Download Free Lady Charlotte Schreiber Extracts From Her Journal 1853 1891 Book in PDF and EPUB Free Download. You can read online Lady Charlotte Schreiber Extracts From Her Journal 1853 1891 and write the review.

This volume deals with the heroine's years of widowhood, second marriage and then second widowhood.
"Lady Charlotte's translation of the Mabinogion opens a window into several important nineteenth-century intellectual issues. It sheds light on the interrelationships among antiquarianism, philosophy, folklore collection, and children's literature that underlie the works of such seminal creators of the Victorian fairy tale as the Brothers Grimm.".
The remarkable biography of a mother of ten who stepped up to run her late husband’s ironworks in Victorian Wales. When impoverished aristocrat Lady Charlotte Bertie married wealthy Welsh ironmaster John Guest of Dowlais in 1833, her relatives looked on with dismay. Yet despite their vast difference of background and age, over their nineteen-year long marriage husband and wife enjoyed great happiness and much adventure. There would be ten children, and while John built up an immense commercial empire, Charlotte championed Welsh culture. Crucially, she taught herself John’s business from the inside. Over the years, she made the keenest observation of iron production, the fluctuations of the trade, and the engineering innovations. When John died in 1852, she was therefore uniquely placed to succeed him as head of the works—a remarkable position for a Victorian woman. She endeavored to introduce reforms, but also—rather to her dismay—had to weather a potentially destructive strike. But success came at a price. With her star seemingly in the ascendant, Lady Charlotte suddenly chose to abandon all, leave Wales, and marry her sons’ tutor. This book traces the ardent, creative years of her first marriage, explores her determination to preserve John’s legacy as a widow, and observes her growing devotion to the scholarly Charles Schreiber.
Translation as Transformation in Victorian Poetry illuminates the dynamic mutual influences of poetic and translation cultures in Victorian Britain, drawing on new materials, archival and periodical, to reveal the range of thinking about translation in the era. The results are a new account of Victorian translation and fresh readings both of canonical poems (including those by Browning and Tennyson) and of non-canonical poems (including those by Michael Field). Revealing Victorian poets to be crucial agents of intercultural negotiation in an era of empire, Annmarie Drury shows why and how meter matters so much to them, and locates the origins of translation studies within Victorian conundrums. She explores what it means to 'sound Victorian' in twentieth-century poetic translation, using Swahili as a case study, and demonstrates how and why it makes sense to consider Victorian translation as world literature in action.
In 1957, Richard Altick's groundbreaking work The English Common Reader transformed the study of book history. Putting readers at the centre of literary culture, Altick anticipated-and helped produce-fifty years of scholarly inquiry into the ways and means by which the Victorians read. Now, A Return to the Common Reader asks what Altick's concept of the 'common reader' actually means in the wake of a half-century of research. Digging deep into unusual and eclectic archives and hitherto-overlooked sources, its authors give new understanding to the masses of newly literate readers who picked up books in the Victorian period. They find readers in prisons, in the barracks, and around the world, and they remind us of the power of those forgotten readers to find forbidden texts, shape new markets, and drive the production of new reading material across a century. Inspired and informed by Altick's seminal work, A Return to the Common Reader is a cutting-edge collection which dramatically reconfigures our understanding of the ordinary Victorian readers whose efforts and choices changed our literary culture forever.
This book presents the history of a gentlemen’s club in London that was founded in 1866 for the purpose of exhibiting private art collections. It takes the main exhibition themes as a starting point to explore approaches to art, connoisseurship and display in a unique setting.
An introduction to the field of women and gender in Victorian and Edwardian England. This set describes sources that offer a broad spectrum of opinions, debates, ideas and ideologies about "woman" as revealed in writings a bout sex roles, gender and womanhood; marriage, family and domestic life; health and medical treatment; law and amendments to legal definitions of women's place; religion; and education.
This volume marks the twentieth anniversary of the first publication of this groundbreaking book. It reflects the pioneering research of its contributors to the development of modern Welsh women's history. The eight chapters range widely across time (1830-1939) and place, from exploring working class women's community sanctions and the perils facing collier's wife to the very different lifestyles of ironmasters' wives. They also tackle the idealised images of respectable Welsh women in periodicals and the tragic reality of those who took their own lives as well as showing us the transgressive actions of suffrage rebels. They examine how women carved out space within movements such as temperance and track the fluctuating fortunes of women's employment and domestic life from the Great War to the eve of the Second World War. This volume makes available once more a book that has become a classic in its field and a vital part of the historiography of modern Wales. This expanded edition also brings us up to date. It reveals the research and publications of the last two decades and comments upon the extent to which Wales has moved beyond being the familiar 'land of our fathers'. Written in a lively and accessible style, it nevertheless draws upon a wealth of research and expertise and should appeal to both the academic community and to a much wider readership.