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A cynical marquess attracts the attention of a benevolent beauty who convinces him that she's the secret to his happiness. Original.
JAKE HARRIS SAVES PEOPLE FROM THE SEA But Englishwoman Olivia Madison's no damsel in distress. A woman on a mission, she intrigues Jake with her feistiness and determination—even as her stubbornness causes rifts between his tight-knit brotherhood of seamen. But just what is in her precious cargo? Olivia must sell her shipload of antiques to free her brother from an English debtor's prison. But when her long journey ends in tragedy on North Carolina's Outer Banks, she has nowhere to turn—except to the rugged man who fished her from the cold Atlantic. Can she prove that her purposes are honorable…and find true love with her rescuer?
Mistaken Identity--Viola and her twin brother Sebastian are shipwrecked. While coming ashore they are separated and she assumes he has drowned. Upon reaching shore Viola decides to disguise herself as a young man. Mistaken identity and romance ensue.'Tis beauty truly blent whose red and white Nature's own sweet and cunning hand laid on: Lady you are the cruell'st she alive If you will lead these graces to the grave And leave the world no copy.
As the most dazzling debutante of 1811, beautiful and reckless Miss Olivia Templestowe scandalised society when she eloped with notorious rake, Lucien, Lord Farquhar. Five years later, she's paid the highest price for her impetuosity. Lucien is dead, branding his wife a whore and unfit mother, and willing the care of their child to a relative. Now Olivia is about to orchestrate a grand charade to reclaim everything she has lost. AFTER YEARS ABROAD, fighting for king and country, Max Atherton has returned to the estate he's inherited and to take responsibility for his cousin's child. When he discovers a young woman, unconscious, on his land, he's fired up with new purpose as love blossoms when he nurses her back to health. But Olivia possesses a secret far darker than simply her identity. A secret that threatens the future of the honourable man who has fulfilled her heart's desire. As Olivia struggles to choose between Max's future, and safeguarding her son's, Max must discover the key to the puzzle that will free them all – before tragedy strikes! A passionate love story with an intriguing mystery at its core. "Sweet with heat and hard to beat, Lady Farquhar's Butterfly gains momentum as it builds to a terrifying climax...." ~ Long and Short Reviews
In this continuation of the epic fantasy series–The Triadine Saga–Peter is desperately in love with the beautiful Lady Olivia. After rescuing her from the Goblins and the Brotherhood of Khall, he is hopeful that she will return his love, though she believes she owes her salvation to another man. Alexandra has been captured by the Gaerwitch, a Wiccan Sorceress who can be either friend or foe. She was instrumental in assisting Princess Rozlynn in Prophecy’s Queen, which ultimately led to the birth of the twins and the death of Alexandra’s mother. The separate armies of the Pulat, Al-Ashal and the Dark Wizard grow stronger every day, as the world grows closer to another Great War pitting good versus evil for domination of the world. The great Dragon Lord Barak wields expanding power over thousands of disciples who wish only to return to a time when the Dragon Lords ruled the world. As the armies of men come together in the inevitable battle for power between the Kingdom of Aren and the Free Cities, who will prevail? Will the Children of The Prophecy get the chance to fulfill their destiny, or will evil destroy light and plunge the world into a thousand years of darkness?
In 1643/4 the once-famous Francis Cleyn painted the unhappy young heir of Corfe Castle, John Bankes, and his tutor, Dr Maurice Williams. The painter is now almost forgotten,the painting much neglected, and the sitters themselves have left little to mark their lives, but on the table of the painting lies a book, open to an immediately identifiable and very significant page. The representation omits the author's name and the book's title; it sits there as a code, as only viewers who had encountered the original and the characteristic figures on its frontispiece would have known its significance. The book is Galileo's Dialogue on the two chief world systems (1632), the defence of Copernican cosmology that incited the infamous clash between its author and the Church, and its presence in this painting is no accident, but instead a statement of learning, attitudes, and cosmopolitan engagement in European discourse by the painting's English subjects. Grasping hold of the clue, John Helibron deciphers the significance of this contentious book's appearance in a painting from Stuart England to unravel the interlocking threads of art history, political and religious history, and the history of science. Drawing on unexploited archival material and a wide range of printed works, he weaves together English court culture and Italian connections, as well as the astronomical and astrological knowledge propagated in contemporary almanacs and deployed in art, architecture, plays, masques, and political discourse. Heilbron also explores the biographies of Sir John Bankes (father of the sitter), Sir Maurice, and the painter, Francis Cleyn, setting them into the narrative of their rich and cultured history.
The books in this series provide support material to help students and teachers in the study of Shakespeare. In particular, it is designed to give students with special educational needs and those with English as a second or other language access to this part of the national curriculum.