonnegut, and Ian Frazier's 1997 essay "Lamentations of the Father." The title piece of this new collection has had an ongoing life in anthologies, in radio performances, in audio recordings, on the Internet, and in photocopies held by hamburger magnets on the doors of people's refrigerators. The august company in which The Atlantic put Frazier gives an idea of where on the literary spectrum his humorous pieces lie. Frazier's work is funny and elegant and poetic and of the highest literary aspiration, all at the same time. More serious than a "gag" writer, funnier than most essayists of equal accomplishment, Frazier is of a classical originality. This collection, a companion to his previous humor collections Dating Your Mom (1985) and Coyote v. Acme (1996), contains thirty-three pieces gathered from the last thirteen years. Past winner of the Thurber Prize for American Humor; author of the nonfiction bestsellers Great Plains, Family, and On the Rez; contributor to The New Yorker, Outside, and other magazines, Frazier is the greatest writer of our (or indeed of any) age.
A piano man in 1960s New York keeps to himself and away from his father's mob ties until his hit collaboration with Esther Mine thrusts him into a national spotlight that also stirs up issues with his father's associates.
A dauntless heroine coming of age at the turn of the twentieth century confronts the hazards of patriarchy and prejudice, and discovers the unexpected opportunities of World War I Set in rural North Carolina between the Civil War and the Great War, Love and Lament chronicles the hardships and misfortunes of the Hartsoe family. Mary Bet, the youngest of nine children, was born the same year that the first railroad arrived in their county. As she matures, against the backdrop of Reconstruction and rapid industrialization, she must learn to deal with the deaths of her mother and siblings, a deaf and damaged older brother, and her father’s growing insanity and rejection of God. In the rich tradition of Southern gothic literature, John Milliken Thompson transports the reader back in time through brilliant characterizations and historical details, to explore what it means to be a woman charting her own destiny in a rapidly evolving world dominated by men.
A New York Times Notable Book, and a “chaotic, laugh riot” (San Francisco Chronicle) of a memoir. Shalom Auslander was raised with a terrified respect for God. Even as he grew up and was estranged from his community, his religion and its traditions, he could not find the path to a life where he didn’t struggle daily with the fear of God’s formidable wrath. Foreskin’s Lament reveals Auslander’s “painfully, cripplingly, incurably, miserably religious” youth in a strict, socially isolated Orthodox Jewish community, and recounts his rebellion and efforts to make a new life apart from it. His combination of unrelenting humor and anger renders a rich and fascinating portrait of a man grappling with his faith and family.
'Father, tell me a story?' asks Isaiah, moments before a strange craft falls from the sky and smashes into the jungle near his isolated West African community. Inside the ruined vessel the villagers find the shattered body of a man. His name is Samara and he is a man unlike any the villagers have seen before - a man who is perhaps something more than human. With his city home of Achenia hiding in the rubble left by a devastating war, Samara has fallen 35,000 km to earth in order to escape the automated hell of an orbiting prison called Tartarus. As he struggles to heal himself, he helps transform the lives of those who rescued him but in so doing attracts the attention of the brutal warlord who rules over this benighted, ravaged post-21st century land. He is not a man to be crossed, and now he threatens the very existence of the villagers themselves and the one, slim chance Samara has of finding his way home and to the woman - and the world - he loves. And all the while - in the darkness above - waits the simmering fury that lies at the heart of Tartarus . . .
This is a book of hope at a time when just about everyone but Marvin Olasky has lost hope. The topic is poverty and the underclass. The profound truth that Marvin Olasky forces us to confront is that the problems of the underclass are not caused by poverty. Some of them are exacerbated by poverty, but we know that they need not be caused by poverty, for poverty has been the condition of the vast majority of human communities since the dawn of history, and they have for the most part been communities of stable families, nurtured children, and low crime. It is wrong to think that writing checks will end the problems of the underclass, or even reduce them. - Preface.