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The ladybug tries to fit in with other insects, but nothing works until a butterfly helps her find her family.
Adventurous Margueritte becomes an energy traveler and finds herself in a marvelous journey between her human childhood and an exciting life among nature. She travels by the power of love and quantum into other creatures’ worlds, waking up to a fabulous reality and a new kind of fun that she happily shares with friends. These journeys create in her awareness of the beauty and wisdom we are part of, which makes her celebrate life joyfully.
In The Blues of Heaven, Barbara Ras delivers her characteristic subjects with new daring that both rattles and beguiles. Here are poems of grief over her brother’s death; doors to an idiosyncratic working-class childhood among Polish immigrants; laments for nature and politics out of kilter. Ras portrays the climate crisis, guns out of control, the reckless injustice and ignorance of the United States government. At the same time, her poems nimbly focus on particulars—these facts, these consequences—bringing the wreckage of unfathomable harm home with immediacy and integrity. Though her subjects may be dire, Ras also weaves her wise humor throughout, moving deftly from sardonic to whimsical to create an expansive, ardent, and memorable book. Survival Strategies To dig for quahogs, to feel their edges like smiles and pull against their suck to toss them in a bucket. To feel the wind as a friend, to feel its current as luck. To ignore Capricorn and Cancer presuming to slice the globe. To know the lie in “names can never hurt you.” To be a gull breezing the blue, eating nothing but clouds. To measure your ties to the past by the strength of cobwebs. To haunt the widow’s walk, its twelve narrow windows each the size of a child’s coffin. To watch the harbor where the Acushnet runs into Buzzards Bay before it was named a Superfund site full of PCBs. To wonder if that water you swam summer after aimless summer could get you the way something got your brother, too fast, too soon. To bury or burn the whole family you were born to and talk to them only through the smoke of letters you torch at their graves. To see a snake with a ladybug on its back and still refuse to pray.
“Gee, Joan, if only you were French and male and dead.” —New York art dealer to Joan Mitchell, the 1950s She was a steel heiress from the Midwest—Chicago and Lake Forest (her grandfather built Chicago’s bridges and worked for Andrew Carnegie). She was a daughter of the American Revolution—Anglo-Saxon, Republican, Episcopalian. She was tough, disciplined, courageous, dazzling, and went up against the masculine art world at its most entrenched, made her way in it, and disproved their notion that women couldn’t paint. Joan Mitchell is the first full-scale biography of the abstract expressionist painter who came of age in the 1950s, ’60s, and ’70s; a portrait of an outrageous artist and her struggling artist world, painters making their way in the second part of America’s twentieth century. As a young girl she was a champion figure skater, and though she lacked balance and coordination, accomplished one athletic triumph after another, until giving up competitive skating to become a painter. Mitchell saw people and things in color; color and emotion were the same to her. She said, “I use the past to make my pic[tures] and I want all of it and even you and me in candlelight on the train and every ‘lover’ I’ve ever had—every friend—nothing closed out. It’s all part of me and I want to confront it and sleep with it—the dreams—and paint it.” Her work had an unerring sense of formal rectitude, daring, and discipline, as well as delicacy, grace, and awkwardness. Mitchell exuded a young, smoky, tough glamour and was thought of as “sexy as hell.” Albers writes about how Mitchell married her girlhood pal, Barnet Rosset, Jr.—scion of a financier who was head of Chicago’s Metropolitan Trust and partner of Jimmy Roosevelt. Rosset went on to buy Grove Press in 1951, at Mitchell’s urging, and to publish Henry Miller, Samuel Beckett, Jean Genet, Jack Kerouac, Allen Ginsberg, et al., making Grove into the great avant-garde publishing house of its time. Mitchell’s life was messy and reckless: in New York and East Hampton carousing with de Kooning, Frank O’Hara, James Schuyler, Jane Freilicher, Franz Kline, Helen Frankenthaler, and others; going to clambakes, cocktail parties, softball games—and living an entirely different existence in Paris and Vétheuil. Mitchell’s inner life embraced a world beyond her own craft, especially literature . . . her compositions were informed by imagined landscapes or feelings about places. In Joan Mitchell, Patricia Albers brilliantly reconstructs the painter’s large and impassioned life: her growing prominence as an artist; her marriage and affairs; her friendships with poets and painters; her extraordinary work. Joan Mitchell re-creates the times, the people, and her worlds from the 1920s through the 1990s and brings it all spectacularly to life.
The solos in Romantic Sketches, Book 1, will delight pianists who favor the Romantic style. Playing with musical expression is an important skill used in making music and is much more than just playing the notes on the printed page. Music written in the Romantic style is the perfect choice for developing this skill. These short, musical sketches will encourage students to play with nuance and sensitivity. Titles: * A Fond Farewell * Little Song * Medieval Festival * Morning Light * The Perfect Rose * Promises * Shadow Dance * Special Moments * Starlight Prelude * A Story from Long Ago * Summertime Waltz * Sun Showers
Hollywood 1963-1976 chronicles the upheaval and innovation that took place in the American film industry during an era of pervasive cultural tumult. Exploring the many ideologies embraced by an increasingly diverse Hollywood, Casper offers a comprehensive canon, covering the period's classics as well as its brilliant but overlooked masterpieces. A broad overview and analysis of one of American film's most important and innovative periods Offers a new, more expansive take on the accepted canon of the era Includes films expressing ideologies contrary to the misremembered leftist slant Explores and fully contextualizes the dominant genres of the 60s and 70s
These short, musical sketches written in a Romantic style by famed composer Martha Mier will encourage students to play with nuance and sensitivity. Titles: * Elegant Waltz * Elizabeth's Ballad * An Evening in Paris * Graceful Ballet * Interlude * The Magic Garden * Prelude in D Major * Romance * Song of Peace * Young at Heart
Book 4 of this series continues with four duets in jazz, rags, and blues styles. The duets are slightly longer than the duets in books 1 through 3, creating a satisfying performance experience for advancing students. "These duets would be a great addition to any recital or performance experience is excellent for sight reading at a lesson with the teacher; or used to provide personal pleasure as the music is shared with the duet partner." Jean Ritter, Progressions
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.