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This reference tool covers the technology and methods of treatment for both types of lacquer and assesses current practices. It describes production technology and decorative techniques and discusses the materials used in Asian lacquer.
This book is a comprehensive resource covering the principles and practice of the conservation and restoration of furniture, and other decorative art objects made wholly or partly of wood. It integrates theory with practice to show the principles which govern interaction between wooden objects, the environmental and conservation treatments and the factors which need to be taken into account to arrive at acceptable solutions to conservation problems. The practical knowledge and experience of a team of conservators active in the field are bought together with theoretical and reference material from diverse sources and unified within a systematic framework. Specialist conservators from related disciplines cover diverse materials often incorporated into furniture.
The international workshop on conservation of East Asian cabinets in imperial residences (1700–1900) marked the starting point for the FWF-funded research project on the East Asian cabinets in Schönbrunn palace. The workshop facilitated the exchange of knowledge and experience between international conservators, art historians and related experts in the fields of Asian and European lacquerware and porcelain.
This report attempts to isolate and separately examine each of the factors known to lead to cellulose nitrate decomposition, and then relate their contribution to the instability of the polymer when it is used as a bonding agent for ceramics and as a lacquer for metal objects. These factors include deterioration caused by heat, radiation, or acid impurities, or through the loss of plasticizer. There is, moreover, decomposition caused autocatalytically by the initial breakdown products. In particular, the publication examines new information on chemical changes under ambient conditions that has been developed recently through advances in analytical procedures such as chemiluminescence, X-ray scanning spectroscopy (ESCA), and more sophisticated viscometry. This new information will be added to the large body of data, collected over the past 150 years, on the instability of cellulose nitrate under more severe conditions.
Lacquer Chemistry and Applications explores the topic of lacquer, the only natural product polymerized by an enzyme that has been used for a coating material in Asian countries for thousands of years. Although the human-lacquer-culture, including cultivation of the lacquer tree, harvesting, and the use of lacquer sap, has a long history of more than thousand years, there is very little information available on the modern scientific methods to study lacquer chemistry. This book, based on the results of the authors' 30 years of research on lacquer chemistry, offers lacquer researchers a unique reference on the science and applications of this extremely important material. Covers the chemistry and properties of lacquer, including synthesis of its various components Provides up-to-date analytical techniques for lacquer identification and characterization Discusses possible toxicity effects Outlines new modification techniques for developing higher performance material Presents the history of this versatile coating material that has evolved from its origins in Asian countries over thousands of years
The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.
Proceedings of the 7th Symposium Hellenic Society for Archaeometry includes a selection of contributions, covering a wide range of fields in archaeological science, such as provenance and technology of archaeomaterials, geo- and bio-archaeology, dating and landscape studies, as well as papers illuminating the origins of archaeometry in Greece.
This volume highlights recent research efforts in the conservation and investigation of works of art on wood. Through eleven case studies it showcases different experimental methods ranging from X-ray analysis of objects to the study of cross-sections made from micro-samples. New research focusing on the technical study, treatment and assessment of works of art on wood in its many forms is featured in this edited volume. Technical studies include the attribution and investigations of a triptych by Hans Memling and a sculpture from workshop of Michel and Gregor Erhart, decorated Syrian rooms, and investigations of finely carved Gothic wooden objects. Synchrotron-based methods are presented for studying the alteration of 19th c. verdigris in Norway, and multi-analytical methods are employed for the investigations of 16th to 19th c. East Asian lacquer from the Kunsthistorisches Museum in Vienna. Novel methods for the cleaning of gilded surfaces using gels and emulsions are shown, as are innovative strategies for the consolidation for waterlogged wood, providing key data for the assessment of risks and benefits of new methods, and the short and long-term effects on gilding layers and archaeological wood. The book clearly shows how collaboration between engineers, physicists, biologists and chemists and conservators of different types of materials can lead to new research in conservation science. This book is crucial reading for conservators and conservation scientists, as well as for technical art historians, providing key methodological case studies of polychromy from different temporal and geographical contexts.