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Giles Fairhaven, Viscount Kincade, does not believe his life can get much worse after his purse is stolen at an inn before he has paid his bill and then he is set upon by three ruffians in the inn yard before he can leave. But it does grow worse when a little slip of a lady clad only in a flannel nightgown and wielding a large black man's umbrella comes to his rescue and puts his assailants to rout and then--after he has left--pays his reckoning at the inn plus the money he lost the evening before in a card game with a fellow guest plus what he owed the barmaid with whom he spent the night. The ensuing gossip is almost too much humiliation for Giles to bear. Yet when he finds and confronts Daisy Morrison in London, far from being cowed by his displeasure, she declares with sunny good nature that if he insists upon repaying the slight favour she was able to do for him, then he can recommend a lady sponsor to her so that she may find a husband for her younger sister among the gentlemen of the ton. Inexplicably, Giles finds himself agreeing. His troubles are only just beginning.
A young girl who has lost her father finds herself at the mercy of a mysterious woman who is not quite what she seems in this atmospheric and unputdownable novel from the New York Times bestselling author of the Flowers in the Attic series turned into popular Lifetime movies. Left on a train platform in an unfamiliar village, little Saffron Faith Anders is certain her father will return shortly, just like he promised. She holds out hope even as the hours pass and the station grows dark. When a strange old woman with a large umbrella approaches and inquiries about her situation, Saffron doesn’t immediately trust the imposing do-gooder, but with the chances of her father returning growing ever slimmer, she agrees to rest at the old woman’s house. Her stay was supposed to be for a few minutes, hours at most, but soon, Saffron soon realizes she has been confined to a house of dark secrets and is now at the mercy of the enigmatic Umbrella Lady. One minute grandmotherly and the next wickedly cruel, she shears Saffron’s hair, burns all the clothes she had in her suitcase, and pretends that the photo of a young girl hanging on her bedroom wall is no one in particular. When strange letters arrive from Saffron’s father, claiming that he will send for her shortly, hope returns to her young heart. But Saffron soon discovers that those who claim to love you will often hurt you the most....
The victim was young, lovely and seduced by the wrong man… Mere hours before her wedding, the fiancée of real estate mogul JP Stratton is found strangled in her penthouse. New Orleans homicide detective Charlotte "Charlie" Le Blanc views the crime scene, finding a black silk stocking draped casually beside the body—a chilling calling card from the killer. The dramatic clue leads Charlie to a world of privilege and wealth, and before long she singles out a suspect whose identity creates a furor in the city: Cole Stratton, JP's estranged son. But what she doesn't know is that Cole has been set up, and while she sets out to prove his guilt a real killer is on the loose—a man who now has Charlie in his sights, a man with yet another black silk stocking.
"A female investigator every bit as brainy and battle-hardened as Lisbeth Salander." —Maureen Corrigan, NPR's Fresh Air, on Maisie Dobbs Maisie Dobbs got her start as a maid in an aristocratic London household when she was thirteen. Her employer, suffragette Lady Rowan Compton, soon became her patron, taking the remarkably bright youngster under her wing. Lady Rowan's friend, Maurice Blanche, often retained as an investigator by the European elite, recognized Maisie’s intuitive gifts and helped her earn admission to the prestigious Girton College in Cambridge, where Maisie planned to complete her education. The outbreak of war changed everything. Maisie trained as a nurse, then left for France to serve at the Front, where she found—and lost—an important part of herself. Ten years after the Armistice, in the spring of 1929, Maisie sets out on her own as a private investigator, one who has learned that coincidences are meaningful, and truth elusive. Her very first case involves suspected infidelity but reveals something very different. In the aftermath of the Great War, a former officer has founded a working farm known as The Retreat, that acts as a convalescent refuge for ex-soldiers too shattered to resume normal life. When Fate brings Maisie a second case involving The Retreat, she must finally confront the ghost that has haunted her for over a decade.
One by one, three young girls vanish in a small town in upstate New York. With the first disappearance, the townspeople begin to mistrust outsiders. When the second girl goes missing, neighbors and childhood friends start to eye each other warily. And with the third disappearance, the sleepy little town awakens to a full-blown nightmare. The Church of Dead Girls is a novel that displays Stephen Dobyns’ remarkable gifts for exploring human nature, probing the ruinous effects of suspicion. As panic mounts and citizens take the law into their own hands, no one is immune, and old rumors, old angers, and old hungers come to the surface to reveal the secret history of a seemingly genteel town and the dark impulses of its inhabitants.
"If sparrows are but a metaphor, every writer faces the challenge of reality, which is to say, how one catches this sparrow." So writes Bei Dao in his preface to Loud Sparrows, a spirited collection of ninety-one short-shorts, an exciting new form of extreme short-storytelling that has swept the creative consciousness of mainland China, Hong Kong, and Taiwan. The artistic and aesthetic freedoms of short-shorts enable writers to capture the tone, texture, and chaos of their rapidly changing societies in infinitely inventive ways. Written by Chinese authors over the past three decades, the stories in this anthology are culled from newspapers, magazines, literary journals, and personal collections, and their subjects range from humanist ideals and traditional virtues to the material benefits of a commercialized society.
Reveals the troubling intimacy between Black women and the making of US global power The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.
DigiCat Publishing presents to you this special edition of "The Slanderers" by Warwick Deeping. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.