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The Hawaiian Romance of Laieikawai, the first fictional work of literature produced by a Native Hawaiian. The story is based on a traditional legend about the princess Lāʻieikawai. The theme of songs and tales was rehearsed in prose and interspersed with oral songs by ancient Hawaiian storytellers. That's why it's an exciting mix of folklore and historical fiction.
The Story of Hawaii: History, Customs, Mythology, Geography & Archaeology" presents a comprehensive anthology that weaves together the multifaceted tapestry of Hawaii's rich heritage. This collection stands out for its eclectic mix of literary styles, ranging from scholarly essays to personal narratives, all converging to illuminate Hawaii's cultural, historical, and geographical identity. The anthology draws upon a wide array of sources, melding traditional Hawaiian lore with modern archaeological and ethnographic scholarship. The inclusion of works by individuals closely tied to Hawaii's storied past, such as King David Kalakaua, ensures a deeply authentic exploration of the islands legacy. The contributing authors and editors collectively bring a remarkable breadth of knowledge and perspective to this anthology. Each, in their own right, has significantly contributed to the understanding and preservation of Hawaiian culture. Their backgrounds span from indigenous leadership and scholarly research to government documentation, offering insights into Hawaii's evolution from its ancient roots to its contemporary standing. The anthology captures the essence of significant cultural and literary movements, portraying Hawaii as a prime example of the dynamic interplay between tradition and transformation. "The Story of Hawaii" is an indispensable read for anyone keen on delving deep into the heart of Hawaiis multifarious legacy. It offers readers a unique opportunity to experience Hawaii through a prism of diverse perspectives, fostering a richer comprehension of its history, traditions, and the ongoing dialogue between its past and present. This collection is not just educational but profoundly enlightening, inviting readers to journey across the breadth of Hawaiian thought and experience, all within the covers of a single volume.
In 'The Story of Hawaii (Illustrated Edition)', readers are presented with a rich tapestry of narratives that explore the multifaceted history and culture of the Hawaiian Islands. This anthology brings together a diverse collection of writings that span a range of styles, from historical documentation to personal narratives, each piece shedding light on the unique aspects of Hawaii's past and present. The compilation highlights significant historical events, cultural practices, and the profound impact of colonialism, offering readers a comprehensive and nuanced understanding of Hawaii's place in the broader context of Pacific and global histories. Standout pieces include accounts of ancient Hawaiian legends, explorations of political dynamics under King David Kalakaua's reign, and insightful analyses of census data, contributing to a holistic view of the Hawaiian experience. The contributing authors and editors, including figures such as Gerard Fowke, Nathaniel Bright Emerson, and King of Hawaii David Kalakaua, bring a wealth of knowledge and perspective to the anthology. Their backgrounds, ranging from anthropology to political leadership, enable a rich dialogue between the various literary forms and the thematic content of the collection. This anthology aligns with cultural, historical, and literary movements that seek to illuminate indigenous perspectives and histories often marginalized in mainstream discourse, offering readers an in-depth look at Hawaii's evolution through a wide-ranging scope of viewpoints. 'The Story of Hawaii (Illustrated Edition)' is a must-read for those looking to delve into the complex tapestry of Hawaiian culture and history. It offers an unparalleled opportunity to engage with the diverse narratives that shape the identity of the Hawaiian Islands, through the lens of acclaimed scholars and notable figures in Hawaiian history. This collection invites readers to explore the richness of Hawaiian traditions, politics, and social dynamics, fostering a deeper understanding and appreciation for the intricate stories that compose Hawaii's past and present. It is an essential volume for scholars, students, and anyone interested in the cross-sectional study of culture, history, and the power of storytelling.
Ku and Hina—man and woman—were the great ancestral gods of heaven and earth for the ancient Hawaiians. They were life's fruitfulness and all the generations of mankind, both those who are to come and those already born. The Hawaiian gods were like great chiefs from far lands who visited among the people, entering their daily lives sometimes as humans or animals, sometimes taking residence in a stone or wooden idol. As years passed, the families of gods grew and included the trickster Maui, who snared the sun, and fiery Pele of the volcano. Ancient Hawaiians lived by the animistic philosophy that assigned living souls to animals, trees, stones, stars, and clouds, as well as to humans. Religion and mythology were interwoven in Hawaiian culture; and local legends and genealogies were preserved in song, chant, and narrative. Martha Beckwith was the first scholar to chart a path through the hundreds of books, articles, and little-known manuscripts that recorded the oral narratives of the Hawaiian people. Her book has become a classic work of folklore and ethnology, and the definitive treatment of Hawaiian mythology. With an introduction by Katherine Luomala.
For students of Hawaiian language, music, dance and culture, this work is a rare mine of gold! The author gives the original songs in Hawaiian text, coupled with English translations. These songs are very much a part of Hawaiian culture and society, the texts showing roots in mythological facets, cultural associations, ecological backdrops, and even erotic imagery!
For students of Hawaiian language, music, dance and culture, this work is a rare mine of gold! The author gives the original songs in Hawaiian text, coupled with English translations. These songs are very much a part of Hawaiian culture and society, the texts showing roots in mythological facets, cultural associations, ecological backdrops, and even erotic imagery!
The Laieikawai is a Hawaiian romance which recounts the wooing of a native chiefess of high rank and her final deification among the gods. The story was handed down orally from ancient times in the form of a kaao, a narrative rehearsed in prose interspersed with song, in which form old tales are still recited by Hawaiian story-tellers. It was put into writing by a native Hawaiian, Haleole by name, who hoped thus to awaken in his countrymen an interest in genuine native story-telling based upon the folklore of their race and preserving its ancient customs—already fast disappearing since Cook's rediscovery of the group in 1778 opened the way to foreign influence—and by this means to inspire in them old ideals of racial glory. Haleole was born about the time of the death of Kaméhaméha I, a year or two before the arrival of the first American missionaries and the establishment of the Protestant mission in Hawaii. In 1834 he entered the mission school at Lahainaluna, Maui, where his interest in the ancient history of his people was stimulated and trained under the teaching of Lorrin Andrews, compiler of the Hawaiian dictionary, published in 1865, and Sheldon Dibble, under whose direction David Malo prepared his collection of "Hawaiian Antiquities," and whose History of the Sandwich Islands (1843) is an authentic source for the early history of the mission. Such early Hawaiian writers as Malo, Kamakau, and John Ii were among Haleole's fellow students. After leaving school he became first a teacher, then an editor. In the early sixties he brought out the Laieikawai, first as a serial in the Hawaiian newspaper, the Kuokoa, then, in 1863, in book form. Later, in 1885, two part-Hawaiian editors, Bolster and Meheula, revised and reprinted the story, this time in pamphlet form, together with several other romances culled from Hawaiian journals, as the initial volumes of a series of Hawaiian reprints, a venture which ended in financial failure. The romance of Laieikawai therefore remains the sole piece of Hawaiian, imaginative writing to reach book form. Not only this, but it represents the single composition of a Polynesian mind working upon the material of an old legend and eager to create a genuine national literature. As such it claims a kind of classic interest.