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Lalo is Mexican but he doesn't have black hair like his cousins and three of his four brothers and sisters.
Eduardo Lalo is a writer, essayist, and artist from San Juan, Puerto Rico. His many books include the award-winning novel Simone, which we published in translation. Suzanne Jill Levine is a leading translator of Latin American literature who runs the translation doctoral program at UCSB. A tale of social, spiritual, and intellectual yearning, Uselessness follows the life of its narrator, a young Puerto Rican writer studying in Paris, the city of his dreams. There he finds an appreciation of the arts that he has always longed for, yet he remains alienated from it because of his uncertain identity. Meanwhile, he grapples with two long, tumultuous love affairs. He conveys these events in a dark yet witty tone, as if aware of the futility of his youthful follies. After some time he chooses to end perhaps his greatest love affair, that with the city of Paris itself, and return to San Juan. Upon his return, he finds himself just as estranged and alienated at home as he felt abroad. In his writing and academic careers he gains little notoriety, but he tries to help a student whose struggles in many ways reflect his own early days. As he observes this young man's mistakes, the narrator confronts a path he very nearly traveled down himself and, in doing so, accepts his small place in the narrative of countless generations.
A disillusioned writer in San Juan finds himself stalked by a Chinese immigrant student, and as the two realize that they share a similar plight, they move towards bitter-sweet collaborations in passion, grief, literature, and art.
The prologue describes a letter of complaint written by the author in 1988, addressed to the Secretary of Tourism, Mexico City, Mexico. The letter details a frightening event that had taken place at Chemuyil. The story then begins in December 1986 when BARBARA (49) and husband EDDY (58) cross the Rio Grande in a motor home prepared to spend months exploring Mexico. Brief travel descriptions are sprinkled with humor as they make their way to the Caribbean where they discover Chemuyil, a dream come true beach. At Chemuyil they meet LALO, the proprietor of the palapa beach bar concession. Intermittent details describe how the couple liquidated assets to prepare for a once in a lifetime adventure, traveling in their new motor home indefinitely. The gist of the narrative is a first person view of both ordinary and extraordinary lives encountered during lengthy stays at Chemuyil, but the charismatic Lalo carries the book from the moment the readers meet him. A Don Juan character for sure, yet a much respected man, Lalo's personality defines the ebb and flow of the story. Barbara and Eddy become immersed in Lalo's web of passion, money, business, drugs, gambling, and government conflict. Lalo's biography is that of a hero/anti-hero who is very well known in Quintana Roo. However, Lalo suffered from delusional pain. His anguish revolved around losing his beloved Chemuyil, followed by mental conceptions of returning to Chemuyil, and finally psychological obsessions about how he would obtain another Chemuyil. Because Lalo's highs are both humorous and tragic, the author describes the book as a tragicomedy. Although Lalo's palapa bar is at the core of the drama, mixed into the story is nature at its best in an area of sea and jungle. Vivid descriptions also cover the after effects of hurricane Gilbert, as well as the role of the modern day Maya in the Yucatan. Barbara's fascination with Maya culture, Mexican politics, and her newly adopted Mexican family, connected her to insider information about another society. Her writing is an objective view of her inside connection, a summary of journal entries recorded while living in a motor home for three years . . . wintering at Chemuyil.
Lalo's autobiography takes readers on a musical rollercoaster, from his earliest enjoyment of Latino and black sounds in Tucson to his burgeoning career in Los Angeles singing with Los Carlistas, the quartet with which he began his recording career in 1938."--BOOK JACKET.
Lalo is tired of being Lalo Ramos, so he tries another, more "normal" name on for size. When his Hispanic grandparents start calling him by his new name, Lalo is worries that he may be losing his identity.
Publisher Description
Discover the Secrets to Happiness and Well-Being The excitement you feel after hearing good news or achieving a goal is fleeting, but true happiness-that is, the warm feeling of deep contentment and joy-is lasting, and it can be yours in every moment. The Buddha's Way of Happiness is a guide to putting aside your anxieties about the future, regrets about the past, and constant longing to change your life for the better, and awakening to the joy of living. With this book as your guide, you'll identify the barriers to happiness you create in your own life and use the eightfold path of Buddhist psychology to improve your ability to appreciate the small, joyful moments that happen every day. These exercises, meditations, and concrete approaches to practicing happiness and well-being are drawn from mindfulness, "no self," and other ancient Buddhist insights, many of which have been proven effective by today's psychologists and researchers. With the knowledge that happiness is a habit you can adopt like any other, take the first step down this deeply fulfilling path on your life's journey.
A Cello solo with Piano Accompaniment composed by Édouard Lalo.
The first ever graphic novel by political cartoonist Lalo Alcaraz blends political satire with the border icons from his youth and the fabricated good ole days' of official American TV culture. Through humorous and occasionally poignant stories relating to the author's childhood as the son of Mexican immigrants living on the US/Mexico border, Leave It to Beaner explores themes of immigration, biculturalism and the inevitable reverse-assimilation of America.'