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Beginning as a humble vaudeville hall in the Skowhegan-Madison trolley park, Lakewood Theatre has graced the southwestern shore of Lake Wesserunsett in Madison, Maine, since the turn of the 20th century. Under the masterful guidance of Herbert L. Swett, a Bangor native and Bowdoin graduate, Lakewood eventually developed into a nationally renowned playhouse that was called the "Broadway in Maine" by the New York Times in its heyday, from 1925 until World War II. In the years following the war, Lakewood was operated by Swett's heirs and became a virtual who's who of both Broadway and Hollywood, until it nearly went dark in the early 1980s. Operating today as a nonprofit community theater, Lakewood is the official state theater of Maine and the oldest continually running summer theater in the country.
In 1952, a small group gathered at the home of Dorothy Peetz in Lake Oswego, Oregon, and thought it would be fun for the community to have a little theater. They began to organize what was then known as the Oswego Players. What started as a little theater that traveled from pillar to post with costumes, props, and flats became the Lakewood Theatre Company at Lakewood Center for the Arts. The nonprofit theater attracts 40,000 patrons annually. Lakewood Center for the Arts, home of the city's annual Festival of the Arts, coordinates a large multi-exhibit arts education event to inspire and awe 25,000 visitors every year. Generations of people have made the Lakewood Center for the Arts a part of their daily lives through volunteerism or by attending classes, everything from ancestry to Zumba. Young actors that performed on Lakewood Theatre Company's stage later returned to direct their own productions.
Beginning as a humble vaudeville hall in the Skowhegan-Madison trolley park, Lakewood Theatre has graced the southwestern shore of Lake Wesserunsett in Madison, Maine, since the turn of the 20th century. Under the masterful guidance of Herbert L. Swett, a Bangor native and Bowdoin graduate, Lakewood eventually developed into a nationally renowned playhouse that was called the "Broadway in Maine" by the New York Times in its heyday, from 1925 until World War II. In the years following the war, Lakewood was operated by Swett's heirs and became a virtual who's who of both Broadway and Hollywood, until it nearly went dark in the early 1980s. Operating today as a nonprofit community theater, Lakewood is the official state theater of Maine and the oldest continually running summer theater in the country.
On Main Street illuminates the lives of people from earlier generations who influenced the author. The book captures the essence and innocence of a Maine town when communities were more insular and self-sufficient. While the individual events are those of Dexter, they reflect an era of great change in America. The stories’ universal themes combine the child’s sense of wonder with the adult’s observations and experience. On Main Street is about change and loss, connections and ironies, nostalgia and realities. It is told with subtle, self-deprecating humor, new found wisdom, and insight. This book will be enjoyed by an audience spanning several generations. On Main Street celebrates the lives of the author’s family members—a grandfather who is known for his egocentricities and eccentricities, his children who grew up in two very different worlds, and a great-aunt whose strength of character shines through. This book also details the lives of ordinary people and unusual characters in the community from Louis Chabot, who worked the looms at Amos Abbott Woolen Mill, to Jere Abbott, son of the mill owner, who became a co-founder of the Museum of Modern Art in New York City and a benefactor of Colby College’s art museum.
Theobald Maske has an unusual problem: his wife's underpants won't stay on. One Sunday morning they fall to her ankles right in the middle of town--a public scandal! Mortified, Theo swears to keep her at home until she can find some less unruly undies. Amid this chaos he's trying to rent a room in their flat. The prospective lodgers have some underlying surprises of their own. In The Underpants, Steve Martin brings his comic genius and sophisticated literary style to Carl Sternheim's classic 1910 farce, Die Hose. His hilarious new version was staged by Artistic Director Barry Edelstein, and opened in March '02 on Off-Broadway to critical acclaim.
Dallas was the show business capital of Texas and much of the South throughout the 20th century. More than 100 theatres served the citys neighborhoods, and Elm Street once boasted more than 15 vaudeville and movie theatressecond in number to Broadway. The quality of the show houses in Dallas were surpassed by few cities and all major, and most minor, Hollywood studios maintained Dallas offices. Notable names figuring in this history include Margo Jones, Blind Lemon Jefferson, Karl Hoblitzelle, Baruch Lumet, Bob Hope, Greer Garson, Linda Darnell, Howard Hughes, Clyde Barrow, Gene Autry, Oliver Stone, Pappy Dolson, Jack Ruby, Lee Harvey Oswald, Nicola Rescigno, Don Henley, and Frank Lloyd Wright.
Documenting the evolution of the American movie theatre and exploring its role in American culture and architecture, this work focuses on the career of S. Charles Lee, who designed more than 300 theatres between 1920 and 1950, buildings that became prototypes for the whole country.
Maine-ly Fun! is jam-packed with almost eight hundred activities to do and places to go with children in Maine—from the coast to the western mountains. This book will be a godsend not only to vacationers and travelers with children to Maine, but also to parents and other caregivers who live in Maine. Among the twenty chapter headings are: The Arts, Boating, Great Ideas from Famous Maine Folks, Hiking, Islands, Books, Websites, and Crafts.