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The revival of traditional printing methods has been afoot for the last decade, and the tactile charm of letterpress has ensured that its popularity is on the rise. Ladies of Letterpress is an organization that champions the craft, and in particular seeks to showcase and promote the work of women printers. A gallery of art by its members, the work in Ladies of Letterpress ranges from greetings cards to broadsides and posters, and is offered in a cornucopia of type and illustration styles. What comes through clearly, though, is the quality of the work: every one of these pieces is worthy of display on your wall, and with 80 detachable pages, you can create an instant and beautiful gallery of your own.
Winner - American Graphic Design Award, Graphic Design USA Conveying the authors' love of the letterpress process and product, this book presents the technical, historical, aesthetic and practical information necessary for both students and instructors. The 2nd edition of For the Love of Letterpress includes an updated gallery of contemporary images of letterpress printing, as well as a new chapter of letterpress assignments from the United States, United Kingdom and Europe. Both additions attest to the dynamic and continued relevance of the media. The authors show how contemporary digital processes have expanded the boundaries of traditional letterpress. By writing with passion and experience, they indicate why a 15th century printing technology based upon crafting with one's hands, still has appeal and value to 21st century artists and designers. Whether incorporated into an academic curriculum or used for self-study, For the Love of Letterpress is a must for students who wish to learn letterpress and instructors seeking inspiration and reference.
Explains how to use various types of presses, and includes twenty projects ranging from cards and calendars to stationery and masks.
"The theme of this collection is "miniature broadsides," and the results collected from an international group of Ladies of Letterpress members present a delightful showcase of the possibilities of letterpress and the creativity of printers. From poems to prose to beautiful illustrations, these small works of art are each collectible gems. Organized by Camille Robin of Fish Lake Press, this swap is another way the Ladies of letterpress community expresses itself, shares its work, and keeps in touch. We hope you enjoy it as much as we enjoyed making it." Kseniya Thomas, Director, Ladies of Letterpress"--enclosed participants list.
A national bestseller, this lushly illustrated book is an inclusive celebration of inspiring women who transformed the world and created social change. Dead Feminists is a gorgeously illustrated letterpress-inspired book showcasing feminist history with a vision for a better future. Based on the beloved letterpress poster series of the same name, this book brings feminist history to life, profiling 27 unforgettable forebears of the modern women’s movement such as Eleanor Roosevelt, Gwendolyn Brooks, Rachel Carson, and more. Across eras and industries, passions and geographies, this collection of diverse, progressive, and perseverant women faced what looked like insurmountable odds and yet, still, they persisted. Dead Feminists, which features a foreword by Jill Lepore, author of The Secret History of Wonder Woman, is an illuminating and innovative reminder that women can be extraordinary agents of change. The future is female, but in many ways so is the past. Dead Feminists takes feminist inspiration to a new level of artistry and shows how ordinary and extraordinary women have made a difference throughout history (and how you can too). Featured Feminists: Adina De Zavala Alice Paul Annie Oakley Babe Zaharias Eleanor Roosevelt Elizabeth Cady Stanton Elizabeth Zimmerman Emma Goldman Fatima al-Fihri Gwendolyn Brooks Harriet Tubman Imogen Cunningham Jane Mecom Marie Curie Queen Lili’uokalani Rachel Carson Rywka Lipszyc Sadako Sasaki Sappho Sarojini Naidu Shirley Chisholm Thea Foss Virginia Woolf Washington State Suffragists
Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.
The US presidential election in 2016 brought to a head myriad political activism around the world, around the rights of minorities, women, the LGBTQ community, and the environment. In the midst of this turmoil, nearly 300 designers from around the world answered the call to create this collection of 50 tear-out posters for people who want to make their voices heard in a time of unprecedented uncertainty and apprehension. A foreword by Avram Finkelstein, a designer for the AIDS art activist collective Gran Fury, looks at the crucial role of graphic activism in the current political climate.
Paris is a city of pure enchantment, and everyone who loves the City of Light has a Parisian muse, from the Tour Eiffel to crème caramel. For celebrated graphic designer and incessant flâneur Louise Fili, it's the city's dazzling signage. For more than four decades, Fili has strolled picturesque Parisian rues and boulevards with map and camera, cataloging the work of generations of sign craftsmen. Graphique de la Rue is Fili's photographic diary of hundreds of Paris's most inventive restaurant, shop, hotel, street, and advertising signs. Classic neon café signs are juxtaposed with the dramatic facades of the Moulin Rouge and the Folies Bergère. Colorful mosaics cheerfully announce hotel entrances, department stores, fishmongers, even public toilets. Hector Guimard's legendary entrances to the Paris Métro stations brush elbows with graceful gold-leaf and dimensional Art Deco, Futurist, or Art Nouveau architectural lettering, as well as whimsical pictorial signs (giant eyeglasses announce optiques, and oversized hanging shears indicate a knife and scissors maker). A major influence on Fili's own work, many of these masterpieces of vernacular design, now destroyed, live on solely in this book, a typographic love letter to Paris sure to inspire designers and armchair travelers alike.
Friday, December 19, 1777, dawned cold and windy. Fourteen thousand Continental Army soldiers tramped from dawn to dusk along the rutted Pennsylvania roads from Gulph Mills to Valley Forge, the site of their winter encampment. The soldiers' arrival was followed by the army's wagons and hundreds of camp women. Following the Drum tells the story of the forgotten women who spent the winter of 1777-78 with the Continental Army at Valley Forge--from those on society's lowest rungs to ladies on the upper echelons. Impoverished and clinging to the edge of survival, many camp women were soldiers' wives who worked as the army's washers, nurses, cooks, and seamstresses. Other women at the encampment were of higher status: they traveled with George Washington's entourage when the army headquarters shifted locations and served the general as valued cooks, laundresses, or housekeepers. There were also the ladies at Valley Forge who were not subject to the harsh conditions of camp life and came and went as they and their husbands, Washington's generals and military advisers, saw fit. Nancy K. Loane uses sources such as issued military orders, pension depositions after the war, soldiers' descriptions, and some of the women's own diary entries and letters to bring these women to life.